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Biography

Other usesRedirect4|Dancer|DancingRefimprove|date=March 2011Sprotect2Infobox Performing Arts| name = Dance| image = Two dancers.jpg| caption = Modern dance | medium =| types =| ancestor =| descendant =| culture = various| era = Antiquity Dance is an art form that generally refers to Motion (physics)|movement of the body, usually rhythmic and to music, http://www.britannica.com/eb/article-9110116/dance Britannica.com used as a form of Emotional expression|expression , social Interpersonal relationship|interaction or presented in a spirituality|spiritual or performance setting.

Dance may also be regarded as a form of nonverbal communication between humans, and is also performed by other animal s ( bee dance , Fixed action pattern|patterns of behaviour such as a mating dance). Gymnastics , figure skating and synchronized swimming are sport s that incorporate dance, while martial arts Kata (martial arts)|kata are often compared to dances. Motion (physics)|Motion in ordinarily inanimate objects may also be described as dances ( the leaves danced in the wind ).

Definitions of what constitutes dance are dependent on Society|social , Culture|cultural , aesthetic , artistic and moral constraints and range from functional movement (such as folk dance ) to virtuoso techniques such as ballet . Dance can be Participation dance|participatory , social dance|social or Concert dance|performed for an audience . It can also be Ceremonial dance|ceremonial , :Category:Competitive dance|competitive or Erotic dance|erotic . Dance movements may be without significance in themselves, such as in ballet or European folk dance , or have a gesture|gestural vocabulary / symbol ic system as in many Asian dances. Dance can embody or express ideas, emotion s or tell a narrative|story .

Dancing has evolved many styles. Breakdancing and Krumping are related to the hip hop culture . African dance is interpretative. Ballet, Ballroom, Waltz, and Tango are classical styles of dance while Square Dance and the Electric Slide are forms of step dance s.

Every dance, no matter what style, has something in common. It not only involves flexibility and body movement, but also physics. If the proper physics are not taken into consideration, injuries may occur.

Choreography is the art of creating dances. The person who creates (i.e., choreographs) a dance is known as the choreographer .

TOC

Origins and history


Main|History of dance
Dance does not leave behind clearly identifiable physical artifacts such as stone tool s, hunting implements or cave paintings . It is not possible to say when dance became part of human culture.

Joseph Jordania recently suggested, that dance, together with rhythm ic music and body painting , was designed by the forces of natural selection at the early stage of hominid evolution as a potent tool to put groups of human ancestors in a battle trance , a specific altered state of consciousness . In this state hominids were losing their Individuality|individual identity and were acquiring collective identity . Joseph Jordania , 2011, Why do People Sing? Music in Human Evolution , Logos, pg.98-102 Jonathan Pieslak's research shows, that some contemporary military units use loud group singing and dancing in order to prepare themselves for the dangerous combat missions.Jonathan Pieslak, 2009, Sound Targets: American Soldiers and Music in the Iraq War (Bloomington and Indianapolis: Indiana University Press According to Jordania, this trance-inducing ability of dance comes from human evolutionary past and includes as well a phenomenon of military drill William H. McNeill, 1997, Dance and Drill in Human History. Harvard University Press which is also based on shared rhythmic and monotonous group activity.

Dance has certainly been an important part of ceremony , ritual s, celebration (party)|celebration s and entertainment since before the birth of the earliest human civilization s. Archeology delivers traces of dance from prehistory|prehistoric times such as the 9,000 year old Rock Shelters of Bhimbetka paintings in India and ancient Egypt|Egyptian tomb paintings depicting dancing figures from c. 3300 BC.

One of the earliest structured uses of dances may have been in the performance and in the telling of myths. It was also sometimes used to show feelings for one of the opposite gender. It is also linked to the origin of "love making." Before the production of written languages, dance was one of the methods of passing these stories down from generation to generation.Nathalie Comte. "Europe, 1450 to 1789: Encyclopedia of the Early Modern World". Ed. Jonathan Dewald. Vol. 2. New York: Charles Scribner's Sons, 2004. pp& nbsp;94–108.

Another early use of dance may have been as a precursor to Ecstasy (emotion)|ecstatic altered state of consciousness|trance states in healing rituals. Dance is still used for this purpose by many cultures from the Brazilian rainforest to the Kalahari Desert .Guenther, Mathias Georg. 'The San Trance Dance: Ritual and Revitalization Among the Farm Bushmen of the Ghanzi District, Republic of Botswana.' Journal, South West Africa Scientific Society, v30, 1975–76.

Sri Lankan dances goes back to the mythological times of Indigenous peoples|aboriginal yingyang twins and " yakkas " (devils). According to a Sinhalese legend, Kandyan dance s originated 250& nbsp;years ago, from a magic ritual that broke the spell on a bewitched king. Many contemporary dance forms can be traced back to Historical dance|historical , Traditional dance|traditional , Ceremonial dance|ceremonial , and List of dances sorted by ethnicity|ethnic dance.

multiple image| align = right
| direction = horizontal
| header = Partner Dancing in Art
| header_align = center
| image2 = Phenakistoscope 3g07690b.gif
| width2 = 237
| caption2 = Eadweard Muybridge 's phenakistoscope "A Couple Waltzing" (c.1893)
| image1 = Pierre-Auguste Renoir 146.jpg
| width1 = 125
| caption1 = Dance at Bougival by Pierre-Auguste Renoir (1882–83)

Classification and genres


Main|List of basic dance topics|List of dancesDance categories by number of interacting dancers are mainly solo dance , partner dance and group dance . Dance is performed for various purposes like ceremonial dance , erotic dance , performance dance , social dance etc.

Dancing and music


See also|Category:Music genresMany early forms of music and dance were created and performed together. This paired development has continued through the ages with dance/music forms such as: jig , waltz , Tango music|tango , disco , Salsa (dance)|salsa , electronica and Hip hop music|hip-hop . Some musical genre s have a parallel dance form such as baroque music and baroque dance ; others, such as Classical music era|classical music and classical ballet , developed separately.

Although dance is often accompanied by music , it can also be presented independently or provide its own accompaniment ( tap dance ). Dance presented with music may or may not be performed in time to the music depending on the style of dance. Dance performed without music is said to be danced to its own rhythm Citation needed|date=October 2010.

Ballroom dancing is a dance art form which combines athletic fitness with artistically skillful dance steps.


Dance studies and techniques


See also|Dance theory|Choreography|Dance moves
In the early 1920s, dance studies (dance practice (learning method)|practice , critical theory , Musical analysis and history ) began to be considered an academic discipline . Today these studies are an integral part of many universities ' The Arts|arts and humanities programs. By the late 20th century the recognition of practical knowledge as equal to academic knowledge led to the emergence of practice research and practice as research . A large range of dance courses are available including:
  • Professional practice: performance and technical skills

  • Practice research: choreography and performance

  • Ethnochoreology , encompassing the dance-related aspects of: anthropology , cultural studies , gender studies , area studies , postcolonial theory , ethnography , etc.

  • Dance therapy , or dance-movement therapy

  • Dance and technology: new media and performance technologies

  • Laban Movement Analysis and somatic studies


  • Academic degree s are available from Bachelor of Arts|BA (Hons) to Doctor of Philosophy|PhD and other postdoctoral fellowships, with some dance scholar s taking up their studies as mature students after a professional dance career.

    Dance competitions


    A dance competition is an organized event in which contestants perform dances before a judge or judges for awards, and in some cases, monetary prizes. There are several major types of dance competitions, distinguished primarily by the style or styles of dances performed. Major types of dance competitions include:
  • Competitive dance , in which a variety of theater dance styles such as: acro dance|acro , ballet , jazz dance|jazz , hip-hop , lyrical dance|lyrical , and tap dance|tap , are permitted.

  • Open competitions, that permit a wide variety of dance styles. A popular example of this is the TV program So You Think You Can Dance (US)|So You Think You Can Dance .

  • Dancesport , which is focused exclusively on ballroom dance|ballroom and latin dance . Popular examples of this are TV programs Dancing with the Stars and Strictly Come Dancing .

  • Single-style competitions, such as; Scottish highland dance|highland dance , dance squad|dance team , and Irish dance , that only permit a single dance style.


  • Today, there are various dances and dance show competitions on television and the Internet.

    Occupations


    There are several careers connected with dancing: Dancer, dance teacher, dance sport coach, dance therapy|dance therapist and choreographer .

    ;Dancer
    Dance training differs depending on the dance form. There are university programs and schools associated with professional dance companies for specialised training in classical dance (e.g. Ballet) and modern dance. There are also smaller, privately owned dance studio s where students may train in a variety of dance forms including competitive dance forms (e.g. Latin dance, ballroom dance, etc.) as well as ethnic/traditional dance forms.

    Professional dancers are usually employed on contract or for particular performances/productions. The professional life of a dancer is generally one of constantly changing work situations, strong competition pressure and low pay. Professional dancers often need to supplement their income, either in dance related roles (e.g., dance teaching, dance sport coaches, yoga) or Pilates instruction to achieve financial stability.

    In the U.S. many professional dancers are members of unions such as the American Guild of Musical Artists , the Screen Actors Guild and Actors' Equity Association . The unions help determine working conditions and minimum salaries for their members.

    ;Dance teachers
    Dance teacher and operators of dance school s rely on reputation and marketing. For dance forms without an association structure such as Salsa or Tango Argentino they may not have formal training. Most dance teachers are self employed.

    ;Dancesport coaches
    Dancesport coaches are tournament dancers or former dancesports people, and may be recognised by a dance sport federation.

    ;Choreographer
    Choreographers are generally university trained and are typically employed for particular projects or, more rarely may work on contract as the resident choreographer for a specific dance company. A choreographic work is protected intellectual property. Dancers may undertake their own choreography.

    By ethnicity or region


    Main|List of ethnic, regional, and folk dances sorted by origin

    India


    Main|Dance in India
    During the first millennium common era|BCE in India, many texts were composed which attempted to codify aspects of daily life. In the matter of dance, Bharata Muni 's Natyashastra (literally "the text of dramaturgy" ) is one of the earlier texts. Though the main theme of Natyashastra deals with drama, dance is also widely featured, and indeed the two concepts have ever since been linked in Indian culture. The text elaborates various hand-gestures or mudras and classifies movements of the various limbs of the body, gait, and so on. The Natyashastra categorised dance into four groups and into four regional varieties, naming the groups: secular, ritual, abstract, and, interpretive. However, concepts of regional geography has altered and so have regional varieties of Indian dances. Dances like "Odra Magadhi" , which after decades long debate, has been traced to present day Mithila, Orissa region's dance form of Odissi (Orissi), indicate influence of dances in cultural interactions between different regions. http://www.exoticindiaart.com/article/dance Exoticindiaart.com, Dance: The Living Spirit of Indian Arts, by Prof. P. C. Jain and Dr. Daljeet.

    From these beginnings rose the various classical styles which are recognised today. Therefore, all Classical Indian dance|Indian classical dances are to varying degrees rooted in the Natyashastra and therefore share common features: for example, the mudras, some body positions, and the inclusion of dramatic or expressive acting or abhinaya . The Indian classical music tradition provides the accompaniment for the dance, and as percussion is such an integral part of the tradition, the dancers of nearly all the styles wear bells around their ankles to counterpoint and complement the percussion.

    Bhangra in the Punjab


    Main|BhangraThe Punjab region|Punjab area overlapping India and Pakistan is the place of origin of Bhangra . It is widely known both as a style of music and a dance. It is mostly related to ancient harvest celebrations, love, patriotism or social issues. Its music is coordinated by a musical instrument called the 'Dhol'. Bhangra is not just music but a dance, a celebration of the harvest where people beat the dhol (drum), sing Boliyaan (lyrics) and dance.It developed further with the Vaisakhi festival of the Sikh s.

    Dances of Sri Lanka


    Main|Dances of Sri LankaThe Dances of Sri Lanka#Devil Dances|devil dances of Sri Lanka or "yakun natima" are a carefully crafted ritual with a history reaching far back into Sri Lanka's pre-Buddhist past. It combines ancient " Ayurvedic " concepts of disease causation with psychological manipulation. The dance combines many aspects including Sinhalese cosmology, the dances also has an impact on the classical dances of Sri Lanka . http://www.lankalibrary.com/rit/yakun%20natuma.htm Lankalibrary.com, "The yakun natima& nbsp;— devil dance ritual of Sri Lanka"


    In Europe and North America


    Concert (or performance) dance


    Main|Concert dance
    Ballet

    Main|Ballet
    Ballet developed first in Italy and then in France from lavish court spectacles that combined music, drama, poetry, song, costumes and dance. Members of the court nobility took part as performers. During the reign of Louis XIV , himself a dancer, dance became more codified. Professional dancers began to take the place of court amateurs, and ballet masters were licensed by the French government. The first ballet dance academy was the Académie Royale de Danse (Royal Dance Academy), opened in Paris in 1661. Shortly thereafter, the first institutionalized ballet troupe, associated with the Academy, was formed; this troupe began as an all-male ensemble but by 1681 opened to include women as well.


    20th-century concert dance

    Main|20th century concert dance
    At the beginning of the 20th century, there was an explosion of innovation in dance style characterized by an exploration of freer technique. Early pioneers of what became known as modern dance include Loie Fuller , Isadora Duncan , Mary Wigman and Ruth St. Denis . The relationship of music to dance serves as the basis for Eurhythmics , devised by Emile Jaques-Dalcroze , which was influential to the development of Modern dance and modern ballet through artists such as Marie Rambert . Eurythmy , developed by Rudolf Steiner and Marie Steiner-von Sivers , combines formal elements reminiscent of traditional dance with the new freer style, and introduced a complex new vocabulary to dance. In the 1920s, important founders of the new style such as Martha Graham and Doris Humphrey began their work. Since this time, a wide variety of dance styles have been developed; see Modern dance .

    The influence of African American dance


    Main|African American dance
    African American dance s are those dances which have developed within African American communities in everyday spaces, rather than in dance studios, schools or companies and its derivatives, tap dance , disco , jazz dance , swing dance , hip hop dance and breakdance . Other dances, such as the lindy hop with its relationship to rock and roll|rock and roll music and rock and roll (dance)|rock and roll dance have also had a global influence.

    Performing arts

    See also


    Portal|DanceMain|Outline of dance|Index of dance articlescol-begincol-break
  • African American dance

  • An American Ballroom Companion nb10

  • Backup dancer

  • Ballroom dance

  • Battle trance

  • Cheerleading

  • Circle Dance

  • Collective identity

  • Entrainment (Biomusicology)

  • Feather Award

  • Health risks of professional dance

  • Dance costumes

  • Dance criticism

  • Dance theory

  • Majorettes

  • Physically integrated dance

  • col-break
  • List of choreographers

  • List of dance style categories

  • List of dance topics

  • List of dance wikibooks

  • col-end

    References


    ;Notes
    Reflist
    ;Further reading
  • Adshead-Lansdale, J. (Ed.) (1994) Dance History: An Introduction . Routledge. ISBN 0-415-09030-X.

  • Carter, A. (1998) The Routledge Dance Studies Reader . Routledge. ISBN 0-415-16447-8.

  • Charman, S. Kraus, R, G. Chapman, S. and Dixon-Stowall, B. (1990) History of the Dance in Art and Education . Pearson Education. ISBN 0-13-389362-6.

  • Cohen, S, J. (1992) Dance As a Theatre Art: Source Readings in Dance History from 1581 to the Present . Princeton Book Co. ISBN 0-87127-173-7.

  • Daly, A. (2002) Critical Gestures: Writings on Dance and Culture . Wesleyan University Press . ISBN 0-8195-6566-0.

  • Dils, A. (2001) Moving History/Dancing Cultures: A Dance History Reader . Wesleyan University Press. ISBN 0-8195-6413-3.

  • Miller, James, L. (1986) Measures of Wisdom: The Cosmic Dance in Classical and Christian Antiquity , University of Toronto Press . ISBN 0802025536.


  • External links



    Sister project links
  • Cite EB1911|wstitle=Dance

  • http://www.gutenberg.org/etext/17289 Historic illustrations of dancing from 3300 B.C. to 1911 A.D. from Project Gutenberg

  • http://www.dancemuseum.org/ United States National Museum of Dance and Hall of Fame




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