The story of Acoustic Alchemy has always been about innovation and adaptability. In the nearly 25 years since their first recording, the UK-based group has crafted a sound that maximizes the potential of not only the acoustic guitar but also its electric counterpart - and in so doing they've explored the subtle corners where jazz, pop, world music and other genres intersect. Along the way - with the help of a massive worldwide following created by consistent touring - they've weathered personal setbacks, dramatic shifts in musical trends, and in recent years, sweeping changes in the music industry.

The next step in this ongoing journey is Roseland, their new recording set for release on September 27, 2011. While they may call themselves Acoustic Alchemy, Carmichael and his creative partner and co-pilot, Miles Gilderdale, exercise plenty of creative license by injecting generous elements of electric guitar into the mix on Roseland. This sonic edge comes courtesy of Gilderdale, who was an electric player first and foremost before joining the band after the death of co-founder Nick Webb in early 1998. Together, Carmichael and Gilderdale explore elements of jazz, rock, country and reggae - all of which makes for an album that's both eclectic and yet cohesive at the same time.

Also along for the ride is the band's usual touring lineup: keyboardist Fred White, bassist Julian Crampton and drummer Greg Grainger. Other assistance in the sessions comes from Hammond organist Ricky Peterson, pedal steel player Frank Mizen, drummers Dan Mizen and Sam Hobbs and a full complement of horn players.

Roseland was recorded in Gilderdale's newly constructed home studio in York, England, a place where the band could be creative without the pressure of a ticking clock. "We used the studio as a place to write," says Carmichael. "We would just throw ideas at each other. You try things as you go along. That's the beauty of having your own studio. You can try an electric guitar solo here, a steel-string solo there, a trombone solo somewhere else, whatever you like. It may have taken us a little longer, but if something didn't work, it didn't matter. We just tried things until we found what did work."

"For a lot of people, instrumental music is just a sound that plays in the background," says Carmichael. "But we put a lot into it - not just with this record but with every record we've ever made. I'd like to think that after all these years, we've learned how to take people on a journey. A lot of our fans have said that we do that for them. As long as they keep coming back, and as long as they want to stay on that journey, we'll keep doing what we're doing."

Acoustic Alchemy are the British acoustic guitar duo of Greg Carmichael and Miles Gilderdale, and with "This Way" they are celebrating a remarkable two decades since their debut with 1987's Red Dust. For all this time they have been a quiet phenomenom, constantly topping the jazz charts in the USA, being nominated for GRAMMY's and touring the world. Following the pop-soul vibe of 2005's "American English", the duo have delivered their most aggressive and swinging, hard rocking and artfully jazzy disc to date. The regular touring/recording band of Terry Disley, Snake Davis, Fred White, Julian Crampton and Greg Grainger are joined by guests such as the buzz-of-today pianist Neil Cowley, trumpeter Rick Braun, saxman Jeff Kashiwa and, on the reggae-tinged Ernie, the great Specials Trombonist, Dennis Rollins. Just two tracks, "Out of Nowhere" and "This Way" feature only the duo - the rest are a fine mix of old-school soul/jazz, funk, reggae, and rock with a mixture of electric guitars, acoustic guitars and the horn section all combining to create a smooth but completely passionate album of classy jazzy guitar music.

Without question, this is the finest Acoustic Alchemy outing since their 1987 smooth-jazz classic, Red Dust and Spanish Lace. Back then, the current leader, Greg Carmicheal, co-led the group as a duet with his partner, Nick Webb, who died from cancer in early 1998. With a new, expanded version of Acoustic Alchemy, Carmichael has significantly retooled the sound of the group, with the help of San Francisco keyboardist Terry Disley and Incognito member Richard Bull. The stamp of Bull's acid-jazz leanings is evident on "The Panama Cat" and "Trailblazer," while "Hats of Magic" and "Hold on to Your Heart" are two of Carmichael's prettiest guitar ballads ever. Loyal fans shouldn't fear Alchemy's change of direction; while the band seems headed more toward London, Carmichael still remembers that his first American records came from MCA's Nashville office. He does enough serious pickin' on "Kidstuff," "Tete à Tete," and the Dobro-enhanced "Big Sky Country" to help bolster the claim that jazz and bluegrass are cousins. --Mark Ruffin

Product Details Audio CD (July 19, 1990) Number of Discs: 1 Label: Grp Records ASIN: B0000001R1