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Biography
Distinguish|AgitpropCOI|date=September 2010POV-check|date=September 2010Infobox musical artist| name = AGITPOP| image =| caption = From left to right: Mark LaFalce, John deVries, Rick Crescini,| background = group_or_band| origin = Poughkeepsie (city), New York|Poughkeepsie, New York , United States|USA | genre = art punk , post punk , experimental rock | years_active = 1981–1989 2006–present| label = Comm3 Rough Trade Records|Rough Trade Twin Tone 18 Acres | associated_acts = Cellophane| website = http://www.digitalartweeks.ethz.ch/web/DAW/Agitpop07/ Agitpop.com| current_members = John deVries Rick Crescini Mark LaFalce Agitpop is an art punk band from Poughkeepsie (city), New York|Poughkeepsie, New York . The band was formed in 1981 and began touring widely in 1983. They released four records on the Comm3, Twintone and Rough Trade Records|Rough Trade labels. Its members include Mark LaFalce, John deVries and Rick Crescini. The band was part of a pioneer movement in the underground music community and were particularly known for their unusual song styles, instrumentation and lyrical content within the rock genre. The shows attracted many celebrated members of the New York arts scene including the Pop Art era photographer Billy Name .
The portmanteau Agitpop is derived from agitprop and is a conjugation of ‘agitation pop’, a now well defined label that describes how popular music asserts political ideas and views. The band members were enamored with the idea and the origins of the word from the Russian Revolution of 1917|Russian Revolution and used the repetition and philosophy of it within pop culture. Agitpop as a term can be applied to the name of the band itself, but also translates well into the character of the songs themselves.
Agitpop members have often described their approach to music as ‘a unique brand of fractured pop, derived from the dismantling of rockas we knew it.' At the time Agitpop was making their first records, the description worked as a default definition of the approach to music the band was taking. Keeping with description and adhering to the needs of the times to re define rock music, they were consequent and therefore no one else sounded like them. The live shows were a natural extension of the philosophy of the band. Agitpop's performances were very confrontational. They alienated the audience or drew them in.
In a review of one of the shows in the mid 1980s, Agitpop's unique stylistic approach to rock music was described with the phrase ‘Free your mind…and your ass will follow'. trouser press magazine, David Spraque The review gesture followed them continually around throughout the band's existence. Whether they are put into the music categories of the times or not, they have had a strong influence on many younger bands having diverse styles due to their willingness ‘in dismantling’, or emancipating rock by boldly moving away from standard instrumentations and song styles into a resultant provocative amalgam with strong melodic hooks and poignant lyrics.
Bands that influenced Agitpop in regard to song writing style, instrumentation and delivery in performance have been noted to be Gang of Four (band)|Gang of Four , The Red Krayola , The Clash , Captain Beefheart , and Wire (band)|Wire .Citation needed|date=December 2007 To this list one might add The Slits , whose repetitive and fragmented melodic lines tend to remind one of the clarinet. melodica, and glockenspiel lines in many Agitpop songs.
Agitpop's popularity was drawn mainly from college radio, musicians, hardcore audiophiles and along with extensive touring made them one of the essential ingredients in changing the idea of what popular music was to become. It was pre- Nirvana (band)|Nirvana times and along with their touring partners ( The Smashing Pumpkins , The Minutemen , GWAR , 10,000 Maniacs , Soul Asylum , Red Hot Chili Peppers , Sonic Youth , Dead Kennedys , Mercury Rev , The Pixies etc.), the band members were happy to be a part of it.
Played at The Voodoo Manor, Poughkeepsie, NY in 82. Played a show at Nag's Head w/ Zen Guerrilla in 89.
Breakup
Agitpop disbanded in 1989. They continued in various formation until just after the turn of the decade.John Bush, Allmusic The last official show is often stated as the reason for their disbanding. The band was scheduled to play a show at The Blue Note in Columbia, Missouri . On the previous day the bass player, Rick Crescini was diagnosed with tinnitus and was sent home for health reasons. Finally, out of frustration with touring and due to band member conflicts he stayed there. The band honored their contract with the Blue Note by playing that night, albeit with their road manager playing electric bass. As a dedication to Crescini's years of playing, deVries and LaFalce sent a song out as a dedication to him. The song picked "Sleepless Nights" by The Mekons .
During the time that Agitpop was disbanded, several new band formations ensued.
Agitpop regrouped in 2006 and are coming out with a new album early this year (2010). They have started to tour again and are on the move with revival and survival tactics in line with punk and politics in sweep with the general guitar band revival being felt today (2007) internationally.
The first live performance after a pause of almost ten years took place at the famous Cabaret Voltaire (Zürich)|Cabaret Voltaire in Zurich, Switzerland on Friday, July 13, 2007. The reunion show consisted of two very diverse sets. The first was appropriately titled "A Shotgun for a TV and an Eskimo Kiss". It consisted of complete set of Agitpop classics including "The Co-Existence", "On the Hudson", "Eskimo Kiss", "Ode to Mr. Average", "Top of the Stairs" and the characteristic "Reasons of State". In the true sense of "dismantling rock", there was no drum kit to be seen, only a slew of guitars, an out of tune piano, and many odd instruments. Wind chimes , Tickle me elmo|squeeze toys , and kiddie xylophones made abrupt appearances. All three members of Agitpop switched between instruments with exponentially increased dexterity in endless androgynous roles of noise making, proving to the audience that no one had lost his touch and nothing its freshness.
"God Bless America, Really? " was the title of the second set. Here Agitpop went back to the roots of the Russian Revolution: Agitprop. Basically, this was a show that consisted of an American medley (music)|medley of "noises in the ether" penned and sung by Agitpop’s drummer Mark LaFalce. The stage setting designed by bassist, and B Movie freak Rick Crescini. It depicted the twin towers with Native Americans in the United States|American Indians falling out of the windows in a general statement against the trend of violence in politics of yesterday and today. A monumental moment was reached when the trio sung out in unison the worst of choruses from " The "Fish" Cheer / I-Feel-Like-I'm-Fixin'-To-Die Rag " with a hell-no-we-wont-go attitude, making bare bones out of naked patriotism. Model planes hit the towers in a September 11, 2001 attacks|9/11-style and the Indians fell out of the windows. One could say that this part of the reunion was a true Dada homage to Dadaism ala Cabaret Voltaire.
