From his days in the now legendary punk/alt-country outfits The Nuns, Rank and File and his own True Believers, to his glowingly received solo gems including 2008's Real Animal, Escovedo has built a rapturous underground following among fans, songwriting peers and critics alike. His highly anticipated Fantasy Records debut, Street Songs of Love, is a 13-track celebration of survival, liberation and ultimate salvation.

Alejandro Escovedo's 9th solo album, produced by Tony Visconti (David Bowie, T.Rex, Thin Lizzy), Real Animal is a collective journey through Escovedo's various musical incarnations from punk rock to string quintets and it is as introspective as it is retrospective. This album features a band of frequent collaborators, including David Pulkingham (guitar), Josh Gravelin (bass), Hector Munoz (drums), Susan Voelz (violin), Brian Standefer (cello) and Chuck Prophet (guitar). The 13 original tracks unravel Escovedo's musical autobiography while presenting him as a masterful American musician, whose palette encompasses eloquent string quintets and shattering blasts of punk rock.

2011 two CD collection from the American singer/songwriter. True Believer features the prime of his work: recordings for Rykodisc (solo and as part of Buick MacKane), tracks he recorded for EMI as part of True Believers plus highlights from the magnificent trilogy of albums he recorded for Bloodshot Records. Escovedo refuses to be easily labeled and True Believer show how he's blended a myriad of influences to create his own unique musical voice. Nascente.

Alejandro Agonistes may yet have a happy ending, but you wouldn't guess it from this torrent of surrealism and gothic textures. Escovedo's first album since nearly succumbing to hepatitis C and crushing debt in 2003 is the darkest, most mysterious album of his career--a harrowing, poetic soundscape partly the result of producer John Cale's industrial-noir sensibilities, but also Escovedo's own avant-garde punk roots. The difficult trilogy which opens the album moves from arid Arizona (a wasteland where the soul finds nary a drop to drink) to a conversation with a "dear head on the wall" that becomes a negative Zen poem ("The sadness will come / When there is no one") to a cryptic vision of a buck trampling a wandering doe. Writing with his wife, poet Kim Christoff, as well as Chris Stamey and guitarist Jon Dee Graham, Escovedo isn't just confronting his own mortality and the mistakes which plunged him into a nightmare. He's courting a danse macabre for the sounds and poetry he finds there. On "Sacramento and Polk" he surveys a bohemian hell through a "Thorazine haze," while the Princely groove of "Take Your Place" only seems like a discordant funk party until the lyrics sink in: "I'm going down, down, down / There's nothing here." Escovedo's voice has weathered the physical ravages, caressing all the Mexican nuances out of the synth- and cello-sweetened "Evita's Lullaby" and breaking beautifully on the country ballad "Died a Little Today," which, like each of these emotionally concentrated tracks, is as literal as it is elusive. --Roy Kasten

Two CD edition of the singer/songwriter's 1994 release, the follow up to his Gravity album. On Thirteen years, Escovedo expanded his musical line up to include cellos, violins and harps, yet kept the rocking element intact. 'Losing Your Touch' features excellent guitar work from musical guest Charlie Sexton. Retroworld. 2009.

Two CD edition of the American troubadour's 1992 album. Alejandro Escovedo began his musical career in genre-defying bands like Rank & File, The True Believers and, going further back, legendary Punk band The Nuns. Gravity was his first solo release after nearly 15 years in the music business. Retroworld. 2009.