Bauhaus are the founding fathers of goth rock, creating a minimalistic, overbearingly gloomy style of post-punk rock driven by jagged guitar chords and cold, distant synthesizers. This 1998 compilation makes it onto vinyl. The tracks have been re-sequenced for the format and there's a special substitution of an unreleased hybrid mix of "Bela Lugosi's Dead" featuring a 1982 studio vocal over a live backing track. The two disc set is packaged in a gatefold sleeve and, with under 20 minutes playing time per side, the cut is loud with minimum compression.
Sky's Gone Out Music Artist : Bauhaus Music Label : Fontana a&M Release Date : 1989-10-20 Artistopia's Price :$9.38
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Go Away White Music Artist : Bauhaus Music Label : Bauhaus Music Release Date : 2008-03-04 Artistopia's Price :$8.45
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It is virtually impossible to imagine the last 30 years of rock music without the influence of Bauhaus. They have inspired countless bands and have mesmerized the masses with their ability to be simultaneously sparse, dark, anthemic, and glam. With their new album, entitled Go Away White, Peter Murphy Daniel Ash, David J and Kevin Haskins have created an album as exciting and relevant as their earlier work. Echoes of Bauhaus have been heard in the work of their heirs and imitators for the past few decades and 25 years after their last studio release the band have returned with yet another undiluted glimpse into their world.
Burning from the Inside is the fourth and final release from this legendary British gothic rock outfit. Originally released in 1983, Burning from the Inside managed to succeed despite massive setbacks (before recording lead singer Peter Murphy was hospitalized with pneumonia) and features some of the strongest performances of the band's career, with inspired work from Murphy when he was able to return to recording, and the first lead vocal performances from bandmates Daniel Ash (Slice of Life) and David J (Who Killed Mr. Moonlight). Closer Hope is probably the greatest send-off possible for one of the most important bands of the late 70s/early 80s. 180 gram vinyl.
Mask (Deluxe) Music Artist : Bauhaus Music Label : Beggars Banquet Release Date : 2009-10-20 Artistopia's Price :$28.98
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The re-mastered set includes Mask, a second disc of the non-album singles, previously unreleased demos and alternative versions plus a newly mixed 1981 live show on the third disc. This Omnibus Edition is presented as a limited edition box set with the three CD's in Japanese-style paper sleeves, reproducing the original (gate-fold) vinyl cover art, accompanied by a 48 page book that traces the development of the album with rare memorabilia and photographs and contains the complete lyrics.
This re-mastered set includes In The Flat Field restored to it's original sequence plus a 2nd disc of the non-album singles, previously unreleased out-takes and alternative versions. This Omnibus Edition is presented as a limited edition box set with the two CD's in Japanese-style paper sleeves, reproducing the original vinyl cover art, accompanied by a 48 page book that chronologically details the genesis of the album with rare memorabilia and photographsand contains the complete lyrics.
Two previously released VHS's together on one DVD. Contains all the Bauhaus promotional videos as well as live performances recorded at the Old Vic Theatre in London in 1982. All the hits are included in these 19 tracks.
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Mask Music Artist : Bauhaus Music Label : Beggars Banquet Release Date : 2011-11-04 Artistopia's Price :$13.98
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Managing the sometimes hard-to-negotiate trick of expanding their sound while retaining all the qualities which got them attention to begin with, on Mask the members of Bauhaus consciously stretched themselves into newer areas of music and performance, resulting in an album that was arguably even better than the band's almost flawless debut. More familiar sides of the band were apparent from the get-go; opening number "Hair of the Dog," one of the band's best songs, starts with a double-tracked squalling guitar solo before turning into a stomping, surging flow, carefully paced by sudden silences and equally sudden returns to the music, while Murphy details cases of mental addictions in pithy phrases. The energy wasn't all just explosive angst and despair, though; the one-two punches of "Kick in the Eye" and "In Fear of Fear" have as much hip-shaking groove and upbeat swing to them as portentous gloom (Ash's sax skronk on the latter, as well as on the similarly sharp "Dancing," is a particularly nice touch).
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