2009 two CD compilation from the Country superstars, who are splitting in 2010 after 20 years as a hitmaking duo. True to its title, this 30-song, double-disc collection features classic hits and chart-toppers and two new tracks, including the duo's current smash, 'Indian Summer.' The most comprehensive collection to date for Brooks & Dunn fans, #1s And Then Some spans a whopping 23 singles to hit the top of the country airplay charts over the past 18 years, from such early classics as 'Neon Moon' and 'That Ain't No Way to Go' to their anthemic 'Only In America,' 'Red Dirt Road,' 'Play Something Country,' and many more, including their ACM and CMA Song of the Year winner, 'Believe.'

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Since bursting onto the roiling country music horizon with "Brand New Man," Ronnie Dunn and Kix Brooks have made breaking new ground, pushing the honky tonk envelope and having too much fun doing it their total mandate. And on August 30, 2005, the hardcore musicians return with Hillbilly Deluxe, an album that merges classic jukebox country with Brooks & Dunn's jacked-up take on modern sounds in honky'n'rocking music. Produced by the legendary Tony Brown (Steve Earle, George Strait, Lyle Lovett, and Patty Loveless, in addition to being a member of the multiple-Grammy-nominated Notorious Cherry Bombs with Rodney Crowell and Vince Gill), Hillbilly Deluxe is a slightly ragged, fairly organic take on just how power and accessibility can merge for an intoxicating take on what Saturday night is made of.

"You never wanna rest on what you've done," says Dunn. "Working with Tony, it's pure music--front and center every time. He was part of that country scene that was Emmylou and the Hot Band, which was always just one match away from blowing the music apart it was so good, so intense, but also so raw. If you're gonna play country, you wanna strip away a lot of the stuff, get down to the heart of the matter--and find songs that dig a little deeper into the way these folks live their lives. I mean, Hillbilly Deluxe is IT: it's about how it really is, not the way the media paints it--that notion of taking the life as far out as we know these good ole boys and girls do."

Certainly "Play Something Country," the raving new single which is B&D's fastest moving ever, is a siren's song of want, release and what matters to the core on a night on the town, while the down-low title track with its funky pocket, Rolling Stones background wailing and stop-start rhythms portrays the essence of modern day "big timing in a small town." Brooks celebrates female independence with the road-tripping go-git-it-girl romp "She Likes to Get Out of Town" and Dunn invokes a classic tears-for-a-quarter country of classic vintage with "She's About as Lonely as I'm Going to Let Her Get."

"With Red Dirt Road, I think we started heading back to what got us here... meaning our roots," confesses Brooks with a wry grin. "There are so many ways to make music, but sometimes just plugging straight into your inspirations is the very best way to go--so you'll hear 'em, ALL of 'EM: the Stones, Jones, Haggard, Tom Petty, a nod even to Rod Stewart's folkie stuff, the soul that made soul music, but came out of the churches. It may be the broadest record we've ever done--and it sure was fun."

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The brand new album from Brooks & Dunn featuring the hit single Proud Of The House We Built. Cowboy Town is the much anticipated follow up to Brooks & Dunn's highest selling album in 10 years, Hillbilly Deluxe.

Having stumbled in 1999 with the lackluster Tight Rope, Kix Brooks and Ronnie Dunn picked themselves up and dusted off their Wranglers with 2001's Steers and Stripes, an album that some listeners considered their best. But that was before Red Dirt Road, a collection of coming-of-age songs in which country's most successful duo comes clean about who they are and what forged their turbo-tonk sound. The title song is a spectacular and poignant slice of backwoods Southern milieu that melds the push of the gospel with the pull of desire--which, for a '60s teenager, meant girls, cars, and the beer-laced taste of freedom. Both men know a little bit about those subjects (don't miss Dunn's hidden track, "Holy War," which skewers TV preachers), as well as the thrill of Exile on Main Street-era Rolling Stones, a sound that permeates at least three songs here, including the randy "You Can't Take the Honky Tonk Out of the Girl." Bluegrass also gets a strong nod on the exquisite "Caroline," as does the Tulsa-bred, Leon Russell-fueled music that personally schooled Dunn in the '70s, particularly on "I Used to Know This Song By Heart," a tour de force of sharp Pentecostal vocals punctuated by the searing guitar work of Kenny Greenburg. Everything about this album moves the duo up a level, even Kix's singing on "When We Were Kings," a true-life remembrance of the Vietnam years. A few songs predictably pad things out, but on the whole Red Dirt Road is both surprisingly affecting and monstrously good. --Alanna Nash

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