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1966's East-West, the second album from the Butterfield Blues Band -- and their last with lead guitarist Mike Bloomfield -- found the group branching out from the electric blues and adding elements of modern jazz and the music of India, most notably on the landmark title track, which paved the way for much of the musical experimentation of the late '60s.

No Description Available
No Track Information Available
Media Type: CD
Artist: BUTTERFIELD,PAUL
Title: ANTHOLOGY-ELECKTRA YEARS
Street Release Date: 01/20/1998
Domestic
Genre: BLUES

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Remastered 2-CD set reissue of The Butterfield Blues band's 3rd & 4th albums originally released in 1967 & 1968. This deluxe package features original and brand-new liner notes plus rarely-seen photos. Rhino/WSM UK. 2004.

No Description Available
No Track Information Available
Media Type: CD
Artist: BUTTERFIELD,PAUL BLUES BAND
Title: RESURRECTION OF PIGBOY CRABSHAW
Street Release Date: 10/10/1989
Domestic
Genre: BLUES

With organist Al Kooper added, 1968's In My Own Dream was the swan-song for the original Butterfield Blues Band (lead guitarist Elvin Bishop would leave soon afterwards) and completed its transformation from pure blues to an hybrid form of r&b.

Full title - Sometimes I Just feel Like Smiling. The Butterfield Blues Band has been critically acclaimed as one the greatest electric blues bands ever! Lead by singer & harmonica player Paul Butterfield, their albums have stood the test of time as classics of the 60's & early 70's. Sometimes I Just Feel Like Smilin', was their fourth album, originally released in 1971. It features saxophonist David Sanborn. It was the last album the band recorded for Elektra Records. This album is making its worldwide CD debut! Wounded Bird Records. 2002.

1966's East-West, the second album from the Butterfield Blues Band -- and their last with lead guitarist Mike Bloomfield -- found the group branching out from the electric blues and adding elements of modern jazz and the music of India, most notably on the landmark title track, which paved the way for much of the musical experimentation of the late '60s.