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| | Street Scene | | | Music Style : | | General | | Record Label : | | That's Entertainment | | Release Date : | | 2003-04-29 | | Discs : | | 2 | | Store Price : | | $50.99 | | Artistopia's Price: $50.99 | |
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CD Tracks/Songs
Disc 11. Introduction
2. Ain't It Awful, The Heat? The Heat?
3. I've Got a Marble and a Star e and a Star
4. Scene
5. Get a Load of That at
6. Scene
7. When a Woman Has a Baby a Baby
8. Scene
9. She Shouldn't Be Staying out Nights
10. Somehow I Never Could BelieveCould Believe
11. Scene
12. Get a Load of That! at!
13. Scene
14. Ice Cream Sextet
15. Scene
16. Let Things Be Like They Always Was
17. Scene
18. Scene
19. Wrapped in a Ribbon and Tied in a Bow
20. Scene
21. Lonely House
22. Scene
23. Wouldn't You Like to Be on Broadway
24. What Good Would the Moon Be? the Moon Be?
25. Scene
26. What Good Would the Moon Be? (Reprise)
27. Scene
28. Moon Faced, Starry Eyed ry Eyed
29. Dance
Disc 21. Scene
2. Remember That I Care Care
3. Finaletto
4. Introduction - Act 2 ct 2
5. Catch Me If You Can Can
6. Scene
7. Scene
8. There'll Be Trouble ble
9. I Tried to Be a Good Wife to Him
10. Scene
11. Boy Like You
12. Scene
13. We'll Go Away Together gether
14. Scene
15. Murder
16. Woman Who Lived Up There ved Up There
17. Interlude
18. Scene
19. Lullaby
20. Scene
21. Finale - I Loved Her Too Her Too
22. Finale - Don't Forget the Lilac Bush
23. Finale - Ain't It Awful, The Heat?
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Customer Reviews of This Album/CD |
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 ah, the nostalgic memories...
Submitted on: 2004-07-26 |
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Quite a few years back I played the part of Charlie Hildebrand for the LOC's performaces at the Fulton Opera House. After those shows, I followed my phillosophy on not looking back at the past, so the shows faded from mind fairly quickly.
Fast forward to 2004. I become reminded of Street Scene thanks to another mention of Weill and put it upon myself to look up "Street Scene" on cd. No store carried it locally, but got a copy through special order.
The performace and recording is top notch. And Charlie is still my favorite character, for obvious reasons. Street Scene is probably one of the greatest overlooked operas around.
Four stars for the cd set, one star for nostalgia. |
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 interesting...
Submitted on: 2001-12-16 |
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| I never realized what singing talent Catherine Zeta Jones had until I heard her on this CD!! Right after I went on [another internet retailer] and bought some of her other CDs! ((By the way, Amazon.com employees, you should sell her other CDs here)) :) The other songs are good too. |
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Definitive Recording of an overlooked classic
Submitted on: 2000-01-29 |
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| I can't help wondering why Street Scene is not listed among all the other 40's-50's Broadway shows. It was, quite simply, the first work of operatic bredth produced on a Broadway stage. The sheer musical richness of Weill's score is truly stunning; he manages to sustain musical interest over the entire show. I can say without hyperbole that the score is comparable to Porgy and Bess. Weill ranges from spooky psychological songs (like Lonely House) to pseudo-"Broadway" numbers (like Wrapped in a Ribbon), to mock opera (the hilarious ice cream sextet, which some call Weill's thank-you to America), to real opera (like Anne's Aria), to jitterbug, swing, blues, chorales, on and on. The only real problem with the score is the lyrics: Langston Hughes (whose praises as a poet hardly need to be sung by little me) proves to be a terrible lyricist, and his (and Elmer Rice's) prosaic, mis-accented, occasionally non-sensical words often impale the music. Also, Rice's basic story (which one can follow fully on this CD; every line of dialogue is here) is hokey, and attenuated in the extreme. Still, the score is wonderful. This recording is the definitive version, and not only because its the only one that preserves the whole score. The cast is generally excellent (although some of the singers, especially the ingenue-if you can call it that-couple, are jarringly old for their parts; and as opera singers they cant all really be expected to give fully-fleshed performances.) The orchestra is lush and full (although i must quibble on one point - for some reason every song keeps the beat with a high-hat, which is awfully inappropriate at times.) All in all, this recording is an excellent buy, a great (if not perfect) recording of a treasure of the musical theater. |
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