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| | The Very Best of Alfredo Kraus | | | Music Style : | | General | | Record Label : | | EMI Classics | | Release Date : | | 2005-04-26 | | Discs : | | 2 | | Store Price : | | $16.98 | | Artistopia's Price: $16.98 | | Usually ships in 24 hours | | |
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CD Tracks/Songs
Disc 11. Così fan tutte, opera, K. 588: Act I. Un'aura amorosa
2. Così fan tutte, opera, K. 588: Act II. In qual fiero contrasto...Tradito, schernito
3. I Puritani, opera: Act I. A te, o cara
4. I Puritani, opera: Act III. Son già lontani
5. I Puritani, opera: Act III. Vieni fra queste braccia
6. L'elisir d'amore, opera: Act II. Una vurtiva lagrima
7. Don Pasquale, opera: Act II. Povero Ernesto!...Cercherò lontana terra...E se fia che ad altro oggetto
8. Don Pasquale, opera: Act III. Com' è gentil
9. Don Pasquale, opera: Act III. Tornami a dir
10. Lucia di Lammermoor, opera: Act I. Qui di sposa...Verrano a te
11. Lucia di Lammermoor, opera: Act III. Tombe degli avi miei...Fra poco a me ricovero
12. Lucia di Lammermoor, opera: Act III. Tu che a Dio spiegasti l'ali
13. La Traviata, opera: Act I. Un dì felice
14. La Traviata, opera: Act II. Lunge da lei...De' miei bollenti spiriti...Oh, mio rimorso
Disc 21. Rigoletto, opera: Act I. Questa o quella
2. Rigoletto, opera: Act I. È il sol dell'anima
3. Rigoletto, opera: Act II. Ella mi fu rapita!...Parmi veder le lagrime
4. Rigoletto, opera: Act III. La donna è mobile
5. Rigoletto, opera: Act III. Un dì, se ben rammentomi...Bella figlia dell'amore (Quartet)
6. La bohème, opera: Act I. Che gelida manina
7. La bohème, opera: Act I. O soave fanciulla
8. La bohème, opera: Act IV. In un coupé?...O Mimi, tu più non torni
9. La Muette de Portici, opera: Act II. Amis, la matinée est belle (Barcarolle)
10. Manon, opera in 5 acts: Act II. En fermant les yeux
11. Manon, opera in 5 acts: Act III. Je suis seul...Ah! fuyez, douce image
12. Werther, lyric drama in 4 acts: Act III. Toute mon âme est là! Pourquoi me réveiller
13. Roméo et Juliette, opera: Act I. Ange adorable
14. Roméo et Juliette, opera: Act II. L'amour, l'amour...Ah! lève-toi, soleil!
15. Faust, opera: Act III. Quel trouble inconnu me pénètre...Salut! demeure chaste et pure
16. La fille du régiment, opera: Act II. Ah! mes amis...Pour mon âme
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Customer Reviews of This Album/CD |
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 What a beautiful voice
Submitted on: 2008-04-12 |
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| I do not have formal schooling in music but I do know a great voice when I hear it..what a wonderful voice. Great recording. |
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Among the very best
Submitted on: 2008-04-06 |
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Reviewer Steven A. Peterson wrote "Alfredo Kraus was one of the finer tenors of the latter part of the 20th Century." Let me embellish his evaluation: Alfredo Kraus was one of the FINEST tenors of the LAST HALF of the 20th Century." He did not have the press agent Pavarotti had, and he did not draw so much hype. But musically, he can stand beside any of them.
This collection certainly exhibits the beautiful voice and the sensitive interpretation of this great tenor. I would point out, especially, the "Che gelida manina" and the "La donna mobile." And the repeated high C's from "La Fille du Regiment" should make Pavarotti want to come back and try again.
I was expecting, and would have preferred, more solo work and less ensemble. However, the quartet from "Rigoletto" and the introductory section of "O Mimi" from "La Boheme" are definitely rewarding.
Put all this together with a bargain price--$16.98 for nearly two and a half hours of excellent music--and every opera fan should want to own this recording. |
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Good survey of Alfred Kraus' work
Submitted on: 2007-08-04 |
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Alfredo Kraus was one of the finer tenors of the latter part of the 20th Century. He was born in 1927. His formal debut was in 1956 and he actually sang into the 1990s, before his death in 1999. This double CD set shows him in a repertoire that runs from Mozart, Bellini, Donizetti to Verdi, Puccini, and Massenet.
A few examples of his singing:
"Verrano a te" (Lucia di Lammermoor): A well rendered duet with the soprano Edita Gruberova. The voices work well off of one another. He sings smoothly, with a distinctive voice. This is a wonderful duet, well sung.
"Un di felice" (La Traviata): His stylish voice works well with this piece. This is an affecting version, as he couples with Renata Scotto (as Violetta). She contributes mightily to the success of this duet--but Kraus also shines.
"Questa o quella" (Rigoletto): Well sung. There are a few unwelcome affectations in this aria (and these recur here and there elsewhere), but it is not so much as to detract from his obvious talents. He captures, vocally, the attitude of the wretched Duke.
"La donna e mobile" (Rigoletto): Another testament to the Duke's wretchedness--and testimony to Kraus' art. This is well done, sung stylishly. The piece ends well with the high note.
"Bella figlia dell'amore" (Rigoletto): One of the great ensemble pieces in opera (along with the sextet from "Lucia," the Bohemians from "La Boheme," the Norns in "Gotterdammerung," etc.). The participants: Kraus, Beverly Sills, Mignon Dunn, and Sherrill Milnes. An exciting performance, well sung by the four.
"Che gelida manina" (La Boheme): A very nice version. Kraus sings this sensitively. His culminating high note is done well.
"O soave fanciulla" (La Boheme): Once more, Kraus partners with Scotto. And the result is splendid indeed. Their voices intertwine nicely. This is a very well done version.
So, where does one end up with this CD? Kraus obviously qualifies as one of the better tenors of his era. This is a terrific introduction to his artistry.
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GREAT TENOR!
Submitted on: 2006-12-23 |
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| I really enjoy this tenor and the CD! |
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