2010 album from the Welsh Classical/Pop crossover vocalist. Produced by Martin Terefe and Sacha Skarbeck, the fourteen track collection is multi-textured Pop dynamite, showcasing Charlotte's incredible range as well as her knack for informing each and every song she sings with unabashed emotion. Her second pop album, Back To Scratch, shows off a mature, refined side to Charlotte, with a sophisticated pop sound that will doubtless win her legions of new converts as well as satisfying her loyal fan-base. Partly written in Nashville with Luke Laird and Patrick Davis, she also worked with local Welsh artists The Druids and Jonathan Powell on the album. EMI. 2010.

Japanese edition of the Welsh classical superstar's 2002 compilation includes three bonus tracks, 'Barcarolle (Night Of Stars, & Night Of Love)', 'Summertime', & 'Quis Est Deus'. Sony.

To judge by the impassioned responses to her debut album Voice of an Angel, Charlotte Church has already set extraordinary expectations for any follow-up. After all, the vocal phenomenon from Cardiff, Wales, took up a place in The Guinness Book of Records as the youngest artist ever--at the tender age of 12--to have an album attaining No. 1 status on the classical charts. This self-titled second release will continue to delight the highly gifted singer's legions of fans, and also contains some surprises for them. Church here tries out classical repertory with Puccini's "O mio babbino caro" and the "Jewel Song"--her pure and high-flying voice showing an amazing agility. There is great warmth in a couple of sacred songs, as well as the traditional Irish "She Moved Through the Fair." Church's vocal color--almost like a boy soprano at times--brings something unique to Gershwin's "Summertime," while the first track--Danny Beckerman's Hallmark-ish "Just Wave Hello"--seems destined to become part of the music you can't avoid associating with the turn of the millennium. --Sarah Chin

Tissues and Issues is the eagerly anticipated new album from Charlotte Church. Heralding a major musical change of direction for Charlotte, the album is a scintillating journey through a whole range of genres and moods. From out-and-out pop anthems to Motown-infused tracks and heartfelt ballads, Charlotte radiates confidence and maturity. Album highlights include the first single 'Crazy Chick', the personal and anthemic 'Finding My Own Way', the intimate 'Confessional Song' and the intriguing and addictive 'Casualty of Love'. By turns exuberant and impassioned, heartfelt and accomplished, the album is the perfect showcase for Charlotte’s own unique style. Sony. 2005.

CHARLOTTE CHURCH Dream A Dream (2000 US 19-track CD album of of Christmas favourites and carols featuring The Little Drummer Boy Winter Wonderland Silent Night and When A Child Is Born plus Dream A Dream [duet with Billy Gilman] sealed picture sleeve with deletion cut-out mark)

Of course, we couldn't expect time to freeze its relentless path and forever preserve the Welsh sensation Charlotte Church in a chrysalis of precocious youth. And yet, at 15 and now taking bolder steps into expanding her repertory on Enchantment, the soprano remains a marvel of a prodigy. Here, she scours a wider range of sources than on her previous albums. Church moves with breathtaking ease from classic Broadway (West Side Story, Show Boat, South Pacific) to traditional Celtic, film ballads, and even a couple of high-operatic numbers. Church's straightforward approach to the melody of "La Habanera" may not exactly be what Bizet had in mind for his Carmen, but fans will get double pleasure out of the singer's exquisite duet with herself on the haunting "Flower Duet" from Delibes's Lakmé. What's more, there's a greater freedom of expression and sense of how to shape a phrase in many of these tracks--notice how much there is to savor, for instance, in "The Water Is Wide" and "Carrickfergus." It all adds up to a widely varied course, demonstrating the continued growth of a singularly gifted young artist. --Sarah Chin

To judge by the impassioned responses to her debut album Voice of an Angel, Charlotte Church has already set extraordinary expectations for any follow-up. After all, the vocal phenomenon from Cardiff, Wales, took up a place in The Guinness Book of Records as the youngest artist ever--at the tender age of 12--to have an album attaining No. 1 status on the classical charts. This self-titled second release will continue to delight the highly gifted singer's legions of fans, and also contains some surprises for them. Church here tries out classical repertory with Puccini's "O mio babbino caro" and the "Jewel Song"--her pure and high-flying voice showing an amazing agility. There is great warmth in a couple of sacred songs, as well as the traditional Irish "She Moved Through the Fair." Church's vocal color--almost like a boy soprano at times--brings something unique to Gershwin's "Summertime," while the first track--Danny Beckerman's Hallmark-ish "Just Wave Hello"--seems destined to become part of the music you can't avoid associating with the turn of the millennium. --Sarah Chin

To judge by the impassioned responses to her debut album Voice of an Angel, Charlotte Church has already set extraordinary expectations for any follow-up. After all, the vocal phenomenon from Cardiff, Wales, took up a place in The Guinness Book of Records as the youngest artist ever--at the tender age of 12--to have an album attaining No. 1 status on the classical charts. This self-titled second release will continue to delight the highly gifted singer's legions of fans, and also contains some surprises for them. Church here tries out classical repertory with Puccini's "O mio babbino caro" and the "Jewel Song"--her pure and high-flying voice showing an amazing agility. There is great warmth in a couple of sacred songs, as well as the traditional Irish "She Moved Through the Fair." Church's vocal color--almost like a boy soprano at times--brings something unique to Gershwin's "Summertime," while the first track--Danny Beckerman's Hallmark-ish "Just Wave Hello"--seems destined to become part of the music you can't avoid associating with the turn of the millennium. --Sarah Chin