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Complete Control

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Infobox Single | Name = Complete Control| Cover = Completecontrolcover.jpg| Artist = The Clash | from Album = The_Clash (album)#1979 US version|The Clash (US ver.) | B-side = "City of the Dead"| Released = Start date|1977|9|23|df=y (U.K.)| Format = 7-inch vinyl| Recorded = July 1977 at Sarm East Studios in Whitechapel , London, England| Genre = Punk rock | Length = 3:10| Label = Columbia Records|CBS S CBS 5664| Writer = Joe Strummer and Mick Jones (The Clash)|Mick Jones | Producer = Lee "Scratch" Perry | Last single = " Remote Control (The Clash song)|Remote Control "
(1977)| This single = "Complete Control"
(1977)| Next single = " Clash City Rockers "
(1978)| Misc =Extra chronology| Artist = The Clash reissued singles| Type = Singles | Last single = " Train in Vain " (rerelease)
(1991)| This single = " Complete Control " (live)
(1999)| Next single = –
" Complete Control " is a song by The Clash , released as a Single (music)|7" single and featured on The Clash (album)#1979 U.S. version|the U.S. release of their debut album .cite video
| people = Don Letts|Letts Don ; Joe Strummer , Mick Jones (The Clash)|Mick Jones , Paul Simonon , Topper Headon , Terry Chimes , Rick Elgood, The Clash
|date = 2001
| title = The Clash, Westway to the World
| medium = Documentary
| publisher = Sony Music Entertainment ; Dorismo; Uptown Films
| location = New York, NY
| accessdate = 2007-11-26
| time = 11:45–13:30
| isbn = 0-7389-0082-6
| oclc = 49798077
| quote =


The song is often cited as one of punk's greatest singles, and is a fiery polemic on record companies, managers and the state of punk music itself, the motivation for the song being the band's label ( CBS Records ) releasing " Remote Control (The Clash song)|Remote Control " without bothering to ask them, something that infuriated the group. The song also features perhaps the earliest usage of the phrase "guitar hero" in rock music, as sung by Joe Strummer to Mick Jones. The song also refers to managers of the time who sought to control their groups– Bernie Rhodes (of The Clash ) and Malcolm McLaren (the Sex Pistols )–indeed, the song's very title is derived from this theme:

cquote |Bernie Rhodes had a meeting in The Ship in Soho after the Anarchy Tour. He said he wanted complete control...I came out of the club with Paul Simonon collapsing on the pavement in hysterics at those words. | Joe Strummer , 1991.
The track also refers to the band's run-ins with the police, their practice of letting fans into gigs through the back door or window for free and a punk idealism seemingly crushed by the corporate reality they had become part of and the betrayal and anger they felt. The overriding message of the song can be recognised in this couplet from the song:

cquote |They said, we'd be artistically free / When we signed that bit of paper.
This message was scorned by some critics as naïveté on the part of the band - the late DJ John Peel was one of those, suggesting that the group must have realised CBS were not 'a foundation for the arts', while others were strong in their support of the single, for example:

cquote |Instead of a piece of cynicism, Complete Control becomes a hymn to Punk autonomy at its moment of eclipse. | Jon Savage
The track was recorded at Sarm East Studios in Whitechapel , engineered by Mickey Foote and produced by Lee "Scratch" Perry . Perry had heard the band's cover of his Junior Murvin hit " Police and Thieves " and was moved enough to have put a picture of the band (the only white artist accorded such an honor) on the walls of his Black Ark Studio in Jamaica. When the Clash learned that Perry was in London producing for Bob Marley|Bob Marley & the Wailers , he was invited to produce the single. "Scratch" readily agreed.

During the tracking session, some Clash and Perry biographies claim that Perry had blown out a studio mixing board attempting to get a deep bass sound out of Paul Simonon 's instrument, while a 1979 New Musical Express and Hit Parader article self-penned by Strummer and Jones stated that Perry had complimented Jones' guitar playing by describing it as someone who "played with an iron fist". Perry's contribution to the track, however, was toned down - the band went back and fiddled with the song themselves to bring the guitars out and played down the echo Perry had dropped on it. The song was also Topper Headon 's first recording with the band, following the departure of Terry Chimes .

"Complete Control" reached number 28 in the singles chart, making it The Clash's first Top 30 release. In 1999, CBS Records reissued the single with a live version of "Complete Control". In 2004, Rolling Stone rated the song as #361 in its list of the Rolling Stone's 500 Greatest Songs of All Time|500 Greatest Songs of All Time .cite web |url= http://www.rollingstone.com/news/coverstory/500songs/page/4 |title=The RS 500 Greatest Songs of All Time |accessdate=2007-11-22 |date=2004-12-09 |publisher=RollingStone |quote=361. Complete Control, The Clash dead link|date=January 2012cite web |url= http://www.rollingstone.com/news/story/6596206/complete_control |title=Complete Control The Clash |accessdate=2007-11-22 |date=2004-12-09 |work=The RS 500 Greatest Songs of All Time |publisher=RollingStone The song is featured as a playable track in the video games Guitar Hero: Aerosmith and Rock Band (video game)|Rock Band .cite web
|url= http://www.joystiq.com/2008/02/11/rock-band-weekly-the-clash-the-police-and-the-ramones/
|title=The Clash, The Police and The Ramones
|accessdate=2008-02-13
|last=Sliwinski
|first=Alexander
|date=2008-02-11
|work=Rock Band Weekly
|publisher=Joystiq
|quote=Complete Control - The Clash (160 MS points/ $2)


Charts


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Notes


Refbegin
  • cite book |last=Gilbert |first=Pat |title=Passion Is a Fashion: The Real Story of The Clash |origyear=2004 |accessdate=2007-11-20 |edition=4th edition |year=2005 |publisher= Aurum Press |location=London |isbn=1-84513-113-4 |oclc=61177239

  • cite book |last=Gray |first=Marcus |title=The Clash: Return of the Last Gang in Town |origyear=1995 |accessdate=2007-11-20 |edition=5th revised edition |year=2005 |publisher=Helter Skelter |location=London |isbn=1-905139-10-1 |oclc=60668626

  • cite book |last=Green |first=Johnny |coauthors=Garry Barker |title=A Riot of Our Own: Night and Day with The Clash |origyear=1997 |accessdate=2007-11-20 |edition=3rd edition |year=2003 |publisher=Orion |location=London |isbn=0-7528-5843-2 |oclc=52990890

  • cite book |last=Gruen |first=Bob |authorlink=Bob Gruen |coauthors=Chris Salewicz |title=The Clash |origyear=2001 |accessdate=2007-11-20 |edition=3rd edition |year=2004 |publisher=Omnibus |location=London |isbn=1-903399-34-3 |oclc=69241279

  • cite book |last=Needs |first=Kris |authorlink=Kris Needs |title=Joe Strummer and the Legend of the Clash |accessdate=2008-01-09 |date=2005-01-25 |publisher=Plexus |location=London |isbn=0-85965-348-X |oclc=53155325

  • cite book |last=Topping |first=Keith |authorlink=Keith Topping |title=The Complete Clash |origyear=2003 |accessdate=2007-11-20 |edition=2nd edition |year=2004 |publisher=Reynolds & Hearn |location=Richmond |isbn=1-903111-70-6 |oclc=63129186

  • Refend

    References


    Listen|filename=Clash-Complete Control.ogg
    |title=The Clash "Complete Control" (1977)
    |description=33-second sample—with applied .3-second fadeout—of " Complete Control " taken from The Essential Clash
    |format= Ogg
    reflist
    The Clash
    Category:1977 singles
    Category:The Clash songs

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    Copyright Citations

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