This Toronto based duo of Ethan Kath and Alice Glass have amassed a cult like following through their uncompromising and intense delivery. Stars of the electronic scene, this is Crystal Castles self titled release that is sure to make all the hipsters Top 10 of 2010.

Electronic music is constantly ready to evolve, a point Crystal Castles seem determined to prove on their self-titled debut. They come from a heavily retro/electro place in the spectrum, wallowing in bits of debris from the ‘80s: video game bleeps and pixilated sounds found deep in the Casio archive. But it’s all twisted up, prodded past redundancy or homage to a state that feels genuinely innovative. How do they manage this? Part of the answer is in Alice Glass’s vocals, which are endlessly malleable; she can punk-scream her way through blizzards of squeaky noise ("Alice Practice," "Love and Caring") or get cute ("Good Time") without breaking character. But the real secrets to their reinvention, ironically enough, are in old-school details like melody, hooks and unpredictable, fun songwriting. All the boops, bleeps and whirs in the world can’t distract from the catchiness of songs like "Black Panther" and "Air War." Still, it must be said that listening to the record is vaguely unnerving at times; you feel a bit like Pac-Man stuck in his blocky maze. And yeah, some songs stretch invention into irritation (the unlistenable "Xxzxcuzx Me"). On the other hand, it never fails to be interesting and repeated listens smooth out the edges just enough to appreciate the band’s careful shading and confidence. So open your mind, enjoy the rampant creativity, and don’t eat the ghosts until they turn blue. –Matthew Cooke

This Toronto based duo of Ethan Kath and Alice Glass have amassed a cult like following through their uncompromising and intense delivery. Stars of the electronic scene, this is Crystal Castles self titled release that is sure to make all the hipsters Top 10 of 2010.

Electronic music is constantly ready to evolve, a point Crystal Castles seem determined to prove on their self-titled debut. They come from a heavily retro/electro place in the spectrum, wallowing in bits of debris from the ‘80s: video game bleeps and pixilated sounds found deep in the Casio archive. But it’s all twisted up, prodded past redundancy or homage to a state that feels genuinely innovative. How do they manage this? Part of the answer is in Alice Glass’s vocals, which are endlessly malleable; she can punk-scream her way through blizzards of squeaky noise ("Alice Practice," "Love and Caring") or get cute ("Good Time") without breaking character. But the real secrets to their reinvention, ironically enough, are in old-school details like melody, hooks and unpredictable, fun songwriting. All the boops, bleeps and whirs in the world can’t distract from the catchiness of songs like "Black Panther" and "Air War." Still, it must be said that listening to the record is vaguely unnerving at times; you feel a bit like Pac-Man stuck in his blocky maze. And yeah, some songs stretch invention into irritation (the unlistenable "Xxzxcuzx Me"). On the other hand, it never fails to be interesting and repeated listens smooth out the edges just enough to appreciate the band’s careful shading and confidence. So open your mind, enjoy the rampant creativity, and don’t eat the ghosts until they turn blue. –Matthew Cooke

Australia/New Zealand-only two CD edition includes an exclusive second disc containing the smash hit 'Not In Love' featuring Robert Smith plus remixes and rare B-sides. 2010 album from the critically acclaimed duo. Ethan Kath and Alice Glass have created an unexpected level of excitement and cult loyalty, clocking up a staggering 50 million plays on MySpace and LastFM and headlining sold out tours around the world. Produced by Ethan Kath, tracks were recorded and written in contrasting environments around the world, including a church in Iceland, a self-built cabin in Ontario, and a garage behind an abandoned convenience store in Detroit.

Electronic music is constantly ready to evolve, a point Crystal Castles seem determined to prove on their self-titled debut. They come from a heavily retro/electro place in the spectrum, wallowing in bits of debris from the ‘80s: video game bleeps and pixilated sounds found deep in the Casio archive. But it’s all twisted up, prodded past redundancy or homage to a state that feels genuinely innovative. How do they manage this? Part of the answer is in Alice Glass’s vocals, which are endlessly malleable; she can punk-scream her way through blizzards of squeaky noise ("Alice Practice," "Love and Caring") or get cute ("Good Time") without breaking character. But the real secrets to their reinvention, ironically enough, are in old-school details like melody, hooks and unpredictable, fun songwriting. All the boops, bleeps and whirs in the world can’t distract from the catchiness of songs like "Black Panther" and "Air War." Still, it must be said that listening to the record is vaguely unnerving at times; you feel a bit like Pac-Man stuck in his blocky maze. And yeah, some songs stretch invention into irritation (the unlistenable "Xxzxcuzx Me"). On the other hand, it never fails to be interesting and repeated listens smooth out the edges just enough to appreciate the band’s careful shading and confidence. So open your mind, enjoy the rampant creativity, and don’t eat the ghosts until they turn blue. –Matthew Cooke

Electronic music is constantly ready to evolve, a point Crystal Castles seem determined to prove on their self-titled debut. They come from a heavily retro/electro place in the spectrum, wallowing in bits of debris from the ‘80s: video game bleeps and pixilated sounds found deep in the Casio archive. But it’s all twisted up, prodded past redundancy or homage to a state that feels genuinely innovative. How do they manage this? Part of the answer is in Alice Glass’s vocals, which are endlessly malleable; she can punk-scream her way through blizzards of squeaky noise ("Alice Practice," "Love and Caring") or get cute ("Good Time") without breaking character. But the real secrets to their reinvention, ironically enough, are in old-school details like melody, hooks and unpredictable, fun songwriting. All the boops, bleeps and whirs in the world can’t distract from the catchiness of songs like "Black Panther" and "Air War." Still, it must be said that listening to the record is vaguely unnerving at times; you feel a bit like Pac-Man stuck in his blocky maze. And yeah, some songs stretch invention into irritation (the unlistenable "Xxzxcuzx Me"). On the other hand, it never fails to be interesting and repeated listens smooth out the edges just enough to appreciate the band’s careful shading and confidence. So open your mind, enjoy the rampant creativity, and don’t eat the ghosts until they turn blue. –Matthew Cooke

2010 album from the critically acclaimed duo. Ethan Kath and Alice Glass have created an unexpected level of excitement and cult loyalty, clocking up a staggering 50 million plays on MySpace and Lastfm and headlining sold out tours around the world. Produced by Ethan Kath, tracks were recorded and written in contrasting environments around the world, including a church in Iceland, a self-built cabin in Ontario, and a garage behind an abandoned convenience store in Detroit.