Dick Dale

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Biography

Dick Dale (born Richard Anthony Monsour on May 4, 1937) is an United States|American surf rock Electric Guitar|guitarist , known as The King of the Surf Guitar . He experimented with reverberation and made use of custom made Fender Musical Instruments Corporation|Fender amplifiers, including the first-ever 100-watt guitar amplifier. at his official website

Early life

Dale was born in South Boston , Massachusetts and lived in nearby Quincy, Massachusetts|Quincy until the eleventh grade. He is of Lebanon|Lebanese , Poland|Polish and Belarus ian descent (however, his father was not born in Lebanon). He and his family moved to Orange County, California|Orange County , California in 1954. He learned to surf and became interested in music. He soon learned to play the Drum kit|drums , the ukulele , the trumpet , and finally the guitar .

Career

Among his early musical influences was his uncle. Dale is often credited as one of the first electric guitarists to employ fast playing scales in his playing. Dale himself was a surfer and wanted his music to reflect the sounds he heard in his mind while surfing. While he is primarily known for introducing the use of guitar reverb that would give the guitar a "wet" sound, which has since become a staple of surf music, it was Dale's staccato picking that was his trademark. Since Dale is left-handed, he was initially forced to play a right-handed model but then went to a left handed model.
However, he did so without restringing the guitar, leading him to effectively play the guitar upside-down (while Hendrix would restring his guitar), and he often played by reaching over the fretboard rather than wrapping his fingers up from underneath. Dale is also noted for playing his percussive, heavy bending style while using what are, for most guitarists, extremely heavy gauge string sets (16p, 18p, 20p. 38w, 48w, 58w;Dick Dale interview, Fresh Air , WHYY-FM|WHYY / National Public Radio|NPR , 26 July 1993, rebroadcast 25 May 2007. guitar string manufacturers do not make string sets for standard tuned electric guitars heavier than 13 to 56).

His desire to create a certain sound led him to push the limits of equipment:

During a six month period that began July 1, 1961, Dale's performances at the Rendezvous Ballroom in Balboa are credited with the creation of the surf music phenomenon. Dale asked for and gained permission to use the 3,000 person capacity ballroom for surfer dances after overcrowding at a local ice cream parlor , where he performed, caused him to seek other venues. The Rendezvous ownership and city of Newport Beach, California|Newport Beach only agreed to Dale's request under the condition that alcohol sales would be prohibited and a dress code followed. Dale's events at the ballrooms, called "stomps", quickly became legendary and the ballroom was routinely sold out. Paul Johnson, guitarist for the contemporary group The Bel-Airs , recalled the electric atmosphere of the shows:

" Let's Go Trippin' " is often regarded as the first surf rock song. This was followed by more locally released songs, including "Jungle Fever" and "Surf Beat" on his own Deltone label. His first full-length album was '' Surfers' Choice in 1962. The album was picked up by Capitol Records and distributed nationally, and Dale soon began appearing on The Ed Sullivan Show , and in films where he played his signature single " Misirlou ". He later stated, "I still remember the first night we played it ("Misirlou"). I changed the tempo, and just started cranking'' on that mother. And...it was eerie. The people came rising up off the floor, and they were chanting and stomping. I guess that was the beginning of the surfer's stomp.""Washed out for a decade, surf's up again," Los Angeles Times , 1 February 1981. His second album was named after his performing nickname, King of the Surf Guitar .

Though surf rock became nationally popular in the United States briefly, the British Invasion began to overtake the American charts in 1964. Though he continued performing live, Dale was soon set back by rectal cancer . In the liner notes of Better Shred Than Dead: The Dick Dale Anthology , the line "Then you'll never hear surf music again" was Hendrix's reaction upon hearing that Dale was battling a possibly terminal case of colon cancer, intended to encourage his comrade to recuperate. Dale, in gratitude to his late friend, later covered " Third Stone from the Sun " as a tribute to Hendrix.Dick Dale, Better Shred Than Dead: The Dick Dale Anthology (Rhino Records, 1997), liner notes to Disc 2, Track 12. Though he recovered, he retired from music for several years. In 1979, he almost lost a leg after being injured while swimming and a pollution-related infection made the mild injury much worse. As a result, Dale became an environmental activist and soon began performing again. He recorded a new album in 1986 and was nominated for a Grammy. In 1987 he appeared in the movie Back to the Beach , playing surf music and performing "Pipeline" with Stevie Ray Vaughan . In 1993 he recorded a guitar solo on the track "Should Have Known" by Southern California indie band The Pagodas which was released as a vinyl single. The use of " Misirlou " in the 1994 Quentin Tarantino film Pulp Fiction (film)|Pulp Fiction gained him a new audience.

In 1995, he recorded a surf-rock version of Camille Saint-Saëns 's "Aquarium" from The Carnival of the Animals for the musical score of the enclosed roller coaster, Space Mountain (Disneyland, Anaheim)|Space Mountain at Disneyland in Anaheim, California . In 1997, Dale appeared in the campy cult film American Vampire (film)|An American Vampire Story performing a rousing guitar solo on the beach with his son on drums. In 2002, Dale appeared in The True Meaning of Christmas Specials . He played several original songs for the program.

The National Hockey League 's Colorado Avalanche use Dale's song "Scalped" as their theme song. The Black Eyed Peas ' song " Pump It " (from the 2005 album Monkey Business (album)|Monkey Business ) heavily samples Dale's " Misirlou ". "Misirlou" is also featured in the PlayStation 2 / Xbox 360 video game, Guitar Hero II , as well as the Wii video game Rayman Raving Rabbids . In the feature film Space Jam , as Elmer Fudd and Yosemite Sam shoot out teeth from one of the Monstars, a clip from " Misirlou " is played.

Dale is a 2011 inductee into the Surfing Walk of Fame in Huntington Beach, California in the Surf Culture category.

Personal life

Dale said that he never used alcohol nor drugs and discouraged their use by band members and road crew. Health was a priority for him. In 1972, he stopped eating red meat . He studied martial arts for over 30-years. At age 74 he was still putting on physically energetic live shows. In early 2008, he experienced a recurrence of rectal cancer and finished a surgical, chemotherapy , and radiation treatment regimen., surferspath.com
In June, 2009 Dick Dale began a West Coast tour from Southern California to British Columbia , with approximately 20 concert dates. "Forever Came Calling" (or FCC) featured Dale's then-17-year-old son, Jimmy Dale on drums, who opened for him. Dick continued to perform at venues across the U.S. into 2011. He was scheduled to play the Australian One Great Night On Earth festival to raise funds to benefit those affected by the Black Saturday bushfires and other natural disasters.

Equipment

As well as the Fender amplifiers already mentioned, Dale is associated with the Fender Stratocaster guitar. Fender makes a signature model, the Dick Dale Custom Shop Stratocaster, fitted with "Custom Shop '54" Pick up (music technology)|pickups , which are supposed to recreate the sound of the first "Strats". Dick used a reverb unit with the signal split between two Fender Dual Showman amps. As of 2010, Dale continued to play with his original reverb unit and Showman amps dating from the early 1960s. Dale continued his practice of stringing his left-handed guitar upside down. The unique features of this guitar include a toggle switch that bypasses the three position blade switch to activate neck and middle pickups only.

Recordings

Albums

'' Surfers' Choice (Deltone 1962)

King of the Surf Guitar (Capitol 1963)

Checkered Flag (album)|Checkered Flag (Capitol 1963)

Mr. Eliminator (Capitol 1964)

Summer Surf (Capitol 1964)

''Rock out with Dick Dale and his Del-Tones: Live at Ciro's (Capitol 1965)

Greatest Hits (GNP Crescendo 1975)

''The Tiger's Loose (Balboa 1983)

Tribal Thunder (HighTone 1993)

Unknown Territory (Dick Dale album)|Unknown Territory (HighTone 1994)

Calling Up Spirits (Beggars Banquet 1996)

Spacial Disorientation (Dick Dale Records / The Orchard 2001)

Singles

Ooh-Whee Marie (Deltone 1959)

Stop Teasing (Deltone 1959)

Jesse Pearl (Deltone 1960)

Let's Go Trippin' / Del-Tone Rock (Deltone 1961)

Jungle Fever / Shake-N-Stomp (Deltone 1961)

Misirlou / Eight 'Til Midnight (Deltone 1962)

Mr. Peppermint Man / Surf Beat (Capitol 1962)

Secret Surfin Spot / Surfin' and Swingin' (Capitol 1963)

The Wedge / Night Rider (Capitol 1963)

Mr. Eliminator (Capitol 1964)

Let's Go Trippin' '65 / Watusi Jo (Capitol 1965)

Let's Go Trippin' / Those Memories Of You (GNP Crescendo 1975)

"Pipeline" with Stevie Ray Vaughan , nominated for a Grammy

Compilations

Hot Rod Music on Capitol (Capitol 1963)

''The Big Surfin' Sounds on Capitol (Capitol 1964)

Golden Summer (United Artists 1976)

King of the Surf Guitar: The Best of Dick Dale & The Del-Tones (Rhino 1989)

Cowabunga Surf Box Set (Rhino 1996)

Rocket Jockey ( Rocket Science Games / SegaSoft 1996)

Better Shred Than Dead: The Dick Dale Anthology (Rhino 1997)

MOM II Music for our Mother Ocean (Surf Dog Records 1997)

Guitar Legend: The Very Best of Dick Dale (Shout& #33; Factory 2010)

Soundtracks

Pulp Fiction (soundtrack)|Pulp Fiction Soundtrack (MCA 1994)

Peel Sessions

Dick Dale made four recordings for John Peel|John Peel's Peel Sessions :
# March 30, 1995 (Maida Vale 4)
# July 10, 1995 (3 Mcr.)
# August 28, 2002 (Maida Vale 4)
# March 24, 2004 (Maida Vale 4)

Peel later selected '' Let's Go Trippin' as the theme tune for his BBC Radio 4 series Home Truths . at the BBC Radio 1 John Peel minisite

Notes

Copyright Citations

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