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DISPLAYTITLE: Discreet Music Citations missing|date=June 2010Infobox album| | Name = Discreet Music| Type = Studio album | Artist = Brian Eno | Cover = Discreet_Music_EG.jpg| Caption = EG Release| Released = November 1975| Recorded =| Genre = Ambient music|Ambient , Classical music|Classical | Length = 54:07| Label = E.G. Records|EG | Producer =| Last album = Another Green World (1974)| This album = Discreet Music (1975)| Next album = Before and After Science (1977)| Misc = Extra album cover| Upper caption = Alternative cover| Type = Studio album| Cover = Discreet_Music_Virgin.jpg| Lower caption = Virgin Records|Virgin ReleaseAlbum ratings| rev1 = Allmusic | rev1Score = Rating|4.5|5Allmusic|class=album|id=r82986|pure_url=yes| rev2 = Pitchfork Media | rev2Score = 8.8/10 http://www.pitchforkmedia.com/article/record_review/17480/Brian_Eno_Discreet_Music_Ambient_1_Music_for_Airports_A Pitchfork: Album Reviews: Brian Eno / Harold Budd: Discreet Music / Ambient 1: Music for Airports / Ambient 2: The Plateaux of Mirror / Ambient 4: On Land| rev3 = Robert Christgau | rev3Score = (A-) http://www.robertchristgau.com/get_artist.php? id=190& name=Brian+Eno Robert Christgau: CG: Brian Eno| rev4 = Rolling Stone | rev4Score = Rating|3|5 http://books.google.com/books? id=lRgtYCC6OUwC& printsec=frontcover#PPA278,M1 The new Rolling Stone album guide - Google Books| rev5 = Spin (magazine)|Spin | rev5Score = Rating|7|10Weisbard & Marks, 1995. p.129 Discreet Music (1975) is an album by the United Kingdom|British Ambient music|ambient musician Brian Eno . While No Pussyfooting may be his first ambient album and Another Green World features many ambient pieces, this is Brian Eno’s first purely ambient solo album. It is also Eno's first album to be released under his full name "Brian Eno", as opposed to his previous rock albums released simply under the name "Eno".
Brian Eno’s concept of ambient music builds upon a concept composer Erik Satie called " furniture music ".Citation needed|date=December 2010 This means music that is intended to blend into the ambient atmosphere of the room rather than be directly focused upon.
The inspiration for this album began when Eno was left bed-ridden by an accident and was given an album of eighteenth century harp music. After struggling to put the record on the turntable and returning to bed, he realized that it was turned down toward the threshold of inaudibility and he lacked the strength to get up from the bed again and turn it up. Eno said this experience taught him a new way to perceive music.
This album is also an experiment in algorithmic, generative music|generative composition . His intention was to explore multiple ways to create music with limited planning or intervention.
The a-side of the album is a thirty minute piece titled "Discreet Music". It was originally intended as a background for Robert Fripp to play against in a series of concerts.
The liner notes contain a diagram of how this piece was created. It begins with two melodic phrases of different lengths played back from a Synthesizer|synthesizer's Music sequencer|digital recall system (the equipment used in this case was an EMS Synthi AKS , which had a then-exotic, built-in digital sequencer). This signal is then run through a graphic equalizer to occasionally change its timbre. It is then run through an echo unit before being recorded onto a tape machine. The tape runs to the take-up reel of a second machine. The output of that machine is fed back into the first tape machine which records the overlapped signals.
The second half of the album is three pieces collectively titled "Three Variations on the Pachelbel's Canon|Canon in D Major by Johann Pachelbel ". These pieces were performed by The Cockpit Ensemble, conducted and co-arranged by Gavin Bryars . The members of the ensemble were each given brief excerpts from the score, which were repeated several times, along with instructions to gradually alter the tempo and other elements of the composition.Citation needed|date=December 2011 The titles of these pieces were derived from inaccurate French-to-English translations of the liner notes of a version of Pachelbel’s Canon performed by the orchestra of Jean Francois Paillard.
In "Fullness of Wind" the tempo decreases relative to the Pitch (music)|pitch of the instrument. The violins have the fastest rate of decay while the basses have the slowest. This piece features effects and processing by Brian Eno.
In "French Catalogues" notes and melodies of similar tempos are gathered into blocks from different parts of the score.
In "Brutal Ardour" each performer plays a sequence of notes of a different duration, so the original composition eventually breaks down into chaos.
This album was also released on the Virgin Records|Virgin label. On this reissue, a full minute of silence separates "Discreet Music's" title track from the Pachelbel piece.
A brief excerpt of "Discreet Music" was featured on Fripp & Eno’s Evening Star (album)|Evening Star , which was released after this album.
Track listing
All tracks by Brian Eno & Johann Pachelbel except where noted
Side one
#"Discreet Music" (Brian Eno) – 31:35
Side two
Three Variations on the Canon in D Major by Johann Pachelbel #"Fullness of Wind" – 9:57 #"French Catalogues" – 5:18 #"Brutal Ardour" – 8:17
Personnel
Brian Eno – synthesizer, keyboards, producer, photography
