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Ekatarina Velika

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Biography

Infobox musical artist | name = Ekatarina Velika| image = Ekatarina Velika band members.jpg| caption = EKV in 1986, from left to right Milan Mladenovic , Ivan Rankovic, Bojan Pecar , Margita Stefanovic | image_size = 250| landscape = yes| background = group_or_band| alias = Katarina II, EKV| origin = Belgrade , Serbia , Yugoslavia | genre = Post-punk , alternative rock , art rock , neo-psychedelia , rock music|rock | years_active = 1982 & ndash; 1994| label = ZKP RTLJ , PGP RTB , Master Music, DE Production, EKV Records, Global Music, PGP RTS | associated_acts = Angel's Breath , Bezobrazno Zeleno , Disciplina Kicme , Doktor Spira i Ljudska Bica , Du Du A , E-Play , Elektricni Orgazam , Grupa I , Jakarta (band)|Jakarta , Kazna Za Uši , La Strada (band)|La Strada , Laboratorija Zvuka , Luna (Serbian band)|Luna , Partibrejkers , Profili Profili , Radnicka Kontrola , Rimtutituki , Suncokret , Šarlo Akrobata , U Škripcu , VIA Talas , Vlada Divljan|Vlada Divljan Old Stars Band | website = URL| http://www.ekatarinavelika.org| current_members =| past_members = see the Ekatarina Velika#Members|members section Ekatarina Velika (lang-sr-Cyrl|????????? ??????, lang-en| Catherine the Great ), sometimes referred to as EKV for short, was a Serbia n and SFRY|former Yugoslav rock (music)|rock group from Belgrade , being one of the most successful and influential music acts coming out of former Yugoslavia.

Initially called Katarina II (lang-sr-Cyrl|K??????? II, lang-en|Catherine II), the band had built up a devoted following that greatly intensified and expanded after the death of its frontman Milan Mladenovic in 1994, which caused the band to dissolve. The group's core consisted of singer and guitarist Milan Mladenovic, keyboardist Margita Stefanovic and bassist Bojan Pecar , with other members mostly remaining for comparatively shorter periods.

History


Post-punk years (1982–1986)


Following the disbandment of Šarlo Akrobata , in February 1982, Milan Mladenovic (guitar, vocals) with Dragomir Mihajlovic|Dragomir Mihailovic "Gagi" (guitar), Dušan Dejanovic (drums), and Zoran Radomirovic "Švaba" (bass) formed the band Katarina II, named after Mihailovic's unrequited love, a girl named Katarina. During the late 1982, after the performance at the cinema Topciderska zvezda, the band was joined by the classically trained pianist Margita Stefanovic . At the time, the rhythm section had changed, with Radomirovic leaving to join Du Du A and Dejanovic joining the heated rivals Disciplina Kicme .

The vacant drummer position was taken over by the former Grupa I member Branko Kuštrin "Mango", but after not more than a month's period he left the band, being replaced by Milan's former bandmate from Šarlo Akrobata Ivan Vdovic|Ivan Vdovic "VD" . At the same time, on early 1983, Bojan Pecar , a former VIA Talas bassist became the new band member. In the spring of 1983 the band took part in Zagreb Bienalle and received positive reviews. Their material for the debut album material was recorded soon after, featuring guest appearance by the actor Svetislav Goncic on tin whistles. The recording sessions for the material were completed in the Druga Maca studio owned by Enco Lesic however, due to a variety of reasons, most of them having to do with the poor technical equipment, the material was unusable.

The following year in Radio-Television Slovenia|RTV Ljubljana studios, the band took the offer of fellow musician Srdan Marjanovic , who was the label's musical director at the time, to rerecord the material for the debut album. Katarina II Katarina II (album)|eponymous debut album was eventually released in 1984, mostly featuring the lyrics written by Mladenovic, except for the songs "Vrt" ("The Garden") and "Platforme" ("The Platforms") written by Mihajlovic, while the music was a collaboration between the two. The tracks like "Aut" ("Out"), "Jesen" ("Autumn"), "Radostan dan" ("A Joyful Day"), "Treba da se cisti" ("It Ought To Be Cleaned"), "Ja znam" ("I Know") the band successfully linked Milan's descriptive lyrical sensibility with the energetic New Wave sound. The material was produced by Đorde Petrovic and featured guest appearances by Mario Celik on congas Film (band)|Film member Jurij Novoselic "Kuzma Videosex" on saxophone.

Soon after the album release, the band went through more lineup changes. Mihajlovic ran afoul of the law and went to jail and after serving the punishment he was informed by the rest of the band that he was no longer a Katarina II member. However, since Mihajlovic claimed rights to the usage of the Katarina II band name, he forced the band into using another one. Later he collaborated with Vlada Divljan before moving to the United States where he currently resides. Additionally, drummer Vdovic left due to drug abuse problems, later joining Du Du A and the band Heroji (band)|Heroji , being replaced by the former Luna (Serbian band)|Luna drummer Ivan Fece|Ivan Fece "Firchie" . The remaining members continued working as Ekatarina Velika, after Catherine II of Russia , or EKV for short. Due to constant SFR Yugoslavia -wide touring, with frequent stops in Belgrade , Zagreb and Ljubljana , and occasional TV spots, the band's popularity had gradually grown.

At the beginning of the following year, the band recorded their second studio album, recorded at the Zagreb SIM studio and produced by Vladimir Smolec and the band members themselves. Ekatarina Velika (album)|Ekatarina Velika , featuring Massimo Savic and Karlowy Wary member Tomo in der Mühlen as guests, provided the band with its first hits, "Oci boje meda" ("Honey Colored Eyes"), "Modro i zeleno" ("Indigo and Green") and "Tattoo". In accordance with the latter song, the album cover arranged by Dušan Gerzic feature the band members painted in Indigenous peoples of the Americas|Native American ritual body art. After the album release, on March 22, 1985, they played outside of Yugoslavia for the first time, making a positive impression at Culture Days in Turin , Italy . Another memorable concert took place in Zagreb as part of Bolje vas našli Belgrade-Zagreb band exchange.

Towards the end of 1985, Fece left the band to serve the mandatory Yugoslav People's Army service, later joining Laboratorija Zvuka , and was replaced by the Ivan Rankovic "Raka" from the band Tvrdo Srce i Velike Uši . The following year, the new lineup released the third studio album S vetrom uz lice (album)|S vetrom uz lice ( Faced Against the Wind ), proving to be the breakthrough album that turned them into bona fide stars. The album was produced by Milan Mladenovic, Margita Stefanovic and Dragan Cacinovic, extensively using the E-mu Emulator II 8-bit sampler. With the hits "Budi sam na ulici" ("Be Alone on the Street"), "Ti si sav moj bol" ("You Are All My Anguish"), "Novac u rukama" ("Money in the Hands"), and "Kao da je bilo nekad" ("As If It Had Once Been") came some lukewarm reviews from the critics complaining about the similarities to the works of the Simple Minds .

After the album release, the band toured extensively all over former Yugoslavia, and the recording of one of the five sold-out performances at the Zagreb club Kulušic , made on November 2, 1986, was released in early 1987 on the live album EKV 19LIVE!86 . The band promoted the release of the live album in Belgrade during January 1987 and triumphed at Dom omladine Beograda|Dom Omladine with six sold-out shows. During spring of the same year, Ivan Rankovic decided to leave EKV in order to form a new group Ulica Od Meseca with his old bandmates from Tvrdo Srce i Velike Uši. Rankovic was replaced by the actor Srdan Todorovic , a former Disciplina Kicme became the new drummer, playing his first show on April 9, 1987, at the New Rock festival held at the La Locomotive club in Paris . On autumn of the same year, the band got the Sedam Sekretara SKOJa for the achievements on the second and third studio album.

Alternative rock years (1987–1991)


During the summer of 1987, the band released the album Ljubav (album)|Ljubav ( Love ), co-produced by the band with the Australia n musician Theodore Yanni. It displayed a more guitar-oriented sound, along with stylized sleeve done by Margita and artist Vuk Vidor . Prominent tracks from the album include "Zemlja" ("Earth"), "7 Dana" ("7 Days"), "Pored mene" ("Beside Me"), "Ljudi iz gradova" ("People From The Cities"), and "Ljubav" ("Love"). It had also shown the first signs of Milan's depressive lyrics, as exemplified by song "Tonemo" ("We Are Sinking"). The album had also confirmed their live attraction status with two consecutive sold out shows at Belgrade's Pionir Hall sports arena. New extensive tour commenced in early 1988, and EKV enlisted help from Tanja Jovicevic of Oktobar 1864 and Zvonimir Đukic from Van Gogh (band)|Van Gogh to appear as backing live musicians. Fece had also promptly rejoined the band on tour, shortly replacing Srdan Todorovic before moving away to New York City in May 1988.

In January 1989, the band finished the recording sessions for the album Samo par godina za nas (album)|Samo par godina za nas ( Only a Few Years for Us ), released during the same year, featuring guest appearances by Mitar Subotic (guitar, album production) and Tanja Jovicevic (backing vocals). The critics regarded this album as a mere of the concept from the previous album. Several hits from the album include "Krug" ("The Circle"), "Par godina za nas" ("A Few Years for Us"), and "Srce" ("Heart"). Despite the mixed critics, the band were at their peak performing at the EBU-UER rock festival in Novi Sad , the 1990 Midem festival in Cannes and the first Europe an rock music bienalle held in Toulouse . After the tour, Todorovic left the band, focusing on his acting career. Bojan Pecar also decided to leave the band moving to London . The new members became the former VIA Talas , D' Boys and Piloti member Miško Petrovic "Plavi" on bass and the former U Škripcu member Marko Milivojevic on drums.

The sixth studio album Dum Dum (Ekatarina Velika album)|Dum dum ( Bang Bang ), released in 1991, featured the Plejboj member Dušan Petrovic and session musician Bata Božanic as bass players, Tanja Jovicevic on backing vocals, Zvonimir Đukic on guitar and Mitar Subotic on keyboards and machines. The album, produced by Theodore Yanni, featured the prominent songs "Zabranjujem" ("I Forbid"), "Idemo" ("Let's Go"), "Dum dum" ("Bang Bang") and "Bledo" ("Pale"), inspired by the outbreak of the Yugoslav Wars and the general political and economical situation in the country. The following year, Mladenovic participated in the antiwar project Rimtutituki , also featuring Elektricni Orgazam and Partibrejkers members, releasing the single "Slušaj 'vamo" ("Listen Up").

Mainstream rock years (1992–1994)


During the summer of 1992 the band toured with the new bassist Dragiša Uskokovic "Cima", with whom they recorded the final studio album Neko nas posmatra (album)|Neko nas posmatra ( Somebody Is Watching Us ), released in May 1993. The album featured a more accessible and communicative sound especially present in the songs "Ponos" ("Pride"), "Jadransko more" ("The Adriatic Sea "), "Just Let Me Play Some Modern R'n'R Music" and "Zajedno" ("Together"). For the first time, the band had included a cover song on and album, "Istina Mašina" ("Truth Machine"), originally performed by the SFR Yugoslav pop and rock scene|Yugoslav rock band Time (rock band)|Time . The album was produced by Mladenovic and featured Srdan Todorovic, Tanja Jovicevic and a childer choir as guest performers.

After the album release, in September of the same year, Ekatarina Velika, Elektricni Orgazam , Partibrejkers and the Zagreb band Vještice performed in Prague and Berlin on the concerts entitled Ko to tamo pjeva ('' Who's That Singing Over There ''). At the time, Mladenovic and Stefanovic held occasional Acoustic music|unplugged club performances, often featuring guest appearances by the Partibrejkers guitarist Nebojša Antonijevic|Nebojša Antonijevic "Anton" and various jazz musicians, until Milan's departure to Brazil , where he worked on a project called Angel's Breath, together with Mitar Subotic and a line-up of Brazilian musicians. The two started recording the material partially written in 1985 when, with the guitarist Goran Vejvoda , they had several live appearances under the moniker Dah Andela (''Angel's Breath ).

Breakup and post-breakup


The band resumed their activities when Mladenovic returned to Yugoslavia. There were plans to make a new album, tentatively titled Ponovo zajedno ( Together Again ), but the idea was shelved because of Milan's health problems. EKV played what would turn out to be their last ever show on August 24, 1994 in Budva at the Pjesma Mediterana festival. The very next day Milan was held in a hospital, and it was soon discovered that he had pancreatic cancer . Barely a few months later, on November 5, 1994, Milan Mladenovic died in Belgrade, at the age of 36, thus Ekatarina Velika ceased to exist.

Margita Stefanovic continued working as a musician, for a short period of time performing with the cover band Kurajberi. In 1995, with Vladimir Stojanovic, as an ambiental music duo EQV, she released the album Ti si sav moj bol ( You Are All My Anguish ), released by the Austria m record label Coop Arts Crafts Unltd. In October of the same year, EQV appeared at the Vienna Talkit festival. She had also made occasional live appearances with the bands Direktori , Glisers and Zion Banda, and appeared as guest on the albums of several Belgrade rock bands. In 1996, she appeared on the Elektricni Orgazam unplugged live album Živo i akusticno ( Live and Acoustic ), and in 1998, on the fiftieth anniversary of the Universal Declaration of Human Rights signing, she appeared in Pula with Zoran Stojanovic, the leader of the Zagreb band Veliki Bijeli Slon, being, along with Rambo Amadeus , the first Serbian musician to play in Croatia after the Yugoslav Wars .

During the early 1997, a posthumous live album entitled ''Live '88 was released, featuring the recordings of the performances from Zagreb and Novi Sad held during the 1988 tour. The Zagreb recordings, made at the Kulušic club, were announced by the rock critic Dražen Vrdoljak and featured Theodore Yanni on guest guitar. The live recordings were owned by Fece whom initiated the album release. During the same year, Margita Stefanovic founded the record label EKV Records and started reissuing EKV studio album with bonus material. The Ljubav reissue featured live bonus material made at the Belgrade Dom Omladine on November 13, 1991 and the 1988 Novi Sad SNP performance, Samo par godina za nas featured the live bonus tracks from the Avala fest held in September 1990 and Dum dum featured alternate and demo recordings and the 1991 Dom Omladine live tracks.

PGP RTS also contributed the CD reissuing by releasing the compilation album Kao nada, kao govor, kao more... ( Like Hope, Like Speech, Like the Sea... ) in 1997, featuring selected material from the latter four studio albums. During 2001 and 2002, EKV Records and IPS music reissued the rest of the band's catalog, also featuring bonus live material. The label also released the live album Kao u snu - EKV live 1991 ( As If in a Dream - EKV Live 1991 ) featuring the Belgrade Dom Omladine 1991 performance. During the same year, a tribute album Kao da je bilo nekad... (Posveceno Milanu Mladenovicu) ( As If It Had Once Been ) was released. The following year, a live tribute album Jako dobar tattoo - Tribute to EKV ( A Very Good Tatto - Tribute to EKV ) was released.

On September 18, 2002, Margita Stefanovic died, being the fifth band member to die prematurely. Ivan Vdovic died of AIDS on September 25, 1992. Milan Mladenovic died of pancreatic cancer on November 5, 1994. Bojan Pecar died of a heart attack on October 13, 1998. Dušan Dejanovic died on November 16, 2000.

Legacy


Ekatarina Velika is considered one of the top and most influential acts of the yu rock|former Yugoslav rock scene . Of the bands heavily influenced by Ekatarina Velika, by far the most notable is Van Gogh (band)|Van Gogh ,cite web|url= http://www.blic.rs/Zabava/Vesti/187499/Djule-Zivim-kao-sav-normalan-svet |title="Đule: Živim kao sav normalan svet", interview with Zvonimir Đukic |publisher=Blic.rs |date=2009-12-18 |accessdate=2011-07-20 http://www.nadlanu.com/Uploads/File/Van%20Gogh%20intervju.pdf Interview with Zvonimir Đukic, nadlanu.comdead link|date=July 2011 which has risen to the status of one of the most popular rock acts in Serbia in the second half of the 1990s. Another band highly inspired by EKV is the alternative rock band Block Out (band)|Block Out .

In 2003, a tribute album to Mladenovic entitled Kao da je bilo nekad... Posveceno Milanu Mladenovicu ( Like It Happened Someday... Dedicated to Milan Mladenovic ) was released. The album consists of 15 covers of Mladenovic's songs (14 EKV and one Šarlo Akrobata song) by a range of musicians, spanning from rock veteran Dado Topic , over EKV contemporaries like Elektricni Orgazam , Darko Rundek , Partibrejkers , Miško Plavi , Vlada Divljan , Del Arno Band , and Tanja Jovicevic , to younger acts, like Jarboli , Darkwood Dub , Novembar , Night Shift (band)|Night Shift , Block Out, and Vroom (band)|Vroom . Mladenovic's former Šarlo Akrobata bandmate Dušan Kojic also appeared on the album under the pseudonym Crni Zub, participating in the cover of "Zemlja". http://www.discogs.com/Various-Kao-Da-Je-Bilo-Nekad--Posveceno-Milanu-Mladenovicu/release/1520464 Kao da je bilo nekad... Posveceno Milanu Mladenovicu at Discogs

Another tribute album, released in 2003, was a live album Jako dobar tattoo - Tribute to EKV ( Very Good Tattoo - Tribute to EKV ), recorded at the tribute concert held on February 22, 2003, in Zagreb 's Tvornica club. The performers included Croatia n bands Le Cinema , Vatra (band)|Vatra , and Urban & 4, and solo artists Massimo Savic with EKV tribute band Veliki Bijeli Slon, Darko Rundek with his Cargo Orkestar, and Elektricni Orgazam frontman Srdan Gojkovic|Srdan "Gile" Gojkovic , also with Veliki Bijeli Slon. The album consists of 13 live covers, each artist performing several.

The book YU 100: najbolji albumi jugoslovenske rok i pop muzike ( YU 100: The Best albums of Yugoslav pop and rock music ), published in 1998, features two albums by the band: '' S' vetrom uz lice (ranked #26) and Katarina II (album) (ranked #68).cite book|last1=Antonic|first1=Duško|last2=Štrbac|first2=Danilo|title= YU 100: najbolji albumi jugoslovenske rok i pop muzike|year=1998|publisher=YU Rock Press|location=Belgrade|page=

In November 2006, "Par godina za nas" was polled the Best Yugoslav Popular Music Song on the B92 Top 100 Domestic Songs list. http://www.b92.net/radio/100yunajboljih/index.php 100 najboljih domacih - konacan plasman at Radio B92 (Retrieved: 16 August 2009) In 2011, the songs "Krug" and "Par godina za nas" were polled, by the listeners of Radio Belgrade|Radio 202 , one of 60 greatest songs released by PGP-RTB / PGP-RTS . http://sr-rs.facebook.com/notes/miloš-georgijevic-gera/60-??????-???????-???-??-202/10150286181179320 60 ?????? ??????? ??? ?? 202!, facebook.com

In July 2011, the hardscape area in front of the Belgrade Youth Center was named the Milan Mladenovic Place.cite web|url= http://www.b92.net/kultura/vesti.php? nav_category=1087& yyyy=2011& mm=07& dd=14& nav_id=525380 |title=Otvoren "Plato Milana Mladenovica" |publisher=B92.net |date= |accessdate=2011-07-20

Members


  • Milan Mladenovic — vocals, guitar

  • Dragomir Mihajlovic|Dragomir Mihajlovic "Gagi" — guitar (February 1982 - sometime in 1984)

  • Zoran Radomirovic "Švaba" — bass guitar (February 1982 - late 1982)

  • Dušan Dejanovic — drums (February 1982 - late 1982)

  • Margita Stefanovic|Margita Stefanovic "Magi" - keyboard instrument|keyboard s, backing vocals (late 1982 - summer 1994)

  • Branko Kuštrin "Mango" — drums (late 1982 - early 1983)

  • Bojan Pecar — bass guitar (early 1983 - early 1990)

  • Ivan Vdovic|Ivan Vdovic "VD" — Drum kit|drum s (early 1983 - fall 1984)

  • Ivan Fece "Firchie" — drums (fall 1984 - late 1985), (early 1988 - May 1988)

  • Ivan Rankovic "Raka" — drums (late 1985 - early 1987)

  • Srdan Todorovic|Srdan Todorovic "Žika" — drums (early 1987 - early 1988), (May 1988 - early 1990)

  • Marko Milivojevic — drums (early 1990 - summer 1994)

  • Miško Petrovic "Plavi" — bass guitar (early 1990 - spring 1991)

  • Dušan Petrovic — bass guitar (spring 1991 - fall 1991)

  • Bata Božanic — bass guitar (spring 1991 - fall 1991)

  • Dragiša Uskokovic "Cima" — bass guitar (fall 1991 - late 1993)

  • Boško Stanojevic "Bole" — bass guitar (summer 1994)


  • Discography


    main|Ekatarina Velika discography
  • Katarina II (album)|Katarina II (1984)

  • Ekatarina Velika (album)|Ekatarina Velika (1985)

  • '' S vetrom uz lice (album)|S' vetrom uz lice (1986)

  • Ljubav (album)|Ljubav (1987)

  • Samo par godina za nas (album)|Samo par godina za nas (1989)

  • Dum Dum (Ekatarina Velika album)|Dum Dum (1991)

  • Neko nas posmatra (album)|Neko nas posmatra (1993)



  • References


    More footnotes|date=November 2009Reflist
  • EX YU ROCK enciklopedija 1960-2006 , Janjatovic Petar; ISBN 978-86-905317-1-4


  • External links


  • http://www.ekatarinavelika.org Official website

  • http://solair.eunet.rs/~gabriel/glavna.htm Fan website

  • http://www.discogs.com/artist/Ekatarina+Velika Ekatarina Velika at Discogs

  • http://www.myspace.com/ekv1 Ekatarina Velika at Myspace

  • http://www.facebook.com/pages/Ekatarina-Velika/11815061354 Ekatarina Velika at Facebook

  • http://www.youtube.com/results? search_query=Ekatarina+Velika+EKV+Katarina+II& aq=f Ekatarina Velika at Youtube

  • http://rateyourmusic.com/artist/ekatarina_velika Ekatarina Velika at Rateyourmusic

  • http://www.last.fm/music/Ekatarina+Velika Ekatarina Velika at Last.fm

  • http://www.b92.fm/music/Ekatarina+Velika/albums/ Ekatarina Velika at B92|B92.fm


  • Ekatarina Velika
    Category:Serbian rock music groups
    Category:Serbian alternative rock groups
    Category:Serbian post-punk music groups
    Category:Yugoslav rock music groups
    Category:Art rock musical groups
    Category:Musical groups established in 1982
    Category:Musical groups disestablished in 1994

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