2012 album from the Death/Thrash Metal band. Over the course of nearly 15 years and an incalculable amount of tour miles, New Orleans' own Goatwhore have inadvertently established themselves as one the most diligent and consistently ferocious bands of the 21st century. Exhibiting a labyrinth of moods and meticulous tempo shifts, Blood For The Master is streamlined without ever rendering itself predictable. As memorable as it is menacing, the band's fifth full-length quite literally writhes under the weight of its own deviant heaviness. Led by the traditionally iconoclastic sermons of the leather-throated Falgoust, and made whole by its mammoth guitar tone, unconditional drum/bass battery and Duets intermittent snarls of wrath, the record again challenges God's legitimacy/authority while further exploring the ritual of death.

2009 from the Black Metal band. Upon the release of A Haunting Curse, Goatwhore's 2006 Metal Blade Records debut, the Metal world was introduced to a new evil partnership between the Gods of Rock and the Overlords of Metal. Their pedigree undeniable, Goatwhore embarked on a massive mission of destruction that did not stop until they had played every Metal stage in the U.S. and Canada, large and small. Accolades from magazines, Metal sites, their peers and, most importantly, the fans set the foundation for the band's triumphant return with Carving Out The Eyes Of God.

Vinyl LP pressing. 2012 album from the Death/Thrash Metal band. Over the course of nearly 15 years and an incalculable amount of tour miles, New Orleans' own Goatwhore have inadvertently established themselves as one the most diligent and consistently ferocious bands of the 21st century. Exhibiting a labyrinth of moods and meticulous tempo shifts, Blood For The Master is streamlined without ever rendering itself predictable. As memorable as it is menacing, the band's fifth full-length quite literally writhes under the weight of its own deviant heaviness. Led by the traditionally iconoclastic sermons of the leather-throated Falgoust, and made whole by its mammoth guitar tone, unconditional drum/bass battery and Duets intermittent snarls of wrath, the record again challenges God's legitimacy/authority while further exploring the ritual of death.