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Biography
Use British English|date=May 2011: For the English sportsman, see Grahame Parker . BLP sources|date=June 2010Infobox musical artist| image = Graham Parker-07182010.jpg | name = Graham Parker | background = solo_singer | Born = birth date and age|1950|11|15|df=y London, England | origin = | instrument = Guitar | genre = Rock, New Wave music|new wave , Pub rock (UK)|pub rock , Soul music|soul , rhythm and blues | occupation = Singer, songwriter, musician, writer | years_active = 1970spresent | label = Arista Records|Arista , Bloodshot Records|Bloodshot , Buy or Die, Capitol Records|Capitol , Dakota Arts , Demon Music Group|Demon , Elektra Records|Elektra , Hannibal Records|Hannibal , Hip-O Records|Hip-O , Mercury Records|Mercury , Razor & Tie , RCA Records|RCA , Rebound Records|Rebound , Rock the House Entertainment Group|Rock the House , UpYours Records|UpYours , Vertigo Records|Vertigo Canada & UK, Windsong International Records|Windsong UK | associated_acts = The Rumour , The Figgs | website = http://grahamparker.net/ grahamparker.net Graham Parker (born 15 November 1950, London, England) is a British rock singer and songwriter, who is best known as the lead singer of the popular British band Graham Parker & the Rumour .cite book | first= Martin C. | last= Strong | year= 2000 | title= The Great Rock Discography | edition= 5th | publisher=Mojo Books | location= Edinburgh | pages= 727728 | isbn= 1-84195-017-3
Biography
Early career (1960s1976)
In the late 1960s and early 1970s, Parker sang in small-time English bands such as the Black Rockers and Deep Cut Three while working in dead-end jobs like a glove factory and a filling station|petrol station . In 1975, he recorded a few demo (music)|demo tracks in London with Dave Robinson, who would shortly found Stiff Records and who connected Parker with his first backing band of note, The Rumour . Parker had one track, "Back to Schooldays", released on the compilation album , A Bunch of Stiff Records for Stiff Records.
In the summer of 1975, Parker joined forces with ex-members of three British pub-rock bands to form Graham Parker and the Rumour . The new group consisted of Parker (lead vocals, guitar) with Brinsley Schwarz (musician)|Brinsley Schwarz (lead guitar) and Bob Andrews (keyboardist)|Bob Andrews (keyboards) (both ex Brinsley Schwarz ), Martin Belmont (rhythm guitar, ex Ducks Deluxe ) and Andrew Bodnar (bass) and Steve Goulding (drums). They began in the British pub rock scene, often augmented at times by a four-man horn section known as The Rumour Horns: John "Irish" Earle (saxophone), Chris Gower (trombone), Dick Hanson (trumpet), and Ray Beavis (saxophone).
The band's first album, '' Howlin' Wind , was released to acclaim in April 1976 and was rapidly followed by the stylistically similar Heat Treatment ''. A mixture of rock, ballads, and reggae-influenced numbers, these albums reflected Parker's early influences ( Motown Records|Motown , The Rolling Stones , Bob Dylan , Van Morrison ) and contained the songs which formed the core of Parker's live shows "White Honey", "Soul Shoes", "Lady Doctor", "Fool's Gold", and his early signature tune " Don't Ask Me Questions ", which hit the Top 40 in the UK.
Parker and the Rumour built a reputation as incendiary live performers: the promotional album Live at Marble Arch was recorded at this time and shows off their raw onstage style. Like the pub rock (UK)|pub rock scene he was loosely tied to, the singer's class consciousness|class-conscious lyrics and passionate vocals signalled a renewal of rock music as punk rock began to flower in Britain.
In terms of establishing a recording career in early 1976, Parker preceded two other New Wave music|new wave English singer-songwriters to whom he is often compared: Elvis Costello and Joe Jackson (musician)|Joe Jackson . (Costello's first single was released in 1977, and Jackson's first solo single was issued in late 1978).
New direction (1977)
Critical acclaim for the first two albums was generally not matched with Gramophone record|LP sales. Graham Parker and the Rumour appeared on BBC television's Top of the Pops in 1977, performing their version of The Trammps ' "Hold Back the Night" from The Pink Parker Extended play|EP , a Top 40|Top 30 UK hit in March 1977.
At this point, Parker began to change his songwriting style, reflecting his desire to break into the American market. The first fruits of this new direction appeared on Stick To Me (1977). The album broke the Top 20 on the UK Albums Chart .
Parker and the Rumour gained a following in Australia thanks to the support of Sydney independent rock station Double Jay (radio network)|Double Jay (2JJ) and the ABC's weekly pop TV show Countdown (Australian TV series)|Countdown , which gave the group nationwide exposure in Australia. They made their first tour there in 1978, where they spotted rising Australian band The Sports , who subsequently supported Parker and the Rumour on their early 1979 UK tour. http://www.memorabletv.com/musicworld/ozrock/stot.htm Memorable Music, Australian Rock The group made a second Australian tour in late 1979, when Parker appeared on Countdown as a guest presenter. http://www.tvtonight.com.au/tag/countdown TV Tonight website
An official Graham Parker and The Rumour live album, The Parkerilla , issued in 1978, saw Parker in a creative holding pattern. Three sides were live, with no new songs and with versions of previously released songs. Side four was devoted to a "disco" remake of "Don't Ask Me Questions".
Parker had long been dissatisfied with the performance of his US record company, Mercury Records , finally issuing in 1979 as a single A-side and B-side|B-side "Mercury Poisoning".
Energized by his new label, Arista Records , and with record producer Jack Nitzsche , Parker followed with Squeezing Out Sparks , widely held to be the best album of his career. For this album, The Rumour's brass section, prominent on all previous albums, was jettisoned.
Squeezing Out Sparks (1979) was named by Rolling Stone at #335 http://www.rollingstone.com/news/story/_/id/6599324 Rollingstone.com on its List of Rolling Stone's 500 Greatest Albums of All Time . In an early 1987 Rolling Stone list of their top 100 albums from 19671987, Squeezing Out Sparks was ranked at #45, while ''Howlin' Wind came in at #54. http://www.coastal.edu/library/media/rs100.html Coastal.edu The companion live album Live Sparks , was sent to US radio stations as part of a concerted promotional campaign.
The jettisoned brass section continued to play on other people's records credited as The Irish Horns (on the album London Calling by The Clash ) or The Rumour Brass, most notably on Katrina and the Waves ' 1985 hit " Walking on Sunshine (song)|Walking On Sunshine ".
The End of The Rumour (1980)
Bob Andrews left The Rumour in early 1980, and was not officially replaced. However, in studio sessions for the next album, Nicky Hopkins and Danny Federici (of The E Street Band ) sat in on keyboards.
1980's The Up Escalator was Parker's highest-charting album in the UK and featured production by Jimmy Iovine and guest vocals from Bruce Springsteen . Significantly, the front cover of the album credited only Graham Parker, not "Graham Parker and The Rumour".
The Up Escalator would prove to be Parker's last album with the Rumour, although guitarist Brinsley Schwarz (musician)|Brinsley Schwarz would reunite with Parker in 1983 and play on most of the singer's albums through the decade's end. As well, bassist Andrew Bodnar would rejoin Parker from 1988 through the mid 1990s, and drummer Steve Goulding would play on Parker's 2001 album Deepcut To Nowhere .
Commercial success (19811990)
The 1980s were Parker's most commercially successful years, with well-financed recordings and radio and video play. His followup to The Up Escalator , 1982's Another Grey Area , featured session musician s Nicky Hopkins and Hugh McCracken . This album charted at UK #40 and US #51, and spun off a Top 40 UK single in "Temporary Beauty".
1983's The Real Macaw , featuring drumming by Gilson Lavis of Squeeze (band)|Squeeze and the return of Brinsley Schwarz to the guitarist's spot did not fare as well, hitting US #59 on the album charts but missing the UK charts altogether. However, Parker's 1985 release Steady Nerves (credited to Graham Parker and The Shot ) was a moderate success and included his only US Top 40 hit, "Wake Up (Next to You)". The Shot was a four-piece backing band, all of whom had played on either The Real Macaw or Another Grey Area : Brinsley Schwarz (guitar), George Small (keyboards), Kevin Jenkins (bass), and Michael Braun (drums).
Steady Nerves was recorded in New York City, and Parker began living mostly in the United States during this time.
Record label changes came quickly after the mid-1980s, partly accounting for the number of compilation album s in Graham Parker's discography. Particularly unproductive was Parker's tenure at Atlantic Records , where Parker ended the deal without releasing anything, and signed to RCA Records . He began producing his own recordings and issued '' The Mona Lisa's Sister . The backing band for this album included former Rumour-mates Schwarz and Bodnar ; keyboardists James Halliwell and Steve Nieve ; and drummer Terry Williams (drummer)|Terry Williams (replaced on one cut by Andy Duncan, and two others by Pete Thomas who, like Nieve, was a member of Elvis Costello and the Attractions ). Rolling Stone magazine ranked The Mona Lisa's Sister at #97 on its list of The 100 Greatest Albums of the 1980s.
The 1990s
Parker continued to record for RCA through the early 1990s. Long-time guitarist Schwarz once again parted company with Parker after the 1990 album Human Soul . Parker's 1991 offering, Struck By Lightning , featured Bodnar and Pete Thomas in the backing band, as well as guest appearances from The Band's Garth Hudson on keyboards and John Sebastian on autoharp. However, the album's chart peak of US #131 saw Parker dropped by the label. 1992's Burning Questions was released by Capitol Records , who promptly dropped him after the album failed to sell.
A 1994 Christmas-themed EP release (''Graham Parker's Christmas Cracker ) was issued on Dakota Arts Records, before Parker found a more permanent home on American independent label Razor & Tie . After the movingly personal 12 Haunted Episodes'', and 1996's Acid Bubblegum (featuring Jimmy Destri of Blondie (band)|Blondie on keyboards), Parker grew quiet in the late 1990s. However, he continued to play live fairly regularly, often working with backing band The Figgs (who, like The Rumour, when not backing Parker also issued records as a discrete unit).
To the present
Parker began a more active period in 2001, with the UK re-release of his early Rumour work, and with his third studio album for Razor & Tie , Deepcut to Nowhere . In 2003, Parker collaborated with Kate Pierson of the B-52's and Bill Janovitz of Buffalo Tom to record an album of lesser-known John Lennon / Paul McCartney compositions that had never been recorded by The Beatles . The album, called From A Window: Lost Songs of Lennon & McCartney , was credited to "Pierson, Parker, Janovitz". Also in 2003, Parker contributed a solo acoustic version of Pink Floyd 's " Comfortably Numb " to the compilation album , A Fair Forgery of Pink Floyd
New solo work continued with 2004's Your Country , which saw Parker switch labels to Chicago-based indie Bloodshot Records and was co-produced by John Would at Stanley Recording in Venice, California. The album was recorded and mixed in two weeks.
Following in 2005 was Songs Of No Consequence , recorded with The Figgs. A show from the ensuing tour with the Figgs broadcast on FM radio and was released as an album in 2006. In March 2007, a new full-length, ''Don't Tell Columbus was released.
In addition to his records, Parker published an illustrated science fiction novella, The Great Trouser Mystery in 1980. He published a set of short stories, Carp Fishing on Valium , in June 2000. His third book, a novel, The Other Life of Brian , appeared in September 2003. In July 2011, he played a private party for a Pittsburgh physician who has described himself as Parker's #1 fan.
In the spring of 2011 Parker reunited with all five original members of The Rumour to record a new album. The record, tentatively titled Three Chords Good , is due to be released in 2012 in conjunction with the Judd Apatow film This Is Forty , in which Parker will have a small role. http://www.musicfilmweb.com/2011/09/steve-goulding-graham-parker-mekons-music-documentary/ MusicFilmWeb.com
Discography
Albums
Graham Parker & The Rumour
'' Howlin' Wind (1976)
Heat Treatment (1976) UK Albums Chart|UK #52, US #169
cquote|All I want to do is send a shiver up people's spines. NME February 1979cite book | first= John | last= Tobler | year= 1992 | title= NME Rock 'N' Roll Years | edition= 1st | publisher=Reed International Books Ltd | location= London | page= 323 | id= CN 5585
References
Reflist
External links
http://www.grahamparker.net/ Official website
http://www.grahamparker.com/ Graham Parker
http://come.to/grahamparker/ Struck By Lightning: discography, gigography, bibliography, and more
Allmusic|class=artist|id=p5103/biography|pure_url=yes Biography at AMG website
http://www.lafuriaumana.it/index.php? option=com_content& view=article& id=148:dont-ask-me-questions-long-interview-with-graham-parker& catid=45:notre-musique& Itemid=62 Don't Ask Me Questions ? Interview with Parker edited by Toni D'Angela, on La furia umana , #4, Spring 2010
Use dmy dates|date=May 2011 Persondata | NAME =Parker, Graham | ALTERNATIVE NAMES = | SHORT DESCRIPTION = | DATE OF BIRTH =18 November 1950 | PLACE OF BIRTH = | DATE OF DEATH = | PLACE OF DEATH = DEFAULTSORT:Parker, Graham Category:1950 births Category:Living people Category:English male singers Category:English songwriters Category:English rock musicians Category:Protopunk groups Category:English New Wave musicians
