Whether partnered with Guy Sigsworth as Frou Frou, or on her own, Imogen Heap is an enormously gifted singer, songwriter, producer, keyboardist, and programmer. She does it all here on her second solo CD which showcases her remarkable talents. The stunning track 'Hide and Seek' offers the electronic equivalent of a cappella, with only Imogen's expressive voice heard via vocoder -- an early favorite that shot right to #1 on iTunes Electronic Chart in June 2005. The song was also featured on the season finale of THE O.C., and earlier in the season, THE O.C. previewed another track from this album called 'Goodnight and Go', a bittersweet ballad about the secret admiring of a neighbor. Comparison's have been made to Bjork, Alanis Morrisette, Joni Mitchell and Annie Lennox, among others, but no one can hold a candle to Imogen Heap. Her electronic programming and keyboarding are so textured and layered, you will hear something new with each and every listening. Her canvas is cinematic, operatic, visionary, and always surprising with twists, turns, tangents and breaks that keep the listener on a journey of the unexpected. Whether evoking a hundred piece orchestra, an electric slide guitar, or a simple vocoder, Heap weaves her magic spell. As a lyricist, Heap has a wicked sense of humor, yet can drive a knife right through your heart when you least expect it. Don't miss out on one of the very best albums of the year. No domestic release date scheduled. Megaphonic. 2005.

Imogen Heap--singer/songwriter/producer and two-time Grammy nominee--is back with her much anticipated new solo album, Ellipse. Beginning in Hawaii and working her way through Fiji, Imogen Heap has poured her heart and soul into writing her next masterpiece. Ellipse was recorded in her new studio, which she built in her old family home in Essex, U.K., and features the lead track "First Train Home."

This Icon collection showcases the songwriting, multi-instrumental and vocal abilities of Grammy Award-winning singer Imogen Heap. With material taken from her solo debut and her collaboration with Guy Sigsworth as a member of Frou Frou, it's the ideal piece that truly demonstrates the versatility and style of this notable British performer with songs like "Come Here Boy," "Shine" and "Breathe".

Charismatic and compelling singer-songwriter Imogen Heap--recently nominated for two Grammy awards--has gained the ear of America in recent years with her electro/alt songs on cult-fave movies and television shows as well as her 2005 sophomore album Speak for Yourself. Yet i Megaphone, her 1998 debut, has been out of print in the U.S. for seven years. Now, that album has received a much-deserved reissue. i Megaphone revisits the songs that marked Heap as the next great iconoclastic female artist, a lineage that includes Patti Smith, Kate Bush, Annie Lennox, Bjork, and Liz Phair. After her live debut performing between sets by the Who and Eric Clapton at the 1996 Prince's Trust Concert in London's Hyde Park, the classically trained Heap, from rural Essex, England, signed to Almo Sounds when she was just 17 years old. i Megaphone (an anagram for "Imogen Heap"), produced by David Kahne, Dave Stewart (of the Eurythmics), and Guy Sigsworth, and featuring the engaging singles "Come Here Boy," "Shine," and "Getting Scared," earned wide critical acclaim. Unfortunately, Almo Sounds, formed by A&M founders Herb Alpert and Jerry Moss, was winding down and Heap soon found herself adrift. In 2002, she and Sigsworth released a duo album, Details, under the moniker Frou Frou and it too was critically acclaimed. The following year they covered the Bonnie Tyler classic "Holding Out for a Hero" for the Shrek 2 soundtrack. Though by then defunct, Frou Frou enjoyed an unexpected resurgence in popularity in 2004 when "Let Go" was featured in Garden State. Heap's second solo album, Speak for Yourself, emerged the following year. Its "Hide and Seek" was heard in the powerful closing scenes of the Season Two finale of The O.C. and sparked a frenzy. The series' third season ended with her haunting rendition of Leonard Cohen's "Hallelujah." "Hide and Seek" was also featured in the movie The Last Kiss, the reality series So You Think You Can Dance, and as the ending song in the premiere episode of this year's new drama Smith. In addition, she penned "Can't Take It In" for The Chronicles of Narnia: The Lion, the Witch and the Wardrobe. But it is because of i Megaphone that America first heard Imogen Heap.

2002 debut album for duo comprised of musician/vocalist Imogen Heap & producer/arranger/songwriter/musician Guy Sigsworth (who's worked with Bjork on 'Homogenic' & 'Vespertine' & Madonna on 'What It Feels Like for a Girl'). Asian edition features 13 tracks including 2 bonus tracks, 'Old Piano' & enhanced material. Univeersal./Island.

Imogen Heap--singer/songwriter/producer and two-time Grammy nominee--is back with her much anticipated new solo album, Ellipse. Beginning in Hawaii and working her way through Fiji, Imogen Heap has poured her heart and soul into writing her next masterpiece. Ellipse was recorded in her new studio, which she built in her old family home in Essex, U.K., and features the lead track "First Train Home."

san.drine's sound is reminiscent of Air, Kate Havnevik or Lamb, combined with colorful lyrics in French and English. san.drine is an independent electronica artist based in Brooklyn, NY. Her new album "Janvier" is an intimate collection of well-crafted folktronica songs in French and English. san.drine's ethereal voice reminds us of Air, Sigur Ros or Lamb.

Whether partnered with Guy Sigsworth as Frou Frou, or on her own, Imogen Heap is an enormously gifted singer, songwriter, producer, keyboardist, and programmer. She does it all here on her second solo CD which showcases her remarkable talents. The stunning track 'Hide and Seek' offers the electronic equivalent of a cappella, with only Imogen's expressive voice heard via vocoder -- an early favorite that shot right to #1 on iTunes Electronic Chart in June 2005. The song was also featured on the season finale of THE O.C., and earlier in the season, THE O.C. previewed another track from this album called 'Goodnight and Go', a bittersweet ballad about the secret admiring of a neighbor. Comparison's have been made to Bjork, Alanis Morrisette, Joni Mitchell and Annie Lennox, among others, but no one can hold a candle to Imogen Heap. Her electronic programming and keyboarding are so textured and layered, you will hear something new with each and every listening. Her canvas is cinematic, operatic, visionary, and always surprising with twists, turns, tangents and breaks that keep the listener on a journey of the unexpected. Whether evoking a hundred piece orchestra, an electric slide guitar, or a simple vocoder, Heap weaves her magic spell. As a lyricist, Heap has a wicked sense of humor, yet can drive a knife right through your heart when you least expect it. Don't miss out on one of the very best albums of the year. No domestic release date scheduled. Megaphonic. 2005.