James Horner

James Roy Horner (born August 14 1953) is an Academy Award-Winning American composer, orchestrator and conductor of orchestral and film music. He is noted for the integration of choral and electronic elements in many of his film scores, and for frequent use of Celtic musical elements.

Early life

Horner was born in Los Angeles, California, the son of Austrian immigrants Joan (née Fraenkel) and Harry Horner, who was a production designer, set designer and occasional film director.

Horner started playing piano at the age of five. His early years were spent in London, where he attended the Royal College of Music and studied under György Ligeti. He received his bachelor's degree in music from the University of Southern California, and eventually earned a master's and started working on his doctorate at the University of California, Los Angeles where he studied with Paul Chihara, among others. After several scoring assignments with the American Film Institute in the 1970s, he finished his teaching of music theory at UCLA and turned to film scoring.

In his youth, Horner was acquainted with Carrie Goldsmith, daughter of the famous composer and peer Jerry Goldsmith.

Film and television scoring

Just like his counterpart Jerry Fielding, Horner's scores blends the musical essences of Jerry Goldsmith and John Williams. Also, like his other counterpart Les Baxter, he began his film scoring career by working for B movie director and producer Roger Corman, with his first composer credit for Corman's big-budget Battle Beyond the Stars

. It was thought Horner contributed in scoring the 1982 horror film The Beast Within and some of the elements from his piece were used by composer Les Baxter, this was later proven false. His works steadily gained notice in Hollywood, which led him to take on larger projects. Horner made a breakthrough in 1982, when he had the chance to score for Star Trek II: The Wrath of Khan, establishing himself as a mainstream composer. Horner continued composing music for high-profile releases in the 1980s, including 48 Hrs. (1981), Krull (1983), Star Trek III: The Search for Spock (1984), Commando (1985), Cocoon (1985), Aliens (1986, earning his first Academy Award nomination), Willow (1988), Glory and Field of Dreams (both 1989).

Horner's scores also began to see a secondary life with their usage in film trailers for other movies. Excerpts from his score for Aliens rank second in the most commonly-used soundtrack cues for film trailers. Also, an unused fragment from Aliens was featured in a scene from Die Hard. Several films whose scores were composed by Michael Kamen have had Horner music for the trailers; most notably, the music from Willow is substituted for the theme Kamen wrote for the 1993 remake of The Three Musketeers.Or
Throughout the 1980s and early 1990s, Horner also displayed a talent for writing orchestral scores for children's films (particularly those produced by Amblin Entertainment), with credits for An American Tail (1986), The Land Before Time (1988), An American Tail: Fievel Goes West (1991), ''We're Back! A Dinosaur's Story (1993), and Casper and Balto (both 1995).

1995 saw Horner produce no fewer than six scores, including his commercially successful and critically-acclaimed works for Braveheart and Apollo 13, both of which earned him Academy Award nominations. Horner's greatest financial and critical success would come in 1997, with the incredibly successful score to the blockbuster motion picture,Titanic, which was greatly influenced by the music of Clannad. The album became the best-selling primarily orchestral soundtrack in history, selling over 27 million copies, worldwide. At the 70th Academy Awards, Horner won Oscars for Best Original Dramatic Score and Best Original Song for "My Heart Will Go On" (which he co-wrote with Will Jennings), In addition, Horner and Jennings won three Grammy Awards and two Golden Globe Awards for the soundtrack and My Heart Will Go On.

Since Titanic, Horner has continued to score for major productions (including The Perfect Storm, A Beautiful Mind, The Mask of Zorro, The Legend of Zorro and Bicentennial Man. Aside from the major projects, Horner periodically tackles smaller projects as well (such as Iris, Radio and Bobby Jones: A Stroke of Genius). He frequently scores for the films of director Ron Howard, a partnership that began with Cocoon in 1985. Coincidentally, Horner's end title music from Glory can be heard in the trailer for Howard's Backdraft.

Horner composed the current theme music for the CBS Evening News. The theme was introduced as part of the debut of Katie Couric as anchor on September 5, 2006. It has since been adopted by most other CBS News programs as well.

Horner's latest project is the score James Cameron's new film Avatar.

Critical debate

Horner has been accused of transposing hooks, orchestral motifs, or larger passages from other scores of his own or of other composers. These contentions are points of fierce debates between proponents of Horner and his detractors.

List of film scores

2009

Avatar (in post-production)

2008

The Boy in the Striped Pyjamas
The Spiderwick Chronicles

2007

The Life Before Her Eyes

2006

Apocalypto
''All the King's Men

2005

The Chumscrubber
Flightplan
The Legend of Zorro
The New World

2004

The Forgotten
Troy
Bobby Jones: A Stroke of Genius

2003

House of Sand and Fog (Oscar Nominee)
The Missing
Beyond Borders
Radio

2002

The Four Feathers
Windtalkers

2001

Iris
A Beautiful Mind (Golden Globe & Oscar Nominee)
Enemy at the Gates

2000

How the Grinch Stole Christmas
The Perfect Storm

1999

Bicentennial Man

1998

Mighty Joe Young
The Mask of Zorro
Deep Impact

1997

Titanic (Golden Globe, Grammy & Oscar Winner)
''The Devil's Own

1996

Ransom
To Gillian on Her 37th Birthday
Courage Under Fire
The Spitfire Grill

1995

Jade
Balto
Jumanji
Apollo 13 (Oscar Nominee)
Casper
Braveheart (Golden Globe & Oscar Nominee)

1994

Legends of the Fall (Golden Globe Nominee)
The Pagemaster
Clear and Present Danger

1993

Bopha!
House of Cards
Jack the Bear
The Man Without a Face
Once Upon A Forest
Searching for Bobby Fischer
Swing Kids
''We're Back! A Dinosaur's Story
The Pelican Brief
A Far Off Place

1992

Thunderheart
Sneakers
Unlawful Entry
Patriot Games

1991

An American Tail: Fievel Goes West (Golden Globe Nominee)
Once Around
The Rocketeer
Class Action

1990

I Love You to Death
Another 48 Hours

1989

Dad
Field of Dreams (Oscar Nominee)
Glory (Golden Globe Nominee)
In Country
Honey, I Shrunk the Kids

1988

The Land Before Time
Vibes
Cocoon: The Return
Red Heat
Willow

1987

P.K. and the Kid
Project X
*batteries not included

1986

The Name of the Rose
Off Beat
Where the River Runs Black
An American Tail (Oscar Nominee)
Aliens (Golden Globe & Oscar Nominee)

1985

The Journey of Natty Gann
Volunteers
Commando
Cocoon
Heaven Help Us

1984

Star Trek III: The Search for Spock
The Stone Boy

1983

The Dresser
Gorky Park
Testament
Uncommon Valor
Brainstorm
Krull
Something Wicked This Way Comes

1982

48 Hrs.
Star Trek II: The Wrath of Khan

1981

Deadly Blessing
The Hand
Wolfen
The Pursuit of D.B. Cooper

1980

Humanoids from the Deep
Battle Beyond the Stars

1979

The Lady in Red
Up from the Depths

1978 (for the AFI)

The Drought
Fantasies
Gist and Evans
Landscapes
Just for a Laugh
The Watcher

Television scores

Short films

Concert works

"Conversations" (1976)
"Spectral Shimmers" (1977)
"A Forest Passage" (2000)

Miscellaneous works

Logo music for Universal Pictures, Lionsgate and Icon Productions
THX trailer "Cimarron"

Awards and Nominations

Horner has received 11 Academy Award nominations, 9 times for Best Original Music Score, and twice for Best Original Song. Out of these nominations, Horner has won two Oscars, for Best Original Score and Best Original Song for Titanic.

Horner has also received five Golden Globe nominations, all in the category of Best Original Score, winning one, for Titanic, as well as seven Grammy Award nominations, winning for Glory (Best Score), An American Tail, and Titanic, the latter two being in the category of Best Song.

Signed Music Artists

Early life