John Hartford

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Biography

John Cowan Hartford (December 30, 1937 & ndash; June 4, 2001) was an United States|American folk music|folk , country music|country and Bluegrass music|bluegrass composer and musician known for his mastery of the fiddle and banjo , as well as for his witty lyrics, unique vocal style, and extensive knowledge of Mississippi River lore. Hartford performed with a variety of ensembles throughout his career, and is perhaps best known for his solo performances where he would interchange the guitar, banjo, and fiddle from song to song. He also invented his own shuffle tap dance move, and clogging|clogged on an amplified piece of plywood while he played and sang.

Life

John Harford (he would change his name to Hartford later in life at the behest of Chet Atkins ) was born on December 30, 1937 in New York City to parents Dr. Carl and Mary Harford. He spent his childhood in St. Louis, Missouri . There he was exposed to the influence that would shape much of his career and music—the Mississippi River. From the time he got his first job on the river, at age 16, Hartford was on, around, or singing about the river.

His early musical influences came from the broadcasts of the Grand Ole Opry in Nashville, Tennessee|Nashville , and included Earl Scruggs , nominal inventor of the three-finger bluegrass style of banjo playing. Hartford said often that the first time he heard Earl Scruggs pick the banjo changed his life. By age 13, Hartford was an accomplished old-time fiddle r and banjo player, and he soon learned to play guitar and mandolin as well. Hartford formed his first bluegrass band while still in high school at John Burroughs School .

After high school he enrolled at Washington University in St. Louis , completed 4 years of a commercial arts program and dropped out to focus on his music; however he did later receive a degree in 1960. He immersed himself in the local music scene, working as a DJ, playing in bands, and occasionally recording singles for local labels. In 1965, he moved to Nashville, Tennessee|Nashville , the center of the country music industry. In 1966, he signed with RCA Victor and produced his first album, Looks at Life , in the same year.

In 1967, Hartford's second album Earthwords & Music spawned his first major hit, " Gentle on My Mind (song)|Gentle On My Mind ". His recording of the song was only a modest success, but it caught the notice of Glen Campbell , who recorded his own version, which gave the song much wider publication. At the Grammy Awards of 1968|1968 Grammys , the song netted four awards, two of which went to Hartford. It became one of the most widely recorded country songs of all time, and the royalties it brought in allowed Hartford great financial independence; Hartford would later say that the song bought his freedom.Hartford's from his official site.

As his popularity grew, he moved to the West Coast, where he became a regular on the Smothers Brothers Comedy Hour ; other television appearances followed, as did recording appearances with several major country artists. Hartford played banjo and sang the vocal harmonies on the Guthrie Thomas song, "I'll be Lucky". He also played with The Byrds on their album Sweetheart of the Rodeo .

His success on the Smothers Brothers series was enough that Hartford was offered the lead role in a TV detective series but he turned it down to move back to Nashville and concentrate on his music. He also was a regular on The Glen Campbell Goodtime Hour (the banjo picker who would stand up from his seat in the audience to begin the theme music) and The Johnny Cash Show (TV series)|The Johnny Cash Show .

In live performances, John Hartford was a true " one-man band "; he utilized not only a multitude of stringed instruments, but also a variety of props such as plywood squares and boards with sand and gravel on which to stomp, kick, and scrape to create natural and organic background noises.

Newgrass

During the years 1968-1970, Hartford recorded four more albums for RCA: The Love Album (John Hartford album)|The Love Album , Housing Project (album)|Housing Project , John Hartford (album)|John Hartford , and Iron Mountain Depot . In 1971, he moved over to Warner Bros. Records , where he was given more freedom to record in his untraditional style. There, fronting a band that included Vassar Clements , Tut Taylor and Norman Blake (American musician)|Norman Blake , he recorded several extraordinary albums that set the tone of his later career, including the acclaimed Aereo-plain|Aereo-Plain and Morning Bugle . Of the former, Sam Bush said "Without Aereo-plain|Aereo-Plain (and the Aereo-Plain band), there would be no newgrass music."

Switching several years later to the Flying Fish Records|Flying Fish label, Hartford continued to participate in the experimentation with nontraditional country and bluegrass styles that he and artists such as Bush were engaging in at the time. Among his recordings were two albums in 1977 and 1980 with Doug and Rodney Dillard from The Dillards , with Bush as a backing musician, and featuring a diversity of songs that included " Boogie On Reggae Woman " and " Yakety Yak "., Rounder Records .

Hartford's Grammy-winning Mark Twang features Hartford playing solo, reminiscent of his live solo performances playing the fiddle, guitar, banjo, and amplified plywood for tapping his feet. At the same time, he developed a stage show, which toured in various forms from the mid 1970s until shortly before his death.

Hartford went on to change labels several more times during his career; in 1991, he inaugurated his own Small Dog a'Barkin' label. Later in the 1990s, he switched again, to the Rounder Records|Rounder label. On that label and a number of smaller labels, he recorded a number of idiosyncratic records, many of which harkened back to earlier forms of folk and country music. Among them was the 1999 album, Retrograss , recorded with Mike Seeger and David Grisman , offering bluegrass takes on such songs as " (Sittin' on) the Dock of the Bay ", " Maybellene ", " When I'm Sixty-Four " and " Maggie's Farm ".

He recorded several songs for the O Brother, Where Art Thou? (soundtrack)|soundtrack to the movie O Brother, Where Art Thou , winning another Grammy for his performance, and made his final tour in 2001 with the Down from the Mountain tour that grew out of that movie and its accompanying album. While performing in Texas in April that year, he found he could no longer control his hands due to non-Hodgkin Lymphoma , and his career was finished.

Though Hartford is considered a co-founder in the newgrass movement, he remained deeply attached to traditional music as well. His last band and last few albums reflect his love for pre-bluegrass old-time music. According to an interview with Don Swain, he described his love for the rare and nearly forgotten fiddle tunes of the Appalachians and Missouri foothills.

Steamboating

The culture of the Mississippi River and its steamboats captivated Hartford from an early age. He said that it would have been his life's work "but music got in the way", so he intertwined them whenever possible. In the 70s, Hartford earned his steamboat pilot's license, which he used to keep close to the river he loved; for many years, he worked as a pilot on the riverboat|steamboat Julia Belle Swain during the summers. He also worked as a towboat pilot on the Mississippi River|Mississippi , Illinois River|Illinois , and Tennessee River|Tennessee rivers.

During his later years, he came back to the river every summer. "Working as a pilot is a labor of love", he said. "After a while, it becomes a metaphor for a whole lot of things, and I find for some mysterious reason that if I stay in touch with it, things seem to work out all right". His home in Madison, Tennessee , was situated on a bend of the Cumberland River and built to simulate the view from a steamboat deck. He used to talk to the boat captains by radio as their barges crawled along the river, and that bend of the Cumberland River is known as "Hartford's Bend" on plat maps.
An accomplished fiddler and banjo player, Hartford was simultaneously an innovative voice on the country scene and a reminder of a vanished era. Along with his own compositions, such as Long Hot Summer Days and Kentucky Pool , Hartford was a repository of old river songs, calls, and stories. Hartford was also the author of Steamboat in a Cornfield , a children's book that recounts the true story of the Ohio River steamboat The Virginia and its beaching in a cornfield.

Final years

At the time of his death, Hartford was also working on the biography of the blind fiddler Ed Haley . Hartford's album The Speed of the Old Longbow is a collection of Haley's tunes. Hartford also provided narration for several of Ken Burns ' documentaries.

Hartford was given a star on the St. Louis Walk of Fame .

From the 1980s onwards, Hartford had Non-Hodgkin lymphoma . On June 4, 2001, at Centennial Medical Center in Nashville, at age 63, he died of the disease.Havighurst, Craig. June 5, 2001. The (Nashville) Tennessean (retrieved via Google cache of www.johnhartford.com on August 16, 2006)

In honor of his work, he was given a posthumous Presidents Award by the Americana Music Association in September 2005. Retrieved October 2009.

Works

Hartford recorded more than 30 albums, ranging across a broad spectrum of styles—from the traditional country of his early RCA recordings, to the new and experimental sound of his early newgrass recordings, to the traditional folk style to which he often returned later in his life. Hartford's albums also vary widely in formality, from the stately and orderly Annual Waltz to the rougher and less cut recordings that typified many of his later albums.

Aereo-plain|Aereo-Plain and Morning Bugle are often considered to be Hartford's most influential work, coming as they did at the very beginning of a period in which artists such as Hartford and the New Grass Revival , led by Sam Bush, would create a new form of country music , blending their country backgrounds with influences from a number of other sources. His later years saw a number of live albums, as well as recordings that explored the repertoire of old-time folk music . He sketched the cover art for some of his mid-career albums, drawing with both hands simultaneously.

Discography

Copyright Citations

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