Judy Garland

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Biography

Judy Garland (June 10, 1922 – June 22, 1969) was an American actress, singer and vaudevillian. Through a career that spanned 45 of her 47 years and for her renowned contralto voice,Louis Bayard, , Washington Post , April 16, 2000, p. X9 she attained international stardom as an actress in musical and dramatic roles, as a musician|recording artist and on the concert stage. Respected for her versatility, she received a Academy Juvenile Award|Juvenile Academy Award and won a Golden Globe Award , as well as Grammy Award s and a Special Tony Award . She was nominated for the Academy Award for Best Actress for her role in the remake of A Star is Born (1954 film)|A Star is Born and for Academy Award for Best Supporting Actress|Best Supporting Actress for her performance in the 1961 film, Judgment at Nuremberg . At 39 years of age, she remains the youngest recipient of the Cecil B. DeMille Award for lifetime achievement in the motion picture industry.

After appearing in vaudeville with her two older sisters, Garland was signed to Metro-Goldwyn-Mayer as a teenager. There she made more than two dozen films, including nine with Mickey Rooney and the 1939 film with which she would be most identified, The Wizard of Oz (1939 film)|The Wizard of Oz . After 15 years, she was released from the studio but gained renewed success through record-breaking concert appearances, including a return to acting beginning with critically acclaimed performances.

Despite her professional triumphs, Garland battled personal problems throughout her life. Insecure about her appearance, her feelings were compounded by film executives who told her she was unattractive and manipulated her on-screen physical appearance. She was plagued by financial instability, often owing hundreds of thousands of dollars in back taxes . She married five times, with her first four marriages ending in divorce. She had a long struggle with alcohol and drug use during most of her career, dying of an accidental drug overdose at the age of 47, leaving children Liza Minnelli , Lorna Luft , and Joey Luft.

In 1997, Garland was posthumously awarded a Grammy Lifetime Achievement Award . Several of her recordings have been inducted into the Grammy Hall of Fame Award|Grammy Hall of Fame . In 1999, the American Film Institute placed her among the ten AFI's 100 Years…100 Stars|greatest female stars in the history of Cinema of the United States|American cinema .

Early life

Born Frances Ethel Gumm in Grand Rapids, Minnesota , Garland was the youngest child of Francis Avent "Frank" Gumm (March 20, 1886–November 17, 1935) and Ethel Marion Milne (November 17, 1893–January 5, 1953). Her parents were vaudeville|vaudevillians who settled in Grand Rapids to run a movie theatre that featured vaudeville acts.

Garland's ancestry on both sides of her family can be traced back to the early Colonial history of the United States|colonial days of the United States . Her father was descended from the Marable family of Virginia , her grandfather a Milne from Aberdeen (as she told an audience on May 29, 1951 in Edinburgh), and her mother from a Patrick Fitzpatrick, who emigrated to America in the 1770s from Smithtown, County Meath , Ireland.

Named after both her parents and baptism|baptized at a local Episcopal Church (United States)|Episcopal church , "Baby" (as she was called by her parents and sisters) shared her family's flair for song and dance. Her first appearance came at the age of two-and-a-half when she joined her two older sisters, Mary Jane "Suzy/Suzanne" Gumm (1915–64) and Dorothy Virginia "Jimmie" Gumm (1917–77), on the stage of her father's movie theater during a Christmas show and sang a chorus of " Jingle Bells ".Shipman p. 12 Accompanied by their mother on piano, The Gumm Sisters performed there for the next few years.

Following rumors that Frank Gumm had made sexual advances toward male ushers, the family relocated to Lancaster, California in June 1926.Clarke, p. 23 Frank purchased and operated another theater in Lancaster, and Ethel, acting as their manager, began working to get her daughters into motion pictures.

Early career

The Gumm Sisters

In 1928, The Gumm Sisters enrolled in a dance school run by Ethel Meglin , proprietress of the Meglin Kiddies dance troupe. They appeared with the troupe at its annual Christmas show.Clarke, pp. 29–30 It was through the Meglin Kiddies that they made their film debut, in a 1929 short subject called The Big Revue . This was followed by appearances in two Vitaphone shorts the following year, A Holiday in Storyland (featuring Garland's first on-screen solo) and The Wedding of Jack and Jill . They next appeared together in Bubbles . Their final on-screen appearance came in 1935, in another short entitled La Fiesta de Santa Barbara .Finch pp. 43–47, 76

In 1934, the trio, who by then had been touring the vaudeville circuit as "The Gumm Sisters" for many years, performed in Chicago at the Ford Center for the Performing Arts Oriental Theatre|Oriental Theater with George Jessel (actor)|George Jessel . He encouraged the group to choose a more appealing name after "Gumm" was met with laughter from the audience. According to theatrical legend, their act was once erroneously billed at a Chicago theater as "The Glum Sisters".

Several stories persist regarding the origin of the name "Garland". One is that it was originated by Jessel after Carole Lombard 's character Lily Garland in the film Twentieth Century (film)|Twentieth Century which was then playing at the Oriental; another is that the girls chose the surname after drama critic Robert Garland. Garland's daughter, Lorna Luft, stated that her mother selected the name when Jessel announced that the trio "looked prettier than a garland of flowers".Luft, p. 26 Another variation surfaced when he was a guest on Garland's television show in 1963. He claimed that he had sent actress Judith Anderson a telegram containing the word "garland", and it stuck in his mind.

By late 1934 the Gumm Sisters had changed their name to the Garland Sisters."Program of Comedy Due --- Eddie Conrad Will Head Ebell Vaudeville." Los Angeles Times . December 7, 1934. p. 15. Frances changed her name to "Judy" soon after, inspired by a popular Hoagy Carmichael song.Edwards p. 27 By August 1935 they were broken up when Suzanne Garland flew to Reno, Nevada and married musician Lee Kahn, a member of the Jimmy Davis orchestra playing at Cal Neva Lodge & Casino|Cal-Neva Lodge , Lake Tahoe."Nuptials Turn Trio to Duet --- Cupid Robs Radio Team --- Suzanne Garland Flies to Reno to Become Bride of Musician." Los Angeles Times . August 15, 1935. p. A3.

Signed at Metro-Goldwyn-Mayer

In 1935, Garland was signed to a contract with Metro-Goldwyn-Mayer, supposedly without a screen test , though she had made a test for the studio several months earlier. It did not know what to do with her, as at age 13 she was older than the traditional child star but too young for adult roles. Her physical appearance created a dilemma for MGM. At only , her "cute" or " girl next door " looks did not exemplify the more glamorous persona required of leading ladies of the time. She was self-conscious and anxious about her appearance. "Judy went to school at Metro with Ava Gardner , Lana Turner , Elizabeth Taylor , real beauties," said Charles Walters , who directed her in a number of films. "Judy was the big money-maker at the time, a big success, but she was the The Ugly Duckling|ugly duckling & nbsp;...I think it had a very damaging effect on her emotionally for a long time. I think it lasted forever, really." Her insecurity was exacerbated by the attitude of studio chief Louis B. Mayer , who referred to her as his "little hunchback".Wayne, p. 204 During her early years at the studio, she was photographed and dressed in plain garments or frilly juvenile gowns and costumes to match the "girl next door" image that was created for her. She was made to wear removable Crown (dentistry)|caps on her teeth and rubberized disks to reshape her nose.Frank p. 73

She performed at various studio functions and was eventually cast opposite Deanna Durbin in the musical short Every Sunday . The film contrasted her alto vocal range and swing style with Durbin's operatic soprano and served as an extended screen test for the pair, as studio executives were questioning the wisdom of having two girl singers on the roster.Clarke p. 73 Mayer finally decided to keep both actresses, but by that time Durbin's option had lapsed and she was signed by Universal Studios .

On November 16, 1935, in the midst of preparing for a radio performance on the Shell Oil Company|Shell Chateau Hour, Garland learned that her father, who had been hospitalized with meningitis , had taken a turn for the worse. Frank Gumm died the following morning, on November 17, leaving her devastated. Her song for the Shell Chateau Hour was her first professional rendition of " Zing& #33; Went the Strings of My Heart ", a song which would become a standard in many of her concerts.Clarke p. 58

Garland next came to the attention of studio executives by singing a special arrangement of " You Made Me Love You (I Didn't Want to Do It)|You Made Me Love You " to Clark Gable at a birthday party held by the studio for the actor; her rendition was so well regarded that she performed the song in the all-star extravaganza Broadway Melody of 1938 (1937), singing to a photograph of him.Edwards p. 47

MGM hit on a winning formula when it paired Garland with Mickey Rooney in a string of "backyard musicals". The duo first appeared together in the 1937 B movie '' Thoroughbreds Don't Cry . They became a sensation and teamed up again in Love Finds Andy Hardy . She would eventually star with him in nine films.

To keep up with the frantic pace of making one film after another, Garland, Rooney, and other young performers were constantly given amphetamine s, as well as barbiturate s to take before going to bed. For Garland, this regular dose of drugs led to addiction and a lifelong struggle and contributed to her eventual demise. She later resented the hectic schedule and felt that her youth had been stolen from her by MGM. Despite successful film and recording careers, awards, critical praise and her ability to fill concert halls worldwide, she was plagued throughout her life with self-doubt and required constant reassurance that she was talented and attractive.Clarke pp. 135–36

The Wizard of Oz

In 1938, aged 16, she was cast as Dorothy Gale in The Wizard of Oz (1939 film)|The Wizard of Oz (1939), a film based on the children's book by L. Frank Baum . In this film, she sang the song for which she would forever be identified, " Over the Rainbow ". Although producers Arthur Freed and Mervyn LeRoy had wanted her from the start, studio chief Mayer tried first to borrow Shirley Temple from 20th Century Fox . Her services were denied and Garland was cast.Juneau p. 37

She was initially outfitted in a blonde wig for the part, but Freed and LeRoy decided against it shortly into filming. Her breasts were bound with tape and she was made to wear a special corset to flatten out her curves and make her appear younger; her blue gingham dress was also chosen for its blurring effect on her figure.Finch pp. 134–35

Shooting commenced on October 13, 1938,Clarke p. 95 and was completed on March 16, 1939,Clarke p. 100 with a final cost of more than US$2& nbsp;million.Edwards p. 61 With the conclusion of filming, MGM kept Garland busy with promotional tours and the shooting of Babes in Arms (film)|Babes in Arms . She and Rooney were sent on a cross-country promotional tour, culminating in the August 17 New York City premiere at the Capitol Theater, which included a five-show-a-day appearance schedule for the two stars.Clarke pp. 102–03

The Wizard of Oz was a tremendous critical success, though its high budget and promotions costs of an estimated $4& nbsp;million coupled with the lower revenue generated by children's tickets meant that the film did not make a profit until it was re-released in the 1940s.Clarke p. 104 At the 13th Academy Awards|1940 Academy Awards ceremony, Garland received an Academy Juvenile Award for her performances in 1939, including The Wizard of Oz and Babes in Arms .Clarke p. 105 Following this recognition, she became one of MGM's most bankable stars.

Stardom as an adult

In 1940, she starred in three films: Andy Hardy Meets Debutante , Strike Up the Band (film)|Strike Up the Band , and Little Nellie Kelly . In the latter, she played her first adult role, a dual role of both mother and daughter. Little Nellie Kelly was purchased from George M. Cohan as a vehicle for her to display both her audience appeal and her physical appearance. The role was a challenge for her, requiring the use of an accent, her first adult kiss, and the only death scene of her career.Juneau pp. 55–56 The success of these three films, and a further three films in 1941, secured her position at MGM as a major property.

During this time Garland experienced her first serious adult romances. The first was with the band leader Artie Shaw . She was deeply devoted to him and was devastated in early 1940 when he eloped with Lana Turner .Frank pp. 148–49 Garland began a relationship with musician David Rose (musician)|David Rose , and, on her 18th birthday, he gave her an engagement ring. The studio intervened because he was still married at the time to the actress and singer Martha Raye . They agreed to wait a year to allow for his divorce from her to become final, and were wed on July 27, 1941.Clarke p. 155 Garland, who had aborted her pregnancy by him in 1942, agreed to a trial separation in January 1943, and they divorced in 1944.Clarke p. 211 She was noticeably thinner in her next film, For Me and My Gal (film)|For Me and My Gal , alongside Gene Kelly in his first screen appearance. She was billing (filmmaking)|top billed over the credits for the first time and effectively made the transition from teenage star to adult actress.

At the age of 21, she was given the "glamour treatment" in Presenting Lily Mars , in which she was dressed in "grown-up" gowns. Her lightened hair was also pulled up in a stylish fashion. However, no matter how glamorous or beautiful she appeared on screen or in photographs, she was never confident in her appearance and never escaped the "girl next door" image that had been created for her.Frank p 175
One of Garland's most successful films for MGM was Meet Me in St. Louis (1944), in which she introduced three standards: " The Trolley Song ", " The Boy Next Door (song)|The Boy Next Door ", and " Have Yourself a Merry Little Christmas ". Vincente Minnelli was assigned to direct and he requested that makeup artist Dorothy Ponedel be assigned to Garland. Ponedel refined her appearance in several ways, including extending and reshaping her eyebrows, changing her hairline, modifying her lip line and removing her nose discs. She appreciated the results so much that Ponedel was written into her contract for all her remaining pictures at MGM.

During the filming of Meet Me in St. Louis , after some initial conflict between them, Garland and Minnelli entered a relationship. They were married June 15, 1945, and on March 12, 1946, daughter Liza Minnelli|Liza was born.Clarke p. 223 In 1951, they divorced.

The Clock (film)|The Clock (1945) was her first straight dramatic film, opposite Robert Walker (actor)|Robert Walker . Though the film was critically praised and earned a profit, most movie fans expected her to sing. It would be many years before she acted again in a non-singing dramatic role. Garland's other famous films of the 1940s include The Harvey Girls (1946), in which she introduced the Academy Award -winning song " On the Atchison, Topeka and the Santa Fe ", and The Pirate (1948).

Leaving Metro-Goldwyn-Mayer

During filming for The Pirate in April 1947, Garland suffered a mental breakdown|nervous breakdown and was placed in a private Sanatorium|sanitarium .Edwards p. 108 She was able to complete filming, but in July she undertook her first suicide|suicide attempt , making minor cuts to her wrist with a broken glass.Frank p. 231 During this period, she spent two weeks in treatment at the Austen Riggs Center , a psychiatric hospital in Stockbridge, Massachusetts Following her work on The Pirate , she completed three more films for MGM: Easter Parade (film)|Easter Parade (in which she danced with Fred Astaire ), In the Good Old Summertime , and her final film with MGM, Summer Stock .

Because of her mental condition, Garland was unable to complete a series of films. During the filming of The Barkleys of Broadway , she was taking Medical prescription|prescription sleeping medication along with illicitly obtained pills containing morphine . It was around this time she also developed a serious problem with alcohol . These, in combination with migraine headaches, led her to miss several shooting days in a row. After being advised by her doctor that she would only be able to work in four-to-five-day increments with extended rest periods between, MGM executive Arthur Freed made the decision to suspend her on July 18, 1948. She was replaced by Ginger Rogers .Shipman p. 225

Garland was cast in the film adaptation of Annie Get Your Gun (film)|Annie Get Your Gun in the title role of Annie Oakley . She was nervous at the prospect of taking on a role strongly identified with Ethel Merman , anxious about appearing in an unglamorous part after breaking from juvenile parts for several years and disturbed by her treatment at the hands of director Busby Berkeley . She began arriving late to the set and sometimes failed to appear. She was suspended from the picture on May 10, 1949, and was replaced by Betty Hutton .Clarke p. 255

Garland was next cast in the film Royal Wedding with Fred Astaire after June Allyson became pregnant in 1950. She again failed to report to the set on multiple occasions and the studio suspended her contract on June 17, 1950. She was replaced by Jane Powell .Frank p. 271 Reputable biographies following her death stated that after this latest dismissal, she slightly grazed her neck with a broken water glass, requiring only a Band-Aid , but at the time, the public was informed that a despondent Garland had slashed her throat. "All I could see ahead was more confusion," Garland later said of this suicide attempt. "I wanted to black out the future as well as the past. I wanted to hurt myself and everyone who had hurt me."

Later career

Renewed stardom on the stage

In October 1951, Garland opened in a vaudeville-style, two-a-day engagement at Broadway theatre|Broadway's newly refurbished Palace Theatre (Broadway)|Palace Theatre . Her 19-week engagement exceeded all previous records for the theater, and was described as "one of the greatest personal triumphs in show business history". Garland was honored for her contribution to the revival of vaudeville with a Special Tony Award .

In May 1952, at the height of Garland's comeback, her mother Ethel was featured in a Los Angeles Times|Los Angeles Mirror story in which she revealed that while Garland was making a small fortune at the Palace, Ethel was working a white-collar worker|desk job at Douglas Aircraft Company for $61 a week.Clarke p. 311 They had been estranged for years, with Garland characterizing her mother as "no good for anything except to create chaos and fear" and accusing her of mismanaging and misappropriating her salary from the earliest days of her career. Garland's sister Virginia denied this, stating "Mama never took a dime from Judy." On January 5, 1953, Ethel Gumm was found dead in the Douglas Aircraft parking lot. She was 59 years old.Clarke p. 309

A Star Is Born

In 1954, Garland filmed a A Star Is Born (1954 film)|musical remake of the 1937 film A Star Is Born (1937 film)|A Star is Born for Warner Bros. She and her third husband, Sid Luft (whom she had married in 1952) produced the film through their production company , Transcona Enterprises, while Warner Bros. supplied the funds, production facilities, and crew.Clarke, p. 308 Directed by George Cukor and costarring James Mason , it was a large undertaking to which she initially fully dedicated herself.

As shooting progressed, however, she began making the same pleas of illness which she had so often made during her final films at MGM. Production delays led to cost overruns and angry confrontations with Warner Bros. head Jack Warner . Principal photography wrapped on March 17, 1954. At Luft's suggestion, the "Born in a Trunk" medley was filmed as a showcase for her and inserted over director Cukor's objections, who feared the additional length would lead to cuts in other areas. It was completed on July 29.Clarke p. 319

Upon its September 29, 1954 world premiere, the film was met with tremendous critical and popular acclaim. Before release it was edited at the instruction of Jack Warner; theater operators, concerned that they were losing money because they were only able to run the film for three or four shows per day instead of five or six, pressured the studio to make additional reductions. About 30 minutes of footage was cut, sparking outrage among critics and filmgoers. A Star is Born ended up losing money, and the secure financial position Garland had expected from the profits did not materialize.Clarke p. 325 Transcona made no more films with Warner.Juneau p. 126

Garland was nominated for the Academy Award for Best Actress and, in the run-up to the 27th Academy Awards , was generally expected to win. She could not attend the ceremony because she had just given birth to her son, Joseph Luft, so a television crew was in her hospital room with cameras and wires to televise her anticipated acceptance speech. The Oscar was won, however, by Grace Kelly for The Country Girl (1954 film)|The Country Girl (1954). The camera crew was packing up before Kelly could even reach the stage. Groucho Marx sent her a telegram after the awards ceremony, declaring her loss "the biggest robbery since Great Brink's Robbery|Brinks ". Time (magazine)|TIME magazine labeled her performance as "just about the greatest one-woman show in modern movie history".Clarke p. 326 Garland won the Golden Globe Award for Golden Globe Award for Best Actress – Motion Picture Musical or Comedy|Best Actress in a Musical for the role.

Garland's films after A Star Is Born included Judgment at Nuremberg (1961) (for which she was Oscar- and Golden Globe-nominated for Best Supporting Actress), the animated feature Gay Purr-ee (1962), and A Child Is Waiting (1963) with Burt Lancaster . Her final film was I Could Go On Singing (1963), costarring Dirk Bogarde .

Television, concerts, and Carnegie Hall

Garland engaged Sidney Luft|Sid Luft as her manager the same year she divorced Minnelli.Juneau p. 108 He arranged a four-month concert tour of the United Kingdom, where she played to sold-out audiences throughout England, Scotland, and Ireland.Frank p. 304 It included her first appearances at the renowned London Palladium , for a four-week stand in April. Although some in the British press chided her before her opening for being "too plump",Gerold Frank, Judy , page 326 (De Capo Press, 1999). ISBN 0-306-80894-3 she received rave reviews and the ovation was described by the Palladium manager as the loudest he had ever heard.

Garland and Luft were married on June 8, 1952, in Hollister, California . Garland gave birth to Lorna Luft , herself a future actress and singer, on November 21, 1952, and to Joey Luft on March 29, 1955.Edwards p. 166

Beginning in 1955, Garland appeared in a number of television special s. The first, the 1955 debut episode of Ford Star Jubilee , was the first full-scale color broadcast ever on CBS and was a ratings triumph, scoring a 34.8 Nielsen ratings|Nielsen rating . She signed a three-year, $300,000 contract with the network. Only one additional special, a live concert edition of General Electric Theater , was broadcast in 1956 before the relationship between the Lufts and CBS broke down in a dispute over the planned format of upcoming specials.Sanders p. 24
In 1956, Garland performed four weeks at the New Frontier Hotel and Casino|New Frontier Hotel on the Las Vegas Strip for a salary of $55,000 per week, making her the highest-paid entertainer to work in Las Vegas. Despite a brief bout of laryngitis , her performances there were so successful that her run was extended an extra week.Frank pp. 420–21 Later that year she returned to the Palace Theatre, site of her two-a-day triumph. She opened in September, once again to rave reviews and popular acclaim.

In November 1959 Garland was hospitalized, diagnosed with acute hepatitis . Over the next few weeks several quarts of fluid were drained from her body until, still weak, she was released from the hospital in January 1960. She was told by doctors that she likely had five years or less to live, and that even if she did survive she would be a semi-invalid and would never sing again.Clarke p. 347 She initially felt "greatly relieved" at the diagnosis. "The pressure was off me for the first time in my life." However, she recovered over the next several months and, in August of that year, returned to the stage of the Palladium. She felt so warmly embraced by the British that she announced her intention to move permanently to England.Clarke p. 349

Her concert appearance at Carnegie Hall on April 23, 1961, was a considerable highlight, called by many "the greatest night in show business history". The two-record Judy at Carnegie Hall was certified Music recording sales certification|gold , charting for 95 weeks on Billboard , including 13 weeks at number one. The album won four Grammy Award s including Grammy Award for Album of the Year|Album of the Year and Grammy Award for Best Female Pop Vocal Performance|Best Female Vocal of the Year . The album has never been out of print.

In 1961, Garland and CBS settled their contract disputes with the help of her new agent, Freddie Fields , and negotiated a new round of specials. The first, entitled The Judy Garland Show , aired in 1962 and featured guests Frank Sinatra and Dean Martin .Sanders p. 29 Following this success, CBS made a $24& nbsp;million offer to her for a weekly television series of her own, also to be called The Judy Garland Show , which was deemed at the time in the press to be "the biggest talent deal in TV history". Although she had said as early as 1955 that she would never do a weekly television series, in the early 1960s she was in a financially precarious situation. She was several hundred thousand dollars in debt to the Internal Revenue Service , having failed to pay taxes in 1951 and 1952, and the failure of A Star is Born meant that she received nothing from that investment.Edwards p. 175 A successful run on television was intended to secure her financial future.

Following a third special, Judy Garland and Her Guests Phil Silvers and Robert Goulet , Garland's weekly series debuted September 29, 1963.Sanders p. 391 The Judy Garland Show was critically praised,Sanders pp. 108–109 but for a variety of reasons (including being placed in the time slot opposite Bonanza on NBC ) the show lasted only one season and was canceled in 1964 after 26 episodes. Despite its short run, the series was nominated for four Emmy Award s. The demise of the series was personally and financially devastating for Garland.

Garland sued Luft for divorce in 1963, claiming "cruelty" as the grounds. She also asserted that he had repeatedly struck her while he was drinking and that he had attempted to take their children from her by force. She had filed for divorce from Luft more than once previously, including as early as 1956, but had reconciled.

Final years

With the demise of her television series, Garland returned to the stage. Most notably, she performed at the London Palladium with her then 18-year-old daughter Liza Minnelli in November 1964. The concert, which was also filmed for British television network ITV , was one of her final appearances at the venue. She made guest appearances on The Ed Sullivan Show , The Tonight Show Starring Johnny Carson|The Tonight Show , The Hollywood Palace , and The Merv Griffin Show , on which she guest-hosted an episode.DiOrio, p. 202

A 1964 tour of Australia was largely disastrous. Garland's first concert in Sydney, held in the Sydney Stadium because no concert hall could accommodate the crowds who wanted to see her, went well and received positive reviews. Her second performance, in Melbourne, started an hour late. The crowd of 7,000, angered by her tardiness and believing her to be drunk, booed and heckled her, and she fled the stage after just 45 minutes.Edwards p. 213 She later characterized the Melbourne crowd as "brutish". A second concert in Sydney was uneventful but the Melbourne appearance garnered her significant bad press. Some of that bad press was deflected by the announcement of a near fatal episode of pleurisy .

Garland's tour promoter Mark Herron announced that they had married aboard a freighter off the coast of Hong Kong; however, she was not legally divorced from Luft at the time the ceremony was performed.Edwards p. 214 It became final on May 19, 1965, but she and Herron did not legally marry until November 14, 1965 and then separated six months later.Frank p. 556

In February 1967, Garland was cast as Helen Lawson in Valley of the Dolls (film)|Valley of the Dolls for 20th Century Fox .Seaman, pp. 292–93 The role of O'Hara in the film was played by Patty Duke . During the filming, she missed rehearsals and was fired in April. She was replaced by Susan Hayward .Seaman, p. 343 Her soundtrack|prerecording of the song "I'll Plant My Own Tree" survived, along with her stage clothes|wardrobe tests .

Returning to the stage, Garland made her last appearances at New York's Palace Theatre in July, a 16-show tour, performing with her children Lorna and Joey Luft. She wore a sequined pantsuit on stage for this tour, which was part of the original wardrobe for her character in Valley of the Dolls. Shipman p. 494

By early 1969, Garland's health had deteriorated. She performed in London at the Hippodrome, London|Talk of the Town nightclub for a five-week runClarke p. 412 and made her last concert appearance in Copenhagen during March 1969.DiOrio, p. 204 She married her fifth and final husband, musician Mickey Deans , at Chelsea Register Office, London, on March 15, 1969,Steiger, p. 88 her divorce from Herron having been finalized on February 11.Edwards p. 275

Death

On June 22, 1969, Garland was found dead by Deans in the bathroom of their rented house in Chelsea, London . At the subsequent inquest, coroner Gavin Thursdon stated that the cause of death was "an incautious drug overdose|self-overdosage " of barbiturate s; her blood contained the equivalent of ten secobarbital|Seconal capsules.Clarke p. 422 Thursdon stressed that the overdose had been unintentional and that there was no evidence to suggest she had committed suicide. Her autopsy showed that there was no inflammation of her stomach lining and no drug residue there, which indicated that the drug had been ingested over a long period of time, rather than in one dose. Her death certificate stated that her death had been "accidental". citing United Press International article "Judy Took Too Many Pills", and containing a copy of Garland's death certificate. Even so, a British specialist who had attended her said she had been living on borrowed time due to cirrhosis of the liver.Times Wire Services, "Judy Garland Believed Killed by Overdose", St. Petersburg Times , June 24, 1969. She had turned 47 just 12 days prior to her death. Her Wizard of Oz costar Ray Bolger commented at her funeral, "She just plain wore out."

On June 26, Deans took Garland's remains to New York City, where an estimated 20,000 people lined up for hours at the Frank E. Campbell Funeral Chapel in Manhattan to pay their respects. On June 27, James Mason gave a eulogy at the funeral, an Episcopal Church (United States)|Episcopal service led by the Rev. Peter A. Delaney of St Marylebone Parish Church|Marylebone Church , London, who had officiated at her marriage to Deans. The public and press were barred. She was Burial|interred in a crypt in the community mausoleum at Ferncliff Cemetery , in Hartsdale, New York|Hartsdale , New York.

Legacy

Garland's legacy as a performer and a personality has endured long after her death. The American Film Institute named her eighth among the AFI's 100 Years…100 Stars|Greatest Female Stars of All Time . She has been the subject of List of Judy Garland biographies|over two dozen biographies since her death, including the well-received Me and My Shadows: A Family Memoir by her daughter, Lorna Luft, whose memoir was later adapted into the television miniseries Life with Judy Garland: Me and My Shadows , which won Emmy Awards for the two actresses portraying her ( Tammy Blanchard and Judy Davis ).

Garland was posthumously awarded the Grammy Lifetime Achievement Award in 1997. Several of her recordings have been inducted into the Grammy Hall of Fame. These include " Over the Rainbow ", which was ranked as the number one movie song of all time in the American Film Institute's "100 Years...100 Songs" list. Four more Garland songs are featured on the list: " Have Yourself a Merry Little Christmas " (#76), " Get Happy (song)|Get Happy " (#61), "The Trolley Song" (#26), and " The Man That Got Away " (#11). She has twice been honored on U.S. postage stamps, in 1989 (as Dorothy) and again in 2006 (as Vicki Lester from A Star Is Born ).

Gay icon

Garland always had a large base of fans in the gay community and has become a gay icon. Reasons often given for her standing, especially among gay men, are admiration of her ability as a performer, the way her personal struggles mirrored those of gay men in America during the height of her fame and her value as a camp (style)|camp figure. When asked about how she felt about having a large gay following, she responded, "I couldn't care less. I sing to people."

Some have also suggested a connection between the date of Garland's death and funeral on June 27, 1969 and the Stonewall riots , the flashpoint of the modern Gay Liberation movement,Duberman, p. ix which started in the early hours of June 28.Bianco, p. 194 However, in a 2009 interview gay historian David Carter stated that this connection is untrue, and based on a mocking reference to the riot by an anti-gay writer in the Village Voice the next day. democracynow.org, 26 June 2009, accessed 29 Nov. 2011

Filmography and performances

Portrayals in fiction

Garland has been portrayed on television by Andrea McArdle in Rainbow (1978), Tammy Blanchard (young Judy) and Judy Davis (older Judy) in Life with Judy Garland: Me and My Shadows (2001) and Elizabeth Karsell in James Dean (film)|James Dean (2001). Anne Hathaway (actress)|Anne Hathaway is set to play Garland in a biopic titled Get Happy: The Life of Judy Garland which is in production and is set to be released in either 2012 or 2013.

On stage, Garland is a character in the musical The Boy from Oz (1998), portrayed by Chrissy Amphlett in the original Australian production and by Isabel Keating on Broadway in 2003. End of the Rainbow (2005) featured Caroline O'Connor (actress)|Caroline O'Connor as Garland. Adrienne Barbeau played Garland in The Property Known as Garland (2006) and The Judy Monologues (2010) featured Kimberly Roberts as Garland.

Discography

Awards

Notes

Copyright Citations

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