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Biography
Infobox musical artist|| name = Kevin Ayers| background = solo_singer| image = KevinAyers1974.jpg| caption = Hyde Park free concert, 29 June 1974| image_size =| birth_name = Kevin Ayers| birth_date = Birth date and age|1944|8|16|df=yes| origin = Kent , England| years_active = 1960spresent| instrument = Guitar , bass guitar|bass | genre = psychedelic music|Psychedelia Pop music|Pop Experimental music | label = LO-MAX Records|LO-MAX Island Records|Island Harvest Records|Harvest | website = http://www.kevin-ayers.com/ kevin-ayers.com Kevin Ayers (born 16 August 1944 in Herne Bay, Kent|Herne Bay , Kent http://www.guardian.co.uk/music/2003/jul/04/artsfeatures The Guardian-4 July 2003) is an English people|English singer-songwriter and was a major influential force in the English psychedelic movement. BBC DJ John Peel wrote in his autobiography that "Kevin Ayers' talent is so acute you could perform major eye surgery with it."Margrave of the Marshes, John Peel & Sheila Ravenscroft, Bantam Press, 2005. ISBN 0-593-05252-8
Ayers was a founding member of the pioneering psychedelic band Soft Machine in the late 1960s, and was closely associated with the Canterbury scene .Turn On Your Mind: Four Decades of Great Psychedelic Rock (Hal Leonard 2003) ISBN 0-634-05548-8 He has recorded a series of record album|albums as a solo artist and over the years has worked with Brian Eno , Syd Barrett , John Cale , Elton John , Robert Wyatt , Andy Summers , Mike Oldfield , Nico and Ollie Halsall , among others. After living for many years in Deiā , Majorca , he returned to the United Kingdom in the mid 1990s. He now lives in the south of France. His most recent album was Unfairground , which was recorded in New York City, Tucson, Arizona|Tucson , Arizona , and London in 2006.Unfairground liner notes (September 2006)
Biography
Early life
Ayers is the son of BBC producer Rowan Ayers , http://www.users.globalnet.co.uk/~marwak/archive/independent%2010%20sept%2007.htm The Independent-10 September 2007 but following his parents' split and his mother's subsequent marriage to a British civil servant, Ayers spent most of his childhood in Malaysia .September 2007"> http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article2350710.ece The Sunday Times-2 September 2007 The tropical atmosphere and unpressured lifestyle had an impact, and one of the frustrating and endearing aspects of Ayers' career is that every time he seemed on the point of success, he would take off for some sunny spot where good wine and food were easily found."Is This Man A Dipso? " by Nick Kent (NME 31 August 1974)
Ayers returned to England at the age of twelve, and in his early college years took up with the burgeoning musician s' scene in the Canterbury area. He was quickly drafted into the Wilde Flowers ,Soft Machine: Out-Bloody-Rageous by Graham Bennett (SAF Publishing 2005) a band that featured Robert Wyatt and Hugh Hopper , as well as future members of Caravan (band)|Caravan . Ayers has stated in interviews that the primary reason he was asked to join was that he probably had the longest hair. However, this prompted him to start writing songs and singing.
Soft Machine
The Wilde Flowers morphed into Soft Machine with the addition of keyboardist Mike Ratledge and guitarist Daevid Allen . Ayers switched to bass guitar|bass (and later both guitar and bass following Allen's departure from the group) and shared vocals with the drummer Robert Wyatt . The contrast between Ayers' baritone and Wyatt's reedy tenor, plus the freewheeling mix of rock music|rock and jazz influences, made for a memorable new sound that caught on quickly in the psychedelic 1960s. The band often shared stages (particularly at the UFO Club ) with Syd Barrett 's Pink Floyd . http://www.telegraph.co.uk/arts/main.jhtml? xml=/arts/2007/08/30/bmayers130.xmlThe Telegraph-30 August 2007 They released their debut single ' Love Makes SweetMusic ' / ' Love Makes Sweet Music|Feelin' Reelin', Squeelin ' in February 1967, making it one of the first recordings from the new British psychedelic movement.September 2007"/> Their debut album, The Soft Machine (album)|The Soft Machine , was recorded in the USA for ABC/Probe and released in 1968. It is considered a classic of the genre.Allmusic|class=album|id=r18376|pure_url=yes Allmusic by John Bush
Solo career, 1969-1999
After an extensive tour of the United States opening for Jimi Hendrix , a weary Ayers sold his white Fender Musical Instruments Corporation|Fender Jazz bass to Noel Redding Joy of a Toy notes by Martin Wakeling (EMI September 2006) and retreated to the beaches of Ibiza in Spain with Daevid Allen to recuperate. While there, Ayers went on a songwriting binge that resulted in the songs that would make up his first album, Joy of a Toy . The album was one of the first released on the new Harvest Records|Harvest label, along with Pink Floyd's releases. Joy of a Toy established Ayers as a unique talent with music that varied from the circus march of the title cut to the pastoral "Girl on a Swing," and the ominous "Oleh Oleh Bandu Bandong", based on a Malaysian folksong. Ayers' colleagues from Soft Machine backed him, with the addition on some cuts of Rob Tait, sometime Gong (band)|Gong drummer.
One interesting product of the sessions was the single, " Singing a Song in the Morning|Religious Experience (Singing a Song in the Morning) ", early recordings of which featured Syd Barrett on guitar and backing vocals. The lead guitar that appears on the final mix was often thought to have been played by Barrett, even appearing on various Barrett bootlegs, but Ayers has said that he played the solo, emulating Barrett's style. However the 2004 CD reissue of Joy of a Toy includes a mix of this song featuring Barrett's guitar as a bonus track.
A second album, Shooting at the Moon (album)|Shooting at the Moon , soon followed. For this, Ayers assembled a band that he called The Whole World, including a young Mike Oldfield on bass and occasionally lead guitar, avant-garde composer David Bedford on keyboards and improvising saxophonist, Lol Coxhill . Again Ayers came up with a batch of engaging songs interspersed with avant-garde instrumentals and a heavy dose of whimsy.
The Whole World was reportedly an erratic band live, and Ayers was not cut out for life on the road touring. The band broke up after a short tour, with no hard feelings, as most of the musicians guested on Ayers' next album, Whatevershebringswesing , which is regarded as one of his best,Sounds, 25 January 1972 featuring the mellifluous eight-minute title track that would became Ayers' signature sound for the '70s.
Bananamour is the fourth studio album by Kevin Ayers and it featured some of his most accessible recordings, including "Shouting in a Bucket Blues" and his whimsical tribute to Syd Barrett, "Oh& #33; Wot A Dream". After Whatevershebringswesing, Ayers assembled a new band anchored by drummer Eddie Sparrow and bassist Archie Legget and employed a more direct lyricism. The centrepiece of the album is 'Decadence', his withering portrait of Nico.
1974 was a watershed year for Ayers. In addition to releasing his most compelling music in this year, he was helped provide other artists with access to a wider stage, most notably Lady June (June Campbell Cramer). The recording, titled '' Lady June's Linguistic Leprosy ,'' made in a front room of Cramer's home in Vale Court, Maida Vale,NME 18 January 1975 brought Lady June's spoken word poetry together with the music and voice of Ayers, and also had contributions by Brian Eno and Pip Pyle . It was originally released on Ayers' own Banana Productions label (via Virgin/Caroline).
The Confessions of Dr. Dream and OtherStories marked Ayers' move to the more commercial Island record label and is considered by many to be the most cohesive example of Ayersian philosophy. The production was expensive, with Ayers quoting the recording costs in a 1974 NME interview as exceeding Ģ32,000NME 31 August 1974 (a vast figure at the time). On this LP Mike Oldfield returned to the fold and guitarist Ollie Halsall from progressive rock band Patto began a twenty-year partnership with Ayers.
On the 1 June 1974, Ayers headlined a heavily publicised concert at the Rainbow Theatre, London, accompanied by John Cale , Nico , Brian Eno and Mike Oldfield . The performance was released by Island Records just 27 days later on a live LP entitled June 1, 1974 . Tensions were somewhat fraught at the event since the night before John Cale had caught Ayers sleeping with his wifeWhat's Welsh for Zen by John Cale (Bloomsbury 2003) ISBN 0-7475-4622-3 prompting him to write the bile-soaked paean 'Guts' that would appear on his 1975 album Slow Dazzle (album)|Slow Dazzle .
In 1976 Ayers returned to his original label Harvest and released Yes We Have No Maņanas (So Get Your Maņanas Today) . The album was a more commercial affair and secured Ayers a new American contract with ABC Records . The LP featured contributions from B.J. Cole and Zoot Money . That same yearHarvest released a collection entitled Odd Ditties, that assembled a colorful group of songs that Ayers had consigned to single B-Sides or left unreleased.
The late 1970s and 1980s saw Ayers as a self-imposed exile in warmer climes, a fugitive from changing musical fashions, and a hostage to chemical addictions. 1983's DiamondJack and the Queen of Pain was, perhaps, a low-point for Ayers. He was quoted in a 1992 BBC radio 1 interview as saying he had "virtually no recollection of making those records". The road back was marked with 1988's prophetically titled Falling Up (Kevin Ayers album)|Falling Up , that received his first unanimously positive press notices in years. In 1988 he also recorded a vocal track for Mike Oldfield's single, " Flying Start ". The lyrics of this song contains many references to Ayers' life.
Despite the critical acclaim Falling Up received, Ayers by this point had almost completely withdrawn from any public stage, a state further compounded by the sudden death, by a drugs overdose, of his musical partner Ollie Halsall . An acoustic album Still Life with Guitar recorded with Fairground Attraction surfaced in France on the fnac|FNAC label and was subsequently released throughout Europe. Some collaborations with Ayers fanatics Ultramarine and a concert tour with Liverpool's Wizards of Twiddly completed his output in the 1990s.
Solo career, 2000 to present
In the late 1990s, Ayers was living the life of a recluse in the South of France. At the Sculpture Centre, he met American artist Tim Shepard who had been invited to use studio space there, and the two became friends. Ayers started to show up at Shepard's house with a guitar, and by 2005, passed some new recordings onto Shepard, most taped on a cassette recorder at his kitchen table. The songs were by turns "poignant, insightful and honest," and Shepard, "deeply moved" by what he heard,September 2006">BBC6 Interview September 2006) encouraged Ayers to record them properly for a possible new album.
Signing with London's LO-MAX Records , Shepard found equal enthusiasm for the demos and after making some tentative enquiries, discovered a hotbed of interest for Ayers' work amongst the current generation of musicians.Kevin Ayers: Mojo Working by James McNair (Mojo July 2007) New York's Ladybug Transistor set up rehearsals for a possible recording organised by band leader Gary Olson, and Kevin flew out to New York. When the rehearsals gelled, the entourage, which had now swelled to include horn and string players, flew out to Tucson , Arizona where the first sessions were recorded in a dusty hangar known as Wavelab Studios.
With the tapes from the first sessions, Shepard set about getting Ayers to complete the album in the UK, where by now word had spread, and a host of musicians started gravitating to the studio. Shepard recounted meeting Teenage Fanclub at a Go-Betweens party and hearing their passion for Ayers' music,September 2006"/> and wrote a letter to singer, guitarist Norman Blake (Scottish musician)|Norman Blake . Mojo (magazine)|Mojo magazine reported that, within a couple of weeks, Ayers was in a Glasgow studio with Teenage Fanclub and a host of their like-minded colleagues, who had all assembled to work with their hero.Mojo Working by James McNair (Mojo July 2007) Bill Wells from the Bill Wells Trio rubbed shoulders with Euros Childs from Gorkys Zygotic Mynci and Francis Reader from the TrashCan Sinatras .
Friends and peers from the past also visited the sessions. Robert Wyatt provided his eerie Wyattron in the poignant 'Cold Shoulder', Phil Manzanera contributed to the brooding 'Brainstorm', Hugh Hopper from Soft Machine played bass on the title track and Bridget St. John , a British Folk singer beloved of John Peel , duetted with Ayers on 'Baby Come Home', http://www.pitchforkmedia.com/article/news/44340-kevin-ayers-returns-with-help-from-roxy-ladybug-architecture Pitchfork-31 July 2007 the first time they had sung together since 1970 on Shooting at the Moon . The Unfairground was released to critical acclaim http://www.metacritic.com/music/artists/ayerskevin/unfairground? q=kevin%20ayers Metacritic 2007 in September 2007.
Tomorrow Never Knows: Rock and Psychedelics in the 1960s (University Of Chicago Press 2002) ISBN 0-226-07562-1
Turn On Your Mind: Four Decades of Great Psychedelic Rock (Hal Leonard 2003) ISBN 0-634-05548-8
You Need a Bit Missing Upstairs to Play This Game by Jonathan Glancey (The Guardian4 July 2003)
Soft Machine: Out-Bloody-Rageous by Graham Bennett (SAF Publishing 2005)
Whatevershebringswesing sleevenotes by Martin Wakeling (EMI September 2006)
Joy of a Toy sleevenotes by Martin Wakeling (EMI September 2006)
The Rare Record Price Guide (Diamond Publishing Group Ltd Oct 2006) ISBN 0-9532601-5-1
Kevin Ayers: Mojo Working by James McNair (Mojo July 2007)
The Unsung Hero of Psychedelia by Lisa Verrico (The Sunday TimesSeptember 2, 2007)
The Father of the Underground by Garth Cartwright (Daily Telegraph 30 August 2007)
Kevin Ayers and Robert Wyatt by Simon Reynolds (Reynoldsretro Dec 14 2007)
The New Musical Express Book of Rock , 1975, Star Books, ISBN 0-352-30074-4
External links
http://www.kevin-ayers.com/ Kevin Ayers (his own site)
http://www.furious.com/PERFECT/kevinayers.html 1998 Kevin Ayers interview at http://www.furious.com/PERFECT/ Perfect Sound Forever (online music magazine)
The Wire (magazine)|The Wire's http://web.archive.org/web/20050215191120/rtxarchive.com/archive/articles/wire175.html 100 Records That Set the World on Fire (When No One Was Listening)
http://www.pitchforkmedia.com/article/news/44340-kevin-ayers-returns-with-help-from-roxy-ladybug-architecture Pitchfork news story
http://www.nme.com/news/kevin-ayers/30254 NME news story
http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article2350710.ece The Sunday Times feature
http://www.users.globalnet.co.uk/~marwak/archive/independent%2010%20sept%2007.htm The Independent feature
http://reynoldsretro.blogspot.com/2007/12/kevin-ayers-and-robert-wyatt-grauniad.html Simon Reynolds feature
Kevin AyersSoft Machine Persondata | NAME =Ayers, Kevin | ALTERNATIVE NAMES = | SHORT DESCRIPTION = | DATE OF BIRTH =16 August 1944 | PLACE OF BIRTH = | DATE OF DEATH = | PLACE OF DEATH = DEFAULTSORT:Ayers, Kevin Category:1944 births Category:Living people Category:English songwriters Category:English male singers Category:English bass guitarists Category:Soft Machine members Category:Canterbury scene Category:People from Herne Bay, Kent Category:British experimental musicians Category:Island Records artists Category:Harvest Records artists
