Lionel Bart

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Biography

Lionel Bart (1 August 1930 – 3 April 1999) was a writer and composer of British pop music and musicals, best known for creating the book, music and lyrics for Oliver!

Early life

Bart was born Lionel Begleiter the youngest of seven surviving children in East London to Galicia (Central Europe)|Galician Jew s, and grew up in Stepney . His father worked as a tailor in a garden shed in London E1. The family had escaped the deadly pogroms against Jews by Ukrainian cossacks in Galicia, which was then part of the Austrian Empire.

Lionel changed his name to Bart , derived from when he passed by St. Barts' hospital on the top deck of a bus after he had completed his National Service with the Royal Air Force .

As a young man he was an accomplished painter. At the age of six a teacher told his parents that he was a musical genius. His parents gave him an old violin, but he did not apply himself and the lessons stopped.

At the age of 14 he obtained a Junior Art Scholarship to St Martin's School of Art. One Friday afternoon, he was suspended for "mischievousness" with another student, John Groom, for making a noise with the rest of the class, involving set squares and other paraphernalia. On the following Monday, he returned to School with a long explanation of his peripheral involvement in the disturbance and was re-instated. After St Martin's, he gave up his ambition to be a painter and took jobs in silk-screen printing works and commercial art studios. He never learned to read or write musical notation ; this did not stop him from becoming a significant personality in the development of British rock and pop music.

Songwriting

He started his songwriting career in amateur theatre, first at The International Youth Centre in 1952 where he and a friend wrote a revue together called IYC Revue 52 . The following year the pair auditioned for a production of the Leonard Irwin play The Wages Of Eve at Unity Theatre, London . Shortly after Bart began composing songs for Unity Theatre, contributing material (including the title song) to their 1953 revue Turn It Up , and songs for their 1953 pantomime, an agitprop version of Cinderella . While at Unity he was talent spotted by Joan Littlewood and so joined Theatre Workshop .This is detailed mainly in David Roper's book, and some of it in Colin Chambers' He also wrote comedy songs for the Sunday lunchtime BBC radio programme Billy Cotton|The Billy Cotton Band Show .

He first gained widespread recognition through his pop songwriting , penning numerous hits for the stable of young male singers promoted by artist manager and music publisher Larry Parnes . Bart's pop output in this period includes the hits Living Doll (song)|"Living Doll" (written for Cliff Richard ) and "Rock with the Cavemen","Handful of Songs", "Butterfingers" and "Little White Bull" (for Tommy Steele ). During this period, Mike Pratt (actor)|Mike Pratt as well as Steele were his songwriting partners. In 1957, he won three Ivor Novello Awards , a further four in 1958, and two in 1960. He wrote the theme song for the 1963 James Bond film From Russia with Love (film)|From Russia with Love . His other hits include: "Do You Mind? " (recorded by both Anthony Newley and Andy Williams ), "Big Time" (a 1961 cover by Jack Jones (singer)|Jack Jones of his " Fings Ain't Wot They Used T'Be " show tune), "Easy Going Me" ( Adam Faith ) and "Always You And Me" (with Russ Conway ).

Bart was also responsible for the discovery of two of Parnes' biggest stars. It was on his recommendation that Parnes went to see singer Tommy Hicks, whom he signed and renamed Tommy Steele , and Bart also suggested that Parnes see singer Reg Smith, who was then performing at the Condor Club. Although Parnes missed his performance, he went round to Smith's house and signed him up on the basis of Bart's recommendation. Smith went on to score a number of UK hits under his new stage name Marty Wilde .

Twenty-seven years after it became a number one hit for Cliff Richard , Living Doll (song)|"Living Doll" was re-recorded by The Young Ones (TV series)|The Young Ones and Cliff Richard for Comic Relief (charity)|Comic Relief and spent another three weeks at Number One. Fings Ain't Wot They Used T'Be, The Lionel Bart Story, by David and Caroline Stafford, Omnibus Press, 2011.

Musical theatre

Bart's first professional musical was the 1959 Lock Up Your Daughters , based on the 18th century play Rape Upon Rape , by Henry Fielding . Following that, '' Fings Ain't Wot They Used T'Be '' produced by Joan Littlewood 's Theatre Workshop , was notable for encouraging the use of authentic Cockney accents on the London stage. Oliver! (1960), based on Charles Dickens|Dickens's Oliver Twist was a huge hit from the beginning, becoming the first modern British musical to be transferred successfully to Broadway theatre|Broadway . It has sustained its popularity to the present day, and for many years was the standard musical performed by UK schools. The original stage production, which starred Ron Moody and Georgia Brown , contained such song hits as "As Long As He Needs Me" and "Consider Yourself" and is also notable for featuring Australian satirist Barry Humphries in his first major stage role as Mr Sowerberry and future rock stars Steve Marriott (later the lead singer of The Small Faces and Humble Pie (band)|Humble Pie ) and Phil Collins (of Genesis (band)|Genesis fame) as The Artful Dodger.

The music for Oliver& #33; was transcribed by Eric Rogers who wrote and composed 21 scores for the Carry On films . Bart hummed the melodies and Rogers wrote the notes on his behalf as Bart could not read or write music.

In 1968 Oliver! was made into a movie|film starring Ron Moody , Oliver Reed and Shani Wallis which won several Oscars , including best film. It is estimated that around this time Bart was earning 16 Pound sterling|pounds a minute from Oliver! . The Guardian

Bart's next two musicals, Blitz! (1962) (the song Far Away produced another hit for Shirley Bassey) and Maggie May (musical)|Maggie May (1964), had respectable West End runs ( Blitz! , at the time London's most expensive musical ever, had a run of 568 performances), accessed 11 May 2007 but Twang! (1965), a musical based on the Robin Hood legend, was a notorious flop and La Strada (musical)|La Strada (1969), which opened on Broadway (theatre)|Broadway in New York City, closed after only one performance. By this time Bart was taking LSD and other drugs and was drinking heavily, and this evidently affected both his work and his business judgement—he rashly used his personal finances to try to rescue his last two productions, selling his past and future rights to his work—including Oliver! – in order to realise capital to finance the shows; Bart himself later estimated that this action lost him over UK£1 million. By 1972, Bart was bankrupt with debts of £73,000. He turned to drink, and a twenty-year period of depression and alcoholism ensued. He eventually stopped drinking and attended Alcoholics Anonymous , although the years of substance abuse seriously damaged his health, leaving him with diabetes and impaired liver function.

In May 1977 an autobiographical musical called 'Lionel' opened in the West End at the New London Theatre. It was loosely based on Barts early life as a child prodigy. Bart added some new songs for the show and expectations were high. The cast included Clarke Peters , Marion Montgomary and Adrien Poster. The role of Lionel was shared by a young Todd Carty and theatre unknown Chris Nieto. The show closed after 6 weeks losing £250,000.

He continued writing songs and themes for films, but his only real success in his later years was "Happy Endings", a 30-second jingle for a 1989 Abbey (bank)|Abbey National advertising campaign which featured Bart playing the piano and singing to children.

In 1986 Bart received a special Ivor Novello Award for his life's achievement. Cameron Mackintosh , who owned half the rights to Oliver! , revived the musical at the London Palladium in 1994 in a version rewritten by Lionel Bart. Mackintosh gave Bart a share of the production royalties. At the peak of his career Bart was romantically linked in the media with singers Judy Garland and Alma Cogan although he was homosexuality|gay . His sexuality was known to friends and colleagues but he did not "come out" until a few years before his death.

Bart died in 1999 after a long struggle with cancer and his funeral took place at Golders Green Crematorium.

A musical play based on Bart's life and using his songs, ''It's a Fine Life'' was staged at the Queen's Theatre, Hornchurch|Queen's Theatre , Hornchurch in 2006. accessed 11 May 2007

West End theatrical credits

Lock Up Your Daughters (1959) – lyricist

'' Fings Ain't Wot They Used T'Be (1959) – composer, lyricist

Oliver! (1960) – composer, lyricist, writer

Blitz! (1962) – composer, lyricist, writer

Maggie May (musical)|Maggie May (1964) – composer, lyricist

Twang! (1965) – composer, lyricist

La Strada (musical)|La Strada (1969) – co-composer, co-lyricist

Lionel!(1977)- composer, lyricist

Work on Broadway

Oliver! (1963) – Musical theater|musical – composer, lyricist , and book (musical theater)|bookwriter – Tony Award for Best Original Score|Tony Award for Best Composer and Lyricist , Tony Award|Tony nominations for Tony Award for Best Musical|Best Musical and Tony Award for Best Book of a Musical|Best Author of a Musical

*A return engagement of the original production played in 1965, and a revival in 1984.

La Strada (musical)|La Strada (1969) – Musical theater|musical – composer and lyricist

Copyright Citations

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