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Loudness

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For|the Japanese band|Loudness (band)seealso|Louder (disambiguation) Loudness is the quality of a sound that is primarily a psychological correlate of physical strength ( amplitude ). More formally, it is defined as "that attribute of auditory sensation in terms of which sounds can be ordered on a scale extending from quiet to loud."American National Standards Institute, "American national psychoacoustical terminology" S3.20, 1973, American Standards Association.

Loudness, a subjective measure, is often confused with objective measures of sound strength such as sound pressure , sound pressure level (in decibels ), sound intensity or sound power . Filters such as A-weighting attempt to adjust sound measurements to correspond to loudness as perceived by the typical human. However, loudness perception is a much more complex process than A-weighting.

Loudness is also affected by parameters other than sound pressure, including frequency, bandwidth and duration.cite journal |last=Olson |first=Harry F. |month=February |year=1972 |title=The Measurement of Loudness |journal=Audio |pages=18–22 |url= http://www.technicalaudio.com/pdf/Audio_magazine_issues_articles/Harry%20F.%20Olson%20-%20The%20Measurement%20of%20Loudness.pdf

Explanation


The perception of loudness is related to both the sound pressure level and duration of a sound. The human auditory system integrates (averages) the effects of sound pressure level (SPL) over a 600–1,000& nbsp;ms window. For example, a sound of constant SPL will be perceived to increase in loudness as 20, 50, 100, 200 ms samples are played, up to a maximum of approximately 1 second at which point the perception of loudness will stabilize. For long duration sounds (greater than 1 second), the moment by moment perception of loudness will be based on the integration of the preceding 600–1,000& nbsp;ms.

In terms of the relationship between SPL and loudness for sounds longer than 1 second, this can be approximated by a power function with an exponent of 0.6 when plotted against sound pressure or 0.3 when plotted against sound intensity ( Stevens' power law ). More precise measures have been subsequently made that show that loudness grows more rapidly (with a higher exponent) at low and high levels and less rapidly (with a lower exponent) at moderate levels.

Units used to measure loudness:
  • Sone (loudness N )

  • Phon (loudness level L )



  • The sensitivity of the human ear changes as a function of frequency, as shown in the graph. Each line on this graph shows the SPL required for frequencies to be perceived as equally loud. It also shows that humans with good hearing are most sensitive to sounds around 2–4& nbsp;kHz, with sensitivity declining to either side of this region. A complete model of the perception of loudness will include the integration of SPL by frequency and the duration of each.

    Loudness and hearing loss


    When sensorineural hearing loss (damage to the cochlea or in the brain) is present, the perception of loudness is altered. Sounds at low levels (often perceived by those without hearing loss as relatively quiet) are no longer audible to the hearing impaired, but interestingly, sounds at high levels often are perceived as having the same loudness as they would for an unimpaired listener. This phenomenon can be explained by two theories: Loudness grows more rapidly for these listeners than normal listeners with changes in level. This theory is called "loudness recruitment" and has been accepted as the classical explanation. More recently, it has been proposed that some listeners with sensorineural hearing loss may in fact exhibit a normal rate of loudness growth, but instead have an elevated loudness at their threshold. That is, the softest sound that is audible to these listeners is louder than the softest sound audible to normal listeners. This theory is called "softness imperception," a term coined by Mary Florentine .cite |author= Mary Florentine |title=It's not recruitment-gasp!& #33; It's softness imperception |url= http://journals.lww.com/thehearingjournal/Fulltext/2003/03000/It_s_not_recruitment_gasp___It_s_softness.3.aspx |publisher=Hearing Journal |year=2003 |month=March |volume=56 |issue=3 |doi=10.1097/01.HJ.0000293012.17887.b4 |pages=10,12,14,15

    Loudness compensation


    main|Loudness compensationThe “loudness” control on some consumer stereos alters the frequency response curve to correspond roughly with the equal loudness characteristic of the ear.cite book |first=John D. |last=Lenk |title=Circuit Troubleshooting Handbook |publisher= McGraw-Hill |year=1998 |isbn=0-07-038185-2 |page=163 Loudness compensation is intended to make the recorded music sound more natural when played at a lower sound pressure level.

    See also


  • Loudness monitoring

  • Loudness war

  • Sending loudness rating

  • Volume (sound)|Volume in acoustics is related to:

  • * Amplitude

  • * Sound pressure

  • * Dynamics (music)|Dynamics


  • References


    Reflist

    Timbre
    Category:Aspects of music
    Category:Acoustics

    ca:Volum (so)
    de:Lautheit
    et:Helivaljus
    es:Volumen (sonido)
    fr:Sonie
    it:Loudness (elettronica)
    kk:???????? ?????????
    hu:Hangosság
    nl:Luidheid
    ja:?????
    pl:Glosnosc
    pt:Volume (som)
    ru:????????? ?????
    simple:Loudness
    fi:Äänekkyys
    uk:???????? ?????

    Copyright Citations

    This article is licensed under the GNU License
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