Louis Armstrong and Duke Ellington the most important artists in the history of jazz and the two most influential American musicians of the 20th Century. Because of their centennials (1999 for Duke and 2000 for Louis), their great legacy is celebrating a worldwide rennaissnce. And this month, they are the focus and the continum in Ken Burns' JAZZ, a 20-hour documentary to be broadcast on PBS. In April, 1961, these two giants got togethr in a New York studio for their only encounter. Louis brought his trumpet, voice and the all-stars with Trummy Young and Barney Bigard. Duke brought his pianistic talents and a considerable canon of great compositions. The magic that transpired over one night and the following afternoon was an historic simgularity.
This disc contains all 17 master takes that made during those magical sessions, newly remixed from the original tapes with 24-bit/96kHz mastering for maximum fidelity, far superior to the previous mid-price CD issue.
PERSONNEL: Louis Armstrong (trumpet,vocals), Trummy Young (trombone), Barney Bigard (clarinet), Duke Ellington (piano), Mort Herbert (bass), Danny Barcelona (drums).
Hot Fives & Sevens Music Artist : Louis Armstrong Music Label : Jsp Records Release Date : 1999-10-26 Artistopia's Price :$25.00
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Album Summary
Between 1925 and 1929, Louis Armstrong created one of the first great bodies of work in jazz. While he worked regularly as a soloist with big bands, he began his career as a leader with the first all-star studio group in jazz, the Hot Five. The other four musicians were Armstrong's wife, Lil Hardin Armstrong, on piano; Johnny Dodds on clarinet; Kid Ory on trombone; and Johnny St. Cyr on banjo. The music's first great soloist, Armstrong was reshaping jazz by sheer improvisational magic, gradually diminishing the role of the traditional New Orleans ensemble with the clarion brilliance of his trumpet. Possessing an uncanny blend of exuberance and creativity, he combined virtuosic declarations with a talent for the subtlest shifts in phrasing and melodic variation, creating rich emotional statements that could hint at loss in the midst of joy or the promise of better things in the most sorrowful blues. The band expands here, to the Hot Seven and larger ensembles, and it gains soloists who applied Armstrong's lessons to their own instruments--musicians such as pianist Earl Hines and trombonist Jack Teagarden--but all come under the imprint of Armstrong's flowering genius, as both trumpeter and singer.
It's almost impossible to overrate this material. It may be the most influential music in jazz history, establishing standards for originality and sustained invention that have rarely been matched. The JSP set is a superb reissue of Armstrong's essential work. The remastering is by John R.T. Davies, widely acknowledged as the dean of engineers in the field of early jazz, and the resultant sound is simply the best this work has ever enjoyed. There are alternate takes of the later material on Columbia Legacy (including Louis in New York and St. Louis Blues), so collectors will want both. But this recording is superior listening, at a price that also makes it an ideal introduction to one of the few titans of jazz. --Stuart Broomer
1. What A Wonderful World 2:20
2. Hello, Dolly! 2:28
3. Sittin' In The Sun 3:01
4. Mack The Knife 3:24
5. A Kiss To Build A Dream On 3:04
6. It Takes Two To Tango 2:56
7. That Lucky Old Sun (Just Rolls Around Heaven All Day) 3:07
8. Kiss Of Fire 3:05
9. (When We Are Dancin') I Get Ideas 3:28
10. Gone Fishin' 2:33
11. Skokiaan (South African Song) 4:59
12. La Vie En Rose 3:26
13. The Dummy Song 2:22
14. Chloe (Song Of The Swamp) 3:04
15. I Still Get Jealous 2:14
16. When You're Smiling (The Whole World Smiles With You) 4:06
17. Blueberry Hill 2:54
18. When It's Sleepy Time Down South 3:17
For much of his life, Louis Armstrong was the embodiment of jazz for millions of people, both a great creative artist and a beloved popular entertainer. Whether playing trumpet or singing, adding his own definitive touch to a ballad or spearheading a hot New Orleans-style band, Armstrong was a uniquely compelling figure. It's hard to compress such a career into a single CD, but this one includes many of the milestones, reaching back to 1923 for "Chime Blues" with Armstrong playing in the band of his mentor, King Oliver. At the opposite end of Armstrong's life is 1967's "What a Wonderful World," which only became famous decades after it was recorded. In between are the creative peaks, including a good sampling of Armstrong's Hot Five and Hot Seven bands from the late 1920s--the most influential of his recordings--and a superb small-group version of "Old Rockin' Chair" from 1947. Armstrong's 1931 version of Hoagy Carmichael's "Stardust" retains its special luster seven decades later, and there's also a good selection of trademark hits from his later career, like "Mack the Knife" and "Hello, Dolly!" --Stuart Broomer
