When they formed in 1992, Luna was a true alt-rock supergroup, boasting singer-guitarist-lyricist Dean Wareham from Galaxie 500, former Chills bassist Justin Harwood, and ex-Feelies drummer Stanley Demeski, among others. With a heavy dose of dream pop, strategic reverb, and smartly minimalist songcraft, the band's '92 Elektra debut Lunapark sparked major critical and fan acclaim, as did their 1994 masterpiece Bewitched featuring legendary Velvet Underground guitarist Sterling Morrison on several tracks. Hypnotic, atmospheric, and moody, Penthouse and Pup Tent followed, along with personnel changes and a 1999 shift to indie status, but the band's stream of elegantly produced and sonically resonant albums continued. For their first-ever compilation, Rhino collects the essential career-spanning best of Luna
Penthouse Music Artist : Luna 2 Music Label : Elektra / Wea Release Date : 1995-08-08 Artistopia's Price :$10.16
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Bewitched Music Artist : Luna 2 Music Label : Elektra / Wea Release Date : 1994-03-01 Artistopia's Price :$11.99
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Lunapark Music Artist : Luna 2 Music Label : Elektra / Ada Release Date : 1992-08-18 Artistopia's Price :$15.98
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Rendezvous Music Artist : Luna Music Label : Jet Set Records Release Date : 2005-01-24 Artistopia's Price :$16.98
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Luna’s allegedly last studio album is astonishing, their best since 1995’s Penthouse. The band has arrived at a pleasant, Television-on-xanax variant of indie-rock that’s so smart, sexy, and sophisticated, it threatens to melt right into the background. As befits a group thinking of (their own) empire, Luna revisits one of their best songs, "Astronaut." Like the rest of the album, here it’s leaner, stronger, and slower, while "Malibu" and "Owl" display some of the finest, melodic and stripped-down guitar playing since the Feelies’ heyday. Much of what helps raise Luna from pretty sonic wallpaper are Wareham’s lyrics. Delivered in a stylish deadpan, Wareham’s words seem to owe much to New York School poets like John Ashbery, Joe Brainard, and, of course Lou Reed. But while "Star Spangled Man" is a great song whose lyrics are composed at least partly of stolen song titles ("tell me something good," "unknown pleasures")--is it great because of or in spite of the horrible, horrible pun "Chairman Mouse"? We shall leave it to grad students of the future to decide. --Mike McGonigal