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Meshuggah is a Swedish five-piece experimental metal band formed in 1987. The band comprises founding members vocalist Jens Kidman and guitarist Fredrik Thordendal, drummer Tomas Haake, rhythm guitarist Mårten Hagström and bassist Dick Lövgren. Meshuggah first attracted international attention with the 1995 release Destroy Erase Improve for its fusion of fast-tempo death metal, thrash metal and progressive metal
. Since their 2002 album Nothing, Meshuggah uses eight-string guitars and downtuned, groovy riffs.
Nothing and the following albums charted on the Billboard 200. 2008's album obZen reached No. 59 and sold 11,400 copies in the first week and 50,000 copies six months after its release. In 2006, the band was nominated for a Swedish Grammy Award. Since its formation, Meshuggah has released six studio albums, five EPs and eight music videos. Meshuggah has performed in various international festivals, including Ozzfest and Download, and embarked on a world tour in 2008.
Meshuggah has become renowned for its complex, innovative and precise musicianship and songwriting, polyrhythmic song structures and technical prowess. It has been labeled as one of the ten most important hard and heavy bands by Rolling Stone and as the most important band in metal by Alternative Press. In spite of its critical acclaim, Meshuggah has found little mainstream success but is a significant act in extreme underground music.
History Formation and early years (1987–1989) Meshuggah began in Umeå,[publisher = Allmusic] a college town in northern Sweden with a population of 105,000,[first=Rod ] where the band Metallien formed in 1985 with frontman Roger Olofsson, guitarists Fredrik Thordendal, Peder Gustafsson, bassist Janne Wiklund and drummer Örjan Lundmark. Following the recording of a number of demo tapes, Metallien disbanded, while Thordendal continued under a different name with new band members.
Meshuggah was formed in 1987,[publisher = Revolver] by vocalist Jens Kidman, guitarist Johan Sjögren, bassist Jörgen Lindmark and drummer Per Sjögren, and took the name Meshuggah from the Yiddish word for "crazy".[publisher = MTV.com] The band recorded several demos before Kidman left, which prompted the remaining members to disband. Kidman then formed a new band, Calipash, with guitarist Torbjörn Granström, bassist Peter Nordin and drummer Niclas Lundgren. Granström was replaced by guitarist Fredrik Thordendal. Kidman, who also played guitar,[url = www.meshuggah.net/bio/] and Thordendal decided to restore the name Meshuggah for the new band.
In 1989, Meshuggah released the self-titled, three-song EP Meshuggah, which is commonly known as Psykisk Testbild[publisher = Blabbermouth.net] and a headlining tour of its own.
Catch Thirtythree and obZen (2003–present) In 2003, Hagström hinted at the direction of the band's next album by saying, "There's only one thing I really feel that is important. We've never measured our success in terms of sales, because we're quite an extreme band. It's more that people understand where we're coming from. I get more out of a fan coming up and saying that we've totally changed their way of looking on metal music, than having like 200 kids buy it. I mean, it would be nice for the money, but that's not why we're in it. So what I'd like to see is that we keep progressing. Keeping the core of what Meshuggah has always been, but exploring the bar, so to speak. Destroy Erase Improve was like exploring the dynamics of the band, Chaosphere was exploring the aggressiveness, the all-out side, and Nothing is more of a sinister, dark, pretty slow album, actually. So honestly, now I don't know where we're going. It might be a mix of all of them."
Bassist Dick Lövgren, who joined Meshuggah in February 2004
In February 2004, bassist Dick Lövgren joined Meshuggah.
A remixed and remastered version of Nothing with re-recorded guitars was released in a custom-shaped slipcase featuring a three-dimentional hologram card on October 31, 2006 via Nuclear Blast Records. The release also includes a bonus DVD featuring the band's appearance at the Download 2005 festival and the official music videos of "Rational Gaze", "Shed" and "New Millennium Cyanide Christ".[[1]"/>]
That year, Meshuggah recorded obZen, which was released in March 2008. The band spent almost a year on the album, its longest recording session yet. A significant portion of the year was spent learning to perform the songs they wrote; the recording itself took six months. obZen reached number 59 on the Billboard Top 200 chart, selling 11,400 US copies in its first week of release and 50,000 copies after six months. With obZen, Meshuggah received more media attention and attracted new fans. The release was followed by a world tour, which started in the US and proceeded to Europe, Asia and Australia.
In May 2008, Meshuggah published a music video for the song "Bleed", which was produced by Ian McFarland and was written, directed and edited by Mike Pecci and Ian McFarland. Killswitch Productions said: "It's extremely cool to work with a band who is willing to allow the music and imagery to speak for itself and who does not insist on themselves being the prominent focus of the video."[publisher = Revolver]
Musical style Music genre and typical traits Fredrik Thordendal performing in 2008 in Prague with an eight-string guitar. When describing Meshuggah's level of experimentation, stylistic variation and changes during its career, journalists have categorized its sound within several musical subgenres. Heavy metal subgenres avant-garde metal or experimental metal are umbrella terms that enable description of the career of the band in general. Extreme metal crosses both thrash metal (or post-thrash metal) and death metal; which are at root of the sound of Meshuggah's music. The band is often labelled as math metal (for using elements of math rock) and progressive metal. The music of the band has also been described as grindcore, a fusion of extreme metal and hardcore punk. Meshuggah also incorporates elements of experimental jazz. Rockdetector uses the term hi-tech metal to describe their style. In its review of Nothing, Allmusic describes Meshuggah as "masterminds of cosmic calculus metal—call it Einstein metal if you want".a Meshuggah creates a unique and recognizable sonic imprint[publisher = Allmusic] and distinct style.
Trademarks and characteristics that define Meshuggah's sound include complex metal with mathematical-like songwriting, odd riff cycles, polyrhythmic structure, complex "rotating" time signatures and rhythmic syncopation, rapid key and tempo changes and neo-jazz chromatics.b Hagström notes that "it doesn’t really matter if something is hard to play or not. The thing is, what does it do to your mind when you listen to it? Where does it take you?" A trademark of Thordendal is free jazz-like soloing and lead guitar. He is also known for the usage of a "breath controller" device. Haake is known for his precise cross-rhythm drumming with "jazz-like cadence". The vocal style of Kidman varies between hardcore-style shouts and "robotic" death metal vocals. He also alters the pitch of his screams to match the instrumental part of the band.c
In a typical polyrhythm by Meshuggah, the guitars might play in odd meters such as 5/16 or 17/16, while drums play in normal 4/4. An example of Haake's dual rhythms is a 4/4 and 23/16 rhythm. He keeps the hi-hat and ride cymbal in simple 4/4 time but uses the snare and double bass drums for 23/16 rhythm. On "Rational Gaze" (from Nothing), Haake plays simple 4/4 time, hitting the snare on each third beat, for 16 bars. At the same time, the guitars and bass are playing the same quarter notes, albeit in a different time signature, and eventually both sides meet up again at the 64th beat. Hagström notes about the polyrhythms, "We’ve never really been into the odd time signatures we get accused of using. Everything we do is based around a 4/4 core. It’s just that we arrange parts differently around that center to make it seem like something else is going on."
Early work, Destroy Erase Improve and Chaosphere The early work of Meshuggah, influenced mainly by Metallica, is "simpler and more straight-forward than their more recent material, but some of their more progressive elements are present in the form of time-changes and polyrhythmics, and Fredrik Thordendal's lead playing stands out". According to Allmusic, the debut album is a relatively immature but original release. Double bass drums and "angular" riffing also defined the early work of Meshuggah.[publisher = Blabbermouth.net]
Kidman in 2007. With the groundbreaking Destroy Erase Improve, Meshuggah showed accurate fusion of death metal, thrash metal, progressive metal and technical polyrhythmic math metal. Allmusic describes the style as "weaving hardcore-style shouts amongst deceptively (and deviously) simple staccato guitar riffs and insanely precise drumming—often with all three components acting in different time signatures". Thordendal adds the melodic element with his typical lead guitar and uses his "breath controller" device most famously on the opening track "Future Breed Machine". Chaosphere incorporates typically fast, still tempo changing death metal. Allmusic compares the genre also with grindcore fathers Napalm Death.
Rolling Stone labeled Meshuggah as "one of the ten most important hard and heavy bands", In 2007, Meshuggah earned an in-depth analysis by the academic journal Music Theory Spectrum. In spite of its critical acclaim, Meshuggah has found little mainstream success but is a significant act in extreme underground music.[publisher = Revolver]
Lyrics, songwriting and recording In addition to playing drums, Haake also writes most of the band's lyrics. He explains, "I usually write lyrics in a once-a-year burst. After reading a few really cool books, seeing a couple good movies, I get hit with a wave of inspiration ... some kind of concept. Even though we don’t make concept albums, we like them to have strong conceptual underpinnings kind of lurking in the background, and it’s definitely a concept that gets me going. I don’t really write lyrics for finished tracks."
Hagström says about the songwriting: "I sit down and program the drums, record the guitar and record the bass in the computer, so when I present an idea to the other guys it's presented in band form pretty much the way I want it to be. So at one point or another, we might change out the arrangements over a fill or maybe a choice of cymbal or maybe moving something a little bit but we stick true to the general idea pretty much; it's not a lot different. On some songs we actually restructure a lot but it's rare." He also explains: "Everybody in the band has a pretty good idea of what everybody else is doing conceptually, and nobody thinks exclusively in terms of a particular instrument. We have this symbiosis thing; we’re kind of a single-celled organism climbing up the evolutionary ladder. But Jens has the biggest challenge: taking Tomas’ lyrics and somehow making them his own."
Except when Hagström needs a soloist, he and Thordendal rarely record together. Both play guitar and bass while composing (touring bassist Lövgren doesn’t record with the band). Haake says, "Sometimes I’ll sample guitar parts, cut them up, pitch-shift and tweak them until I’ve built the riffs I want, just for demoing purposes. But most of the time I’ll just present the drums, and explain my ideas for the rest of the song, sing some riffs."
Meshuggah's songs often have esoteric and conceptual lyrics, which deal with themes such as existentialism. Allmusic describes the lyrical focus of Destroy Erase Improve as "the integration of machines with organisms as humanity's next logical evolutionary step". PopMatters' review of Nothing singles out the lyrics from "Rational Gaze" for praise: "Our light-induced image of truth—filtered blank of its substance / As our eyes won’t adhere to intuitive lines / Everything examined. Separated, one thing at a time / The harder we stare the more complete the disintegration." Haake explains that the cover, title and lyrics of Catch Thirtythree deal with "the paradoxes /negations /contradictions of life and death (as we see it in our finest moments of unrestrained metaphoric interpretation)".[publisher = Blabbermouth.net]
The
b. bTrademarks and characteristics that define Meshuggah's sound include complex metal with mathematical-like songwriting, odd riff cycles, usage of polyrhythmic structure,[publisher = Blender] complex "rotating" time signatures and rhythmic syncopation, rapid key and tempo changes and neo-jazz chromatics.
c. cA trademark of Thordendal is free jazz-like soloing and lead guitar. He is also known for the usage of a "breath controller" device. Haake is known for his precise cross-rhythm drumming with "jazz-like cadence". The vocal style of Jens Kidman varies between hardcore-style shouts and "robotic" death metal vocals. Kidman also alters the pitch of his screams to match the instrumental part of the band.
d. dMeshuggah has become renowned for its technical prowess and innovative style that evolves between each release and pushes heavy metal into new territory.
e. eMeshuggah have also been described as highly skilled, virtuoso[[3]"/> or genius-bordering] musicians with "incredible abilities recognized by mainstream music magazines, especially those dedicated to particular instruments".
f. fHaake is considered to be one of the most technically skilled drummers in today's heavy metal; Rolling Stone called him "a one-man percussion army".
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