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Biography
Infobox musical artist| name = Muhal Richard Abrams| image = Muhal Richard Abrams 06N4854.jpg| caption = Muhal Richard Abrams, Moers Festival 2009| image_size = 250| background = non_vocal_instrumentalist| birth_name =| alias =| birth_date = Birth date and age|1930|9|19|mf=y| death_date =| origin = Chicago, Illinois|Chicago , Illinois , United States|USA | instrument = Piano Clarinet Cello | genre = Free jazz , Post Bop | occupation = Musician Bandleader Composer | years_active = 1950s–present| label = Delmark Records|Delmark Black Saint/Soul Note|Black Saint Novus Records New World Records|New World Pi Recordings | associated_acts =| website =| current_members =| past_members =| notable_instruments = Muhal Richard Abrams (born September 19, 1930, in Chicago, Illinois|Chicago , Illinois )Larkin, Colin. The Guinness Encyclopedia of Popular Music , Guinness, page 47, (1995) - ISBN 978-1-56159-176-3 is an United States|American educator, administrator, composer , arranger, clarinetist , cellist , and Jazz piano|jazz pianist in the Free jazz medium. Abrams compresses both contemporary and traditional ideas into lean, elegant pieces.Lyons, Leonard. The Great Jazz Pianists: Speaking of Their Lives and Music , Da Capo Press, page 54, (1989) - ISBN 978-0-306-80343-7
Biography
Abrams attended DuSable High School in Chicago . By 1946, he decided to enroll in music classes at Roosevelt University . “I didn’t get too much out of that, because it wasn’t what I was hearing in the street,” he says. “I decided to study on my own. I don’t know why, but I’ve always had a natural ability to study and analyze things. I used that ability, not even knowing what it was (it was just a feeling) and started to read books." The books of Joseph Schillinger were very influential in Abrams' development. "From there, I acquired a small spinet piano and started to teach myself how to play the instrument and read the notes - or, first of all, what key the music was in. It took time and a lot of sweat. But I analyzed it and before long I was playing with the musicians on the scene. I listened to Art Tatum , Charlie Parker , Thelonious Monk , Bud Powell and many others and concentrated on Duke and Fletcher Henderson for composition. Later I got scores and studied more extensive things that take place in classical composition and started to practice classical pieces on the piano, as I do now.” http://www.allaboutjazz.com/newyork/aaj_ny_200705.pdf All About Jazz: Muhal Richard Abrams
Abrams' first gigs were playing the blues, R& B, and hard bop circuit in Chicago and working as a sideman with everyone from Dexter Gordon and Max Roach to Ruth Brown and Woody Shaw . In 1950 he began writing arrangements for the King Fleming Band, and in 1955 played in the hard-bop band Modern Jazz Two + Three, with tenor saxophonist Eddie Harris .Panken, T. http://www.allaboutjazz.com/php/article.php? id=25529 Muhal Richard Abrams: The Advancement of Creative Music, All About Jazz May 25, 2007 After this group folded he kept a low profile until he organized the Experimental Band in 1962, a contrast to his earlier hard bop venture in its use of free jazz concepts. This band, with its fluctuating lineup, evolved into the Association for the Advancement of Creative Musicians (AACM), emerging in May 1965 with Abrams as its president. Rather than playing in smoky night clubs, AACM members often rented out theatres and lofts where they could perform for attentive and open-minded audiences. The album Levels and Degrees of Light (1967) was the landmark first recording under Abrams' leadership. On this set, Abrams is joined by the saxophonists Anthony Braxton , Maurice McIntyre , vibraphonist Gordon Emmanuel, violinist Leroy Jenkins (jazz musician)|Leroy Jenkins , bassist Leonard Jones and vocalist Penelope Taylor.
Abrams also played with saxophonists Eddie Harris , Dexter Gordon , and other more bop-oriented musicians during this era.
Abrams moved to New York permanently in 1975 where he was a factor in the local Loft Jazz scene. In 1983, he established the New York chapter of the Association for the Advancement of Creative Musicians .
In the 1970s, Abrams has composed for symphony orchestras, string quartets, solo piano, voice, and big bands in addition to making a series of larger ensemble recordings that include harp and accordion.Schoenberg, Loren. ''The Npr Curious Listener's Guide to Jazz'', Perigee, page 85, (2002) - ISBN 978-0-399-52794-4 He is a widely influential artist, having played sides for many musicians early in his career, releasing important recordings as a leader, and writing classical works such as his "String Quartet #2" which was performed by the Kronos Quartet , on November 22, 1985, at the Carnegie Recital Hall in New York City . http://www.kronosquartet.org/25th/07.html Kronos Quartet He has recorded extensively under his own name (frequently on the Black Saint/Soul Note|Black Saint label) and as a sideman on others' records. Notably regarding the latter he has recorded with Anthony Braxton Duets 1976 on Arista Records , Marion Brown and Chico Freeman .
He has recorded and toured the United States , Canada and Europe with his orchestra, sextet, quartet, duo and as a solo pianist. His musical affiliations is a "who's who" of the jazz world, including Max Roach , Dexter Gordon , Eddie "Lockjaw" Davis , Art Farmer , Sonny Stitt , Anthony Braxton , The Art Ensemble of Chicago, Eddie Harris and many others. In 1990 Abrams won the Jazzpar Prize an annual Danish prize within jazz. In 1997 he was awarded a grant from the Foundation for Contemporary Arts Grants to Artists Award. In May 2009 the National Endowment for the Arts announced that Abrams would be one of the recipients of the 2010 NEA Jazz Masters Award. http://www.nea.gov/news/news09/2010-NEA-Jazz-Masters.html National Endowment for the Arts Announces the 2010 NEA Jazz Masters In June 2010, Muhal Richard Abrams was given the Lifetime Achievement Award by New York City's premier jazz festival, known as the Vision Festival http://www.visionfestival.org/Ben Ratliff, "New York Times," "Honoring Heroes of Jazz, With Words, Silence and Improvisation," June 26, 2010, C7
Discography
As leader
Year
Title
Label
1967
Levels and Degrees of Light
Delmark
1969
Young at Heart/ Wise in Time
Delmark
1975
Things to Come from Those Now Gone
Delmark
1975
Afrisong
India Navigation / Whynot Records
1976
Sightsong
Black Saint
1977
1-OQA+19
Black Saint
1978
Lifea Blinec
Novus
1978
Spiral Live at Montreux 1978
Novus
1979
Spihumonesty
Black Saint
1980
Mama and Daddy
Black Saint
1981
Duet with Amina Claudine Myers
Black Saint
1982
Blues Forever
Black Saint
1983
Rejoicing with the Light
Black Saint
1985
View from Within
Black Saint
1986
Roots of Blue with Cecil McBee
RPR
1987
Colors in Thirty-Third
Black Saint
1989
The Hearinga Suite
Black Saint
1991
Blu Blu Blu
Black Saint
1993
Family Talk
Black Saint
1995
Think All, Focus One
Black Sain
1997
Song for All
Black Saint
1996
One Line, Two Views
New World
1997
The Open Air Meeting (Live) with Marty Ehrlich
New World
2001
The Visibility of Thought
Mutable Music
2005
Streaming with George Lewis (trombonist)
Pi
2007
Vision Towards Essence (Live)
Pi
2010
Spectrum with Roscoe Mitchell
Mutable Music
As sideman
With Walter Perkins (musician)|Walter Perkins MJT+3
Daddy-O Presents MJT+3 (1957)
With Roscoe Mitchell
Nonaah (1967)
Roscoe Mitchell Quartet (1975)
Duets and Solos (1990)
With Joseph Jarman
As If It Were the Seasons (1968)
With Anthony Braxton
Three Compositions of New Jazz (1968)
Creative Orchestra Music 1976 (Arista, 1976)
Duets 1976 (1976)
Quintet (Basel) 1977 (hatOLOGY, 1977 2000)
With Creative Construction Company
Creative Construction Company ( Muse Records , 1970)
CCC, Vol. 2 (Muse, 1971)
Muhal (1977)
With Kenny Dorham
Kenny Dorham Sextet (1970)
With Eddie Harris
Instant Death (album)|Instant Death (Atlantic, 1971)
Eddie Harris Sings the Blues (Atlantic, 1972)
Excursions (album)|Excursions (Atlantic, 1973)
'' That Is Why You're Overweight (Atlantic, 1975)
With Art Ensemble of Chicago
Fanfare for the Warriors (Atlantic, 1974)
Kabalaba (AECO, 1978)
With Marion Brown
Sweet Earth Flying (Impulse!, 1974)
With Robin Kenyatta
Beggars and Stealers (1977)
With Chico Freeman
Morning Prayer (album)|Morning Prayer (1976)
Chico (album)|Chico (1977)
Freeman & Freeman (1981)
With Woody Shaw
The Iron Men (1977)
With Leroy Jenkins (jazz musician)|Leroy Jenkins
Lifelong Ambitions (Black Saint, 1977)
With George Lewis (trombonist)|George Lewis
Shadowgraph 5 (Sextet) (1977)
With Barry Altschul
''You Can't Name Your Own Tune (1977)
With Clifford Jordan
Inward Fire (1978)
With Marty Ehrlich
Emergency Peace (1990)
With Hamiet Bluiett
Saying Something for All (1998)
References
Reflist
External links
http://aacmchicago.org/members/muhal_richard_abrams_bio.html AACM: Muhal Richard Abrams
http://www.aacm-newyork.com/members.html Association for the Advancement of Creative Musicians, New York Chapter
http://www.otherminds.org/shtml/Abrams.shtml Other Minds: Muhal Richard Abrams
http://www.allaboutjazz.com/php/article.php? id=1697 All About Jazz: The Music of Muhal Richard Abrams review by Andrey Henkin, 03-12-2004
http://www.jazz.com/dozens/moran-selects-muhal "Muhal Richard Abrams: Twelve Essential Tracks" by Jason Moran ( http://www.jazz.com Jazz.com)
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