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Biography
Unreferenced|date=November 2007Infobox musical artist | name = Myslovitz| image =| caption =| image_size = 300| background = group_or_band| alias =| origin = Myslowice , Poland | genre = Alternative rock , Britpop , indie pop|Indie , Indie rock | years_active = 1992–present| label = MJM Music Pl Sony Music Polska Polska (Poland) Pomaton EMI (Poland)| associated_acts = Lenny Valentino | website =| current_members = Michal Kowalonek Wojciech Powaga Jacek Kuderski Wojciech Kuderski Przemek Myszor| past_members =| notable_instruments = Myslovitz is a Poland|Polish Rock music|rock band, whose music incorporates elements of college rock , shoegazing , and, arguably, Britpop . Since 2003, EMI|EMI Group has been attempting to establish them internationally, with considerable support from MTV Europe . The band take their name from their industrial hometown of Myslowice in Upper Silesia (Southern Poland).
Wojciech (Wojtek, "Lala") Kuderski - Drum kit|drums , Percussion instrument|percussion
Former members:
Marcin Porczek – bass guitar
Rafal Cieslik – drums
Artur Rojek - lead vocals , guitar http://muzyka.onet.pl/newsy/rock/artur-rojek-odszedl-z-zespolu
Band history
Guitarist and vocalist Artur Rojek started the band in 1992 as " The Freshmen ", taking the initial name from the 1990 film The Freshman (1990 film)|The Freshman , starring Marlon Brando and Matthew Broderick —which indicates a fascination with cinema that would become a characteristic feature throughout the band's career. In 1994 they changed their name to Myslovitz after their hometown of Myslowice . The band's early phase was characterised by a somewhat debonair punk rock|punk attitude, as Rojek admits: :''"I started Myslovitz in 1992. I was twenty then and I had no idea how to make good music. Surely, I was a big fan of a few British groups ( Ride (band)|Ride , The Stone Roses|Stone Roses , My Bloody Valentine (band)|My Bloody Valentine , Housemartins ) but I couldn't play the guitar at all. After several months of rehearsals … I decided that I should cover the holes in my musical education by … chaos (the bigger the better)." http://www.myslovitz.pl/fankluby_ang.php
Even so, they soon caught the media's attention, winning several important competitions for young musicians; this enabled them to make their first professional recordings in the studio of Radio Lodz. In 1994, Myslovitz were signed by MJM Music Pl and recorded their self-titled debut album with British producer Ian Harris, who had previously worked for, amongst others, Joy Division , New Order , and The Exploited . Upon its release in 1995, the album received euphoric reviews and was declared "Debut of the Year" by several music magazines. Some critics compared it to Oasis (band)|Oasis , who were at the peak of their popularity at that time.
In 1996, Myslovitz were joined by a third guitarist and keyboarder, Przemek Myszor, and released the second album Sun Machine on Sony Music Polska. The album spawned two somewhat beatles que airplay hits - Z twarza MarilynMonroe ("With a Face Like...") and Peggy Brown , the latter being a cover version of a fellow Myslowice rock band, with lyrics originally by the Irish "national bard" Turlough O'Carolan (in a translation by the Polish lyricist and translator Ernest Bryll).
The following year, the third album Z rozmyslan przy sniadaniu ("From meditations over breakfast") was released, displaying a tendency towards a more "polished" sound and more introspective lyrics. Also, Myslovitz's now typical fascination with cinema began to take centre stage with numerous allusions and hints in the lyrics and track titles, and a certain "cinematic" atmosphere in the music itself.
The band's interest in cinema also showed in their contributions to soundtracks. In 1998, they recorded the unconventional track To nie byl film ("That was no film") for the Polish movie Mlode wilki ˝ ("Young Wolves ˝"). The lyrics referred to a wave of violent crimes committed by juvenile delinquents, which was controversially discussed in Polish mass media in the mid-1990s. The explicit depiction of violence in the lyrics and the accompanying video clip (which later won a Fryderyk award as "Video of the Year") caused further controversy and led Polish broadcasting networks to boycott both the song and the clip.
Also in 1998, Myslovitz had their first appearances abroad with shows in Sweden , Germany , and the United States .
The final breakthrough for the band came in 1999with their fourth album entitled Milosc w czasach popkultury ("Love in The Time of Pop Culture "), which went platinum (i.e. 150,000 copies sold) soon and has by now achieved "double platinum" status in Poland. The single Dlugosc dzwieku samotnosci ("The Length of the Sound of Solitude") became the biggest hit for the band so far. In 2000 Myslovitz again contributed to soundtracks, writing and recording the song Polowanie na wielblada ("Camel Hunting") for the movie The Big Animal ( Duze zwierze ) by the legendary Polish actor and director Jerzy Stuhr , and the single plus another two (previously unreleased) tracks to director Waldemar Szarek's movie "That's Us" ( To my ). In 2003 Myslovitz continued their cooperation with Stuhr, creating not only the title song for his movie "Tomorrow's Weather", but also appearing in walk-on roles - as neophyte monks.
In 2002, the follow-up to Milosc... , entitled KorovaMilky Bar appeared; the title being an allusion to Stanley Kubrick 's classic screen version of Anthony Burgess 's A Clockwork Orange . Strikingly, the melancholic elements took over almost completely, with both music and (sometimes sarcastic) lyrics creating an almost depressive overall mood. Nonetheless, the album sold even more copies than its predecessor had in the same time, with the singles Acidland and Sprzedawcy marzen ("Dreamsellers") repeating the success of Dlugosc... three years earlier.
The reason for the new material's popularity, as some critics surmised, was that its atmosphere closely conformed to a presumed resignative-recessive mood within Polish society at large - which guitarist Przemek Myszor seemed to confirm in an interview for the Montreal Mirror : "For us, the KorovaMilky Bar from Kubrick's 'A Clockwork Orange' ''is a place where something different may happen to your mind. It's a place like today's Poland. You know, Poland is a place where very strange things happen to your mind. It's a country full of crisis and everything around you is very sad, very dark, very fucked. There is an economic crisis here. People don't have money, politics are fucked. The lyrics on our record are sad because of this. We sing a lot about being in a strange state of mind" http://www.montrealmirror.com/ARCHIVES/2002/112802/music2.html.
With KorovaMilky Bar , Myslovitz appeared at several festivals throughout Europe, including the big, traditional German festival for Alternative acts ( Bizarre ) and the prestigious Montreux Jazz Festival . Also, they supported Iggy Pop and the Simple Minds on their European tours that year. Also, they received an MTV Europe Music Awards in Barcelona for Best Polish Act , having been nominated twice in previous years.
In November 2002 Myslovitz signed a new contract with EMI 's Polish outlet Pomaton. The first album to be released on the new label was an English-language re-recording of KorovaMilky Bar , which was released in 27 countries (including Germany, the Netherlands , Belgium , Switzerland , France , Spain , Russia , Turkey and South Africa ). In addition to the Korova... material, this version also included English versions of older tracks. "Dlugosc dzwieku samotnosci" now became a single as "The Sound of Solitude"' (an earlier English version, somewhat awkwardly but more correctly entitled "The Length of The Solitude Sound", had been a Polish b-side). A video clip for this song was directed Janusz Kaminski , the Polish Hollywood cinematographer who had won Academy Awards for Academy Award for Best Cinematography|Best Cinematography with '' Schindler's List and Saving Private Ryan , and had declined an offer from Martin Scorsese in order to work with Myslovitz. Kaminski declares himself a "fan" of Myslovitz, saying "I only work for Steven Spielberg|Spielberg and Myslovitz ... Money is not a factor in this. What one doesn't do for one's idols!" http://myslovitz.xon.pl/a119.htm The clip got frequent plays on MTV Europe and the album received positive reviews in the European music press, particularly in Germany. However, radio airplay was sporadic and largely limited to Alternative programmes (such as John Peel in the United Kingdom|UK ), as a consequence, Myslovitz so far failed to enter the upper reaches of the charts outside Poland.
Also in 2003, Myslovitz performed with Travis (band)|Travis and Skin (of Skunk Anansie fame) on The Road to Edinburgh , where they received another MTV Europe Music Award for Best Polish Act .
The same year, Sony Music domestically released an obligatory end-of-contract compilation album, entitled The Best of . The lead single Kraków was an older song re-recorded with 1970s Polish folk rock stars Marek Grechuta and Anawa.
In the summer of 2004 Myslovitz were touring Europe again, starting with a concert for the German public radio and television broadcaster WDR on the eve of Enlargement of the European Union|EU enlargement . Apart from headlining smaller venues and playing festival slots (including the largest Swiss open air event in St. Gallen , they again opened for Iggy Pop & The Stooges on their European dates, as well as for Borrowed Heaven Tour|The Corrs in the UK and mainland Europe.
In December 2004, EMI released Myslovitz's most recent album entitled Skalary, mieczyki, neonki ("Angelfish, swordtails, neon tetras") - an out-of-schedule release with outtakes from the KorovaMilky Bar recording sessions; longish, psychedelic-experimental and mostly instrumental soundscapes with an utterly melancholic mood to them. On Skalary... , Myslovitz appear about as close to the Radiohead reference as they are likely to get; there are also some tangible similarities with Pink Floyd .
At the time, the band had finished recording of their new album Happiness Is Easy ; it was released in May 2006.
Myslovitz's success arguably contributed to a revitalisation of the Polish alternative rock scene in the late 1990s and early 2000s, which spawned bands such as eM , Kombajn do zbierania kur po wioskach , and Lili Marlene .
Myslovitz and Myslowice
Myslovitz follow the tradition of 1970s American rock acts who took their names from their places of origin, such as Chicago (band)|Chicago or Boston (band)|Boston . When choosing their name, the band seemed to be inspired by an ambiguous relationship towards their hometown which they felt to be rather provincial. In a review of The Best of... , the liberal Catholic weekly Tygodnik Powszechny stated that "coming from Myslowice, the band entered the new, wonderful world of show business with a small-town complex" http://muzyka.onet.pl/mr,23699,1,recenzje.html. In an interview with the Montreal Mirror (see above), Guitarist Przemek Myszor called Myslowice "depressing" ... like all small towns are. In Poland there are few big towns. And by big town I mean where there is culture. You know, towns that have big clubs. We still live in Myslowice, but this is a city to die in, not to live. Our region of Poland, in the south, is very industrial, coal mining, hard industry" http://www.montrealmirror.com/ARCHIVES/2002/112802/music2.html. For statements like these, Myslovitz were sometimes chided for fouling their own nest; paradoxically, however, they even helped to sanitize the city's image. Says the music journalist Leszek Gnoinski (author of the "standard work" Encyklopedia Polskiego Rocka ): "Myslowice is a city of some 100,000 people. Until the early 90s, it was known, at best, for its coalmines - until these five guys with guitars turned the mining town into a place that could be located on any map of Poland." Myslovitz's impact was one factor which stimulated the development of a local music scene. By now, with bands such as Negatyw and Supermusic , a lively Alternative rock and hip hop culture is flourishing in Myslowice. Far away from Warsaw as the centre of the commercial Polish entertainment industry, it even benefits from its image as being peripheral, obscure, and non-commercial - not totally unlike the British Madchester phenomenon in the 1980s and early 1990s.
Awards
Apart from numerous accolades awarded by Polish music magazines and radio stations, Myslovitz received the weekly Polityka 's prestigious Paszport in the category "Pop/Rock/Entertainment" in 1999; in 2000 the Polish Playboy declared Dlugosc Dzwieku Samotnosci and Myslovitz "Song of The Year" and "Band of The Year" respectively, whereas the Polish issue of Elle (magazine)|Elle declared them the "most stylish stars in music".
Myslovitz were frequently nominated for Fryderyk s (the Polish equivalent of the BRIT Awards|BRIT Award or the Grammy ) in various categories. In total, they received seven Fryderyk awards - in 1998 for "Music Video of The Year" (for To nie byl film /"It wasn't a movie" - see above), in 1999 for "Band of The Year" and "Rock Album of The Year" (for Dlugosc Dzwieku Samotnosci /"Length of the sound of solitude"), in 2000 for "Song of The Year" (for Chlopcy /"(Town) Boys") and "Video of The Year" (for Dla Ciebie /"For You"), and in 2003 for "Album of The Year (for KorovaMilky Bar ).
After two nominations in previous years, Myslovitz were declared Best Polish Act at the MTV Europe Music Awards in 2002 and again in 2003.
On January 23, 2005, as part of the European Commission 's Border Breakers award ceremony held at MIDEM 2005 in Cannes , Myslovitz received the European Breakthrough award for KorovaMilky Bar as the best-selling album out of the ten new European Union|EU member states.
