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one-hit wonder is a person or act known mainly for only a single success. The term is most often used to describe music performers with only one hit single.
CharacteristicsSome one-hit wonders are the result of novelty songs during fads. Examples include Rick Dees’ "Disco Duck", related to the disco craze of the 1970s; C. W. McCall's "Convoy", related to the CB radio craze of the 1970s; and Buckner & Garcia’s "Pac-Man Fever", related to the 1980s-era arcade game Pac-Man.
Some artists, such as Shannon Hoon of Blind Melon, had their careers cut short by death, while others, such as New Radicals and The La's, broke up immediately after their one hit. More commonly, however, one-hit wonders are serious-minded musicians who struggled to continue their success after their popularity waned.
Because one-hit wonders are popular for only a brief time, their hits often have nostalgic value and are featured on era-centric compilations and soundtracks to period films. One-hit wonders are normal in any era of pop music, but are most common during reigns of entire genres that do not last for more than a few years, such as disco, new wave and grunge.Citation needed Though the term is sometimes used in a derogatory manner, some fans often have a great passion for these songs and the artists who created them. Some one-hit wonder artists have embraced this following openly, while others distance themselves from their hit in an attempt to craft successful songs with different sounds, or embark on new careers as songwriters (such as Linda Perry of 4 Non Blondes and Gregg Alexander of New Radicals), recording industry executives (such as Gerardo), or even game show hosts (such as Chuck Woolery of The Avant-Garde)
. One-hit artists who possess a significant legacy of music outside of the singles world (e.g. or Buffy Sainte-Marie with Illuminations) may however distance themselves severely from their hit single ("Mister Can't You See") as they are likely to feel their hit in no way represents what they stand for.
Questions of definitionMost American music industry insiders consider a song in the top forty positions of the Billboard Hot 100 to be a hit. Thus, any performer who recorded only one song that reached the Top 40 is, technically, a one-hit wonder. However, the term is more generally applied to musicians best known for only one song.
Wayne Jancik's book The Billboard Book of One-Hit Wonders (Billboard Books, 1998) defines a one-hit wonder rather conservatively, as "an act that has won a position on Billboard's national, pop, Top 40 just once." He therefore includes such performers as Janis Joplin (for "Me and Bobby McGee") or Jimi Hendrix (for "All Along the Watchtower"), solely on the basis of their Top 40 performance. In his definition of an "act", Jancik distinguishes between a solo performer and any group he or she may have performed in; thus Roger Daltrey is distinguished from The Who. He restricts his reporting time to the period from the start of the "rock-and-roll era" (defined by the author as 1 January 1955 to 31 December 1992). The latter date was picked to allow a five-year "lag time" before publication for a listed one-hit wonder to produce a second hit; this unfortunately does not allow for a longer hiatus between hits for a particular performer. For example, Lenny Kravitz is listed for "It Ain't Over 'til It's Over" (No. 2, August 1991); the book therefore misses subsequent hits, such as "Fly Away", which peaked at #12 on the Billboard Hot 100 chart in 1999.
In the United Kingdom, the term one-hit wonder is used to describe a singer or band who had only one hit reach the Top 75 on the UK Singles Chart.Citation needed Below is a list of some criteria that also affect a performer's status as a one-hit wonder:
- There are many acts who earned a single Billboard Top 40 hit, but who are not typically classified as one-hit wonders due to other successes. Jancik, however, includes many of these artists, as they fall within his strict definition as a single act with a single top-40 placement. For example:
- album or even concert ticket sales: e.g. Emerson, Lake & Palmer, Rush, and Garth Brooks (whose only Billboard Top 40 hit was in his Chris Gaines persona)
- success on other, genre-specific charts: e.g. Snow Patrol, Incubus, The Lightning Seeds, KoRn, Queen Latifah, The Prodigy, Garth Brooks, Randy Travis, Weezer, blink-182, and System of a Down
- critical acclaim: e.g. Spirit, Randy Newman, Siouxsie & the Banshees, The White Stripes, The Church, Amy Winehouse, Beck, and Marshall Crenshaw
- strong fan followings: e.g. Rush, Frank Zappa, Grateful Dead, Faith No More, and Queensrÿche
- influence on other musicians: e.g. Jimi Hendrix, Rush, Lou Reed (with The Velvet Underground), Janis Joplin, Devo, Iggy Pop (with The Stooges), and Bo Diddley
- success as a songwriter or producer: e.g. Buffy Sainte-Marie, Mickey Newbury, J. J. Cale, Norman Smith, and McFadden & Whitehead
- Some artists, including Livin' Joy, Wall of Voodoo, and Modern English, never had a top-40 pop hit, but did have a song that received considerable airplay, even long after its day of release.
- Many popular British artists like Frankie Goes to Hollywood, Right Said Fred, The Verve, BBMak, All Saints, Billie Piper, Busted, and Take That are considered one-hit wonders in the US, although they have many hits in their native UK. Similarly, US bands They Might Be Giants, Bachman–Turner Overdrive and Blue Oyster Cult are one-hit wonders in the UK but not in their native US. Conversely, two British bands, Wang Chung and Breathe, as well as the Anglo-Australian duo Air Supply, are one-hit wonders in the UK but not in the US.
- Prominent members of popular groups who have only one solo hit typically are not seen as one-hit wonders. Steely Dan's Donald Fagen, The Lovin' Spoonful's John Sebastian, The Beach Boys' Brian Wilson, and Michael Nesmith of The Monkees each achieved chart success only once as solo artists, but are all well-known for their contributions to music through their respective bands. Nesmith is also famous for creating Pop Clips, a concept that others would eventually turn into MTV.
- Conversely, groups led by popular solo artists are usually not called one-hit wonders. Derek and the Dominos' sole hit "Layla" is associated with group leader Eric Clapton, who had great success and fame before and after the Dominos.
- Performers who have consistent success in one part of the world but who are known for only one song outside that region are usually considered one-hit wonders in the latter. Austria's Falco and Germany’s Nena were very successful in German-speaking countries, and Canada's Tom Cochrane has had similar success in his homeland, but all are considered one-hit wonders in the US and UK.
- A small number of artists have the distinction of being regarded as one-hit wonders in both the US and UK, but with different songs. American husband and wife duo Art and Dotty Todd scored a hit in the UK with "Broken Wings" in 1953, but did not make it to the top forty in their homeland until "Chanson D'Amour (Song of Love)" in 1958. Rock band The Icicle Works' sole UK top 50 hit was 1983's "Love Is a Wonderful Colour"; however, in North America, their only top 40 entry was "Whisper to a Scream (Birds Fly)" in 1984. Another group, After the Fire, had their sole UK Top 40 hit with their debut single, 1979's "One Rule for You" and their sole US Top 40 hit with one of their final singles, 1982's "Der Kommissar" (an English-language cover of a German-language hit by the aforementioned Falco).
- Performers who are successful in specific genres, but produce only one crossover hit, are generally considered one-hit wonders by the public at large, but not by fans of their respective genres. Celtic music singer Loreena McKennitt and Christian rock group Jars of Clay are popular within their respective genres, but known to the greater public for a single song each. Similar situations are common among crossover country artists and hair metal groups.
- Performers who had more than one Top 40 hit are sometimes considered one-hit wonders, if one signature song greatly overshadows the rest of their repertoire. a-ha’s "Take on Me" made the top 10 of VH1's 100 Greatest One Hit Wonders,
[answers.yahoo.com/question/index?qid=20070926185134AA5L4D2] even though the group had two Billboard Top 20 singles: "Take on Me" and "The Sun Always Shines on TV". However, "Take On Me" is much more remembered today, at least in the US (note that "The Sun Always Shines on TV" was a #1 hit in the UK: higher than "Take on Me"). Similarly, Great White is sometimes called a one-hit wonder for "Once Bitten Twice Shy", but "The Angel Song" was also a Top 40 hit. Furthermore, the band had several songs that charted under the Top 40 but did well on genre-specific charts that were quite popular among fans of the hair metal and hard rock genres. Strawberry Alarm Clock's #1 "Incense and Peppermints" so overshadowed their #23 "Tomorrow" that they are often considered a one-hit wonder. The same applies for Falco in the US; his #1 "Rock Me Amadeus" greatly overshadowed its #18 follow-up single "Vienna Calling" in that country. The same is true for German singer Peter Schilling whose international hit "Major Tom (Coming Home)" vastly overshadowed the album it was released on and the titular single from it, "Different Story (World of Lust and Crime)". Billy Ray Cyrus reached #1 with "Achy Breaky Heart" in 1992; although he had many other country hits, he did not return to the Top 40 until 2008 with "Ready, Set, Don't Go"; by that time, he had become better-known as an actor and the father of Miley Cyrus, with whom he stars in the series Hannah Montana. - Some artists had a number of hits chart quite high on Billboard's charts. Yet only one of their songs is remembered after the days of their popularity.
- Performers like Golden Earring, The Foundations, Keith, The Left Banke, Maxine Nightingale, Donna Fargo, A Taste of Honey, Mr. Mister, Johnny Logan, Vanessa Paradis, The Fat Boys, Pilot and Ugly Kid Joe, who produced two major hits before fading into obscurity, are sometimes called "two-hit wonders," but this term is not as common.
- Deutsche Grammophon and Vox Records have both released albums of classical one-hit wonders. The de-facto criterion common to the albums is composers who have a single work that has become popular outside classical circles as several of the composers on both albums are known for multiple works inside classical circles. The works on these albums (or fragments and variations) are frequently heard in movies, television shows and commercials.
Other usesThe term "one-hit wonder" is occasionally used to refer to an artist, other than a musical performer, who is best known for a single work. Examples in literature include Harper Lee's only novel, To Kill a Mockingbird, which sold 30 million copies; and author Joseph Heller, who wrote several novels, but is still best known for Catch-22. Margaret Mitchell never wrote another book after her first novel, Gone With the Wind, was a smash best-seller. The Eye of Argon, Jim Theiss' only work of fiction, is an unusual example: it is famous (or rather infamous) for its lack of quality. The term is also applied to in the film industry: one such case lies in the career of actress Natasha Henstridge, who has yet to match the success of the 1995 film, Species. Classical composers such as Johann Pachelbel, despite being very popular in his time, known today almost solely for ''Pachelbel's Canon, are also sometimes described thus.
In the sports world, there are several athletes known to casual sports fans for one event in their careers. Examples include Bill Mazeroski, who is the only player in Major League Baseball history to end a seventh game of the World Series with a walk-off home run; Paul Henderson, a Canadian ice hockey player who scored the deciding goal in the 1972 Summit Series; and Jimmy Glass, an English football goalkeeper, who is remembered for scoring a goal in the last seconds of the final day of 1998-99 English Third Division that kept his club in The Football League. His subsequently released biography was titled One-Hit Wonder.
In drug culture, the term 'one-hit wonder' is often applied to highly potent specific varieties of substances, such as certain strains of cannabis that require only one "hit" (a single inhalation of smoke), or a "hit" of LSD (a single dose), to achieve the desired psychoactive effects.
Lists of greatest one-hit wondersVH1's list of "100 greatest one-hit wonders"In 2002, the American cable network VH1 aired a countdown of the VH1's 100 Greatest One-hit Wonders, It listed musicians with only one American hit, regardless of international success, which has been substantial and long-lived for musicians like a-ha and Nena (see below). In fact, if the "only one American hit" criterion had been strictly applied, a-ha and Falco would not be eligible for the list, as they each actually had two top-20 US hits—although as noted above their second hits were greatly overshadowed in the US by the prior hit. The same goes for Vanilla Ice: his follow up to his #1 hit was a #4 hit titled, "Play That Funky Music". Gerardo also had another Top 15 hit. Los del Río likewise had two top 40 hits, though both were versions of "Macarena."
The countdown also omitted acts such as Jimi Hendrix and Grateful Dead who, while technically charting with only one single, became too well-known for their entire bodies of work to merit inclusion on the list. They did get mentioned, though, in a short segment of one-hit wonders that had popular followings. The top ten consisted of:
- Los del Río — "Macarena" (1996)
- Soft Cell — "Tainted Love" (1982)
- Dexys Midnight Runners – "Come On Eileen" (1982)
- Right Said Fred — "I'm Too Sexy" (1992)
- Toni Basil — "Mickey" (1982)
- Baha Men — "Who Let the Dogs Out?" (2000)
- Vanilla Ice — "Ice Ice Baby" (1990)
- a-ha — "Take On Me" (1985)
- Gerardo — "Rico Suave" (1991)
- Nena — "99 Luftballons" (1984)
Soft Cell, Dexys Midnight Runners, Right Said Fred, Baha Men, a-ha and Vanilla Ice have had multiple hits in the UK and would therefore not qualify as one-hit wonders. Gerardo has never had any hits in the UK at all, but he is still a highly honored performer in his homeland of Ecuador, as well as in other Latin American countries. This leaves only Toni Basil, Nena and Los del Río from this list as one-hit wonders on both English-speaking sides of the Atlantic, though Nena has continued her success in Germanic countries.
Channel 4's "50 Greatest One Hit Wonders"A 2006 television poll, conducted by Channel 4 in the UK, asked viewers to select their favourite one hit wonder from a shortlist of 60. Respondents could also vote by e-mail to select a song that was not on the original list, if they so wished. The top 50 were:
- "Kung Fu Fighting" — Carl Douglas
- "99 Red Balloons" — Nena
- "Because I Got High" — Afroman
- "Sugar, Sugar" — The Archies
- "Can You Dig It?" — The Mock Turtles
- "Always Look on the Bright Side of Life" — Monty Python
- "Spirit in the Sky" — Doctor and the Medics (also Norman Greenbaum)
- "Who Let the Dogs Out" — Baha Men
- "The Safety Dance" — Men Without Hats
- "Two Pints of Lager and a Packet of Crisps Please" — Splodgenessabounds
- "Groove is in the Heart" — Deee-Lite
- "Trouble" — Shampoo
- "It's Raining Men" — The Weather Girls
- "All by Myself" — Eric Carmen
- "Jilted John" — Jilted John
- "I’ll Be There For You" — The Rembrandts
- "Doctorin' the Tardis" — The Timelords
- "Rock Me Amadeus" — Falco
- "Video Killed the Radio Star" — The Buggles
- "Je t'aime... moi non plus" — Jane Birkin & Serge Gainsbourg
- "Mambo No. 5 (A Little Bit Of…)" — Lou Bega
- "Turning Japanese" — The Vapors
- "Mickey" — Toni Basil
- "Mouldy Old Dough" — Lieutenant Pigeon
- "Pump Up the Volume" — M/A/R/R/S
- "Lovin' You" — Minnie Riperton
- "Axel F" — Harold Faltermeyer
- "Fuck It (I Don't Want You Back)" — Eamon
- "I'm the Urban Spaceman" — The Bonzo Dog Doo-Dah Band
- "Spaceman" — Babylon Zoo
- "My Sharona" — The Knack
- "Shaddap You Face" — Joe Dolce Music Theatre
- "Everybody's Free (To Wear Sunscreen)" — Baz Luhrmann
- "Matchstalk Men and Matchstalk Cats and Dogs (Lowry’s Song)" — Brian & Michael
- "MacArthur Park" — Richard Harris
- "Monster Mash" — Bobby ‘Boris’ Pickett & The Crypt-Kickers
- "Rapper’s Delight" — Sugarhill Gang
- "Fire" — Crazy World of Arthur Brown
- "The One and Only" — Chesney Hawkes
- "Louie, Louie" — The Kingsmen
- "Since Yesterday" — Strawberry Switchblade
- "My Boy Lollipop" — Millie Small
- "Read a Book, Nigga" — D'Mite
- "Stutter Rap (No Sleep Til Bedtime)" — Morris Minor and the Majors
- "Just Say No" — Grange Hill Cast
- "Woo Hoo" — The Rock-A-Teens
- "Japanese Boy" — Aneka
- "Save Your Love" — Renee and Renato
- "Brimful of Asha" — Cornershop
Even this list is riddled with inaccuracies, since at least fifteen of the fifty acts ranked in the Top 50 by the poll had multiple Top 40 hits in the UK singles chart, thus disqualifying them from the appellation 'one-hit wonder', although the success of the other hits was (with one very notable exception) of a lesser measure than those included in the poll:
- Millie reached No. 30 with 'Sweet William' in 1964.
- Lieutenant Pigeon reached No. 17 with 'Desperate Dan' in 1972.
- Carl Douglas reached No. 35 with 'Dance the Kung Fu' in 1974 and No. 25 with 'Run Back' in 1977.
- The Buggles reached No. 16 with 'Living in the Plastic Age' and No. 38 with 'Clean Clean' in 1980.
- Splodgenessabounds reached No. 26 with the double A-side 'Two Little Boys' / 'Horse' in 1980.
- Doctor and the Medics reached No. 29 with 'Burn' in 1986.
- Falco reached No. 10 with 'Vienna Calling' in 1986.
- Deee-Lite reached No. 25 with the double A-side 'Power of Love'/'Deee-Lite Theme' in 1990.
- Chesney Hawkes reached No. 27 with 'I'm a Man Not a Boy' in 1991.
- Shampoo reached No. 27 with 'Viva La Megababes' in 1994, No. 21 with 'Delicious' in 1995, No. 36 with 'Trouble (1995)' in 1995, and No. 25 with 'Girl Power' in 1996, thus notching up no fewer than five hits including two different versions of 'Trouble'.
- Babylon Zoo reached No. 17 with 'Animal Army' and No. 32 with 'The Boy with the X-ray Eyes' in 1996.
- Cornershop reached No. 23 with 'Sleep on the Left Side' in 1998 and No. 37 with 'Lessons Learnt From Rocky I To Rocky III' in 2002.
- Baha Men reached No. 14 with 'You All Dat' in 2001 and No. 16 with 'Move It Like This' in 2002.
- Afroman reached No. 10 with 'Crazy Rap' in 2002.
- Eamon (featuring Ghostface) reached No. 27 with 'Love Them' in 2004.
- Eric Carmen charted many times in his prior career with The Raspberries, and as a solo act, although he was far more successful in his native U.S. A decade after "All By Myself", he returned to prominence through his work on the Dirty Dancing soundtrack, charting with "Hungry Eyes" and also writing "Almost Paradise", a hit for Mike Reno and Ann Wilson.
- Most notably, The Timelords reached the UK Top 40 eight times—once under that name; once as The Justified Ancients of Mu Mu; once as 2K; and five times, including one #1, under their best-known name, The KLF.
"20 to 1: One Hit Wonders"In 2005, the Australian series 20 to 1 aired their episode 20 to 1: One Hit Wonders, a list of songs that had been the only one by that artist to have success in Australia.
C4's UChoose40: One Hit WondersIn September 2006, New Zealand's terrestrial music channel, C4, aired an episode dedicated to "One Hit Wonders" on the weekly theme-based chart show, UChoose40, where the chart was ranked entirely by viewer's votes from the website. Moreover, Meredith Brooks's hit single "Bitch" was mentioned on the candidates list but failed to make the Top 40.
The top ten ranking are as follows:
- "The Final Countdown" — Europe (1986)
- "Teenage Dirtbag" — Wheatus (2000)
- "How Bizarre" — OMC (1996)
- "Because I Got High" — Afroman (2001)
- "Ice Ice Baby" — Vanilla Ice (1990)
- "Eye of the Tiger" — Survivor (1982)
- "Tubthumping" — Chumbawamba (1997)
- "My Sharona" — The Knack (1979)
- "Video Killed the Radio Star" — The Buggles (1979)
- "Who Let the Dogs Out?" — Baha Men (2000)
- "I Touch Myself" — Divinyls (1991)
Classical music one-hit wondersDeutsche Grammophon and Vox Records have both released albums of classical one-hit wonders. Many of the works on the CDs are from composers who have two or more works that are popular in classical music circles but have a single work that has become popular outside these circles. The works will be familiar to most people because they have been used in commercials or in movies and television shows. The two CDs differ but the works common to both are:
- Johann Pachelbel — Canon in D
- Samuel Barber — Adagio for Strings
- attrib. Tomaso Albinoni — Adagio in G minor (this was actually written by Remo Giazotto and contains no Albinoni material)
- Jean-Joseph Mouret — Rondeau from Symphonies and Fanfares for the King's Supper (theme to Masterpiece, formerly Masterpiece Theatre)
- Luigi Boccherini — minuet from String Quintet in E
- Jeremiah Clarke — "Trumpet Voluntary", more properly known as "Prince of Denmark's March"
- Jules Massenet — Meditation from his opera "Thais"
- Pietro Mascagni — "Cavalleria rusticana"
- Léo Delibes — "The Flower Duet" from the opera Lakmé
- Mikhail Ippolitov-Ivanov — "Caucasian Sketches"
- Amilcare Ponchielli — "Dance of the Hours" from the opera "La Gioconda"
- Charles-Marie Widor — Toccata from Symphony for Organ No. 5
- Aram Khachaturian — "Sabre Dance" from the ballet "Gayane"
- Marc-Antoine Charpentier — Te Deum
Two-hit wondersSome artists have managed to gain recognition for just two songs based on one or more of the above descriptions, and are often referred to as two-hit wonders. Though this term is not official in the music industry, the term is used by many fans. Two-hit titan is another term with the same meaning. There are some situations where a artist or group would have a long and lasting following and populartity but technically only had 1 or 2 singles that became chart hits. Notable examples of two-hit wonders in the United States include:
- A Taste of Honey — "Boogie Oogie Oogie" (#1 in 1978) and "Sukiyaki" (#3 in 1981)
- The Left Banke — "Walk Away Renee" (#5 in 1966) and "Pretty Ballerina" (#15 in 1967)
- Strawberry Alarm Clock — "Incense and Peppermints" (#1 in 1967) and "Tomorrow" (#23 in 1968)
- Crispian St. Peters — "The Pied Piper" (#4 in 1966) and "You Were on My Mind" (#36 in 1967)
- Surfaris — "Wipeout" and "Surfer Joe"
- Bobby Hebb — "Sunny" (#2) and "A Satisfied Mind" (#39, both in 1966)
- Blaque — "808" (#8 in 1999) and "Bring It All To Me" (#4 in 2000)
- Paula Cole — "Where Have All the Cowboys Gone" (#8 in 1997) and "I Don't Want to Wait" (#11 in 1998)
- Crowded House — "Don't Dream Its Over" (#2) and "Something So Strong" (#8, both in 1987)
- Johnny Hates Jazz — "Shattered Dreams" (#2) and "I Don't Want to be a Hero" (#32, both in 1988)
- Tara Kemp — "Hold You Tight" (#3 in 1990) and "Piece of My Heart" (#7 in 1991)
- Tommy Tutone — "Angel Say No" (#38 in 1980) and "867-5309/Jenny" (#4 in 1982)
- Maxine Nightingale — "Right Back Where We Started From" (#2 in 1976) and "Lead Me On" (#5 in 1979)
- Marc Anthony — "I Need to Know" (#3 in 1999) and "You Sang to Me" (#2 in 2000)
- Neneh Cherry — "Buffalo Stance" (#3) and "Kisses on the Wind" (#8, both in 1989)
- Sophie B. Hawkins — "Damn I Wish I Was Your Lover" (#5 in 1992) and "As I Lay Me Down" (#6 in 1995)
- Edwin McCain — "I'll Be" (#5 in 1998) and "I Could Not Ask for More" (#37 in 1999)
- Tone Loc — "Wild Thing" (#2 in 1988) and "Funky Cold Medina" (#3 in 1989)
- Vertical Horizon — "Everything You Want" (#1) and "You're A God" (#23, both in 2000)
- Billy Ray Cyrus- "Achy Breaky Heart" (#4 in 1992) and "Ready, Set, Don't Go" (version with his daughter Miley Cyrus, #37 in 2008)
- Sgt. Barry Sadler — "The Ballad of the Green Berets" (#1) and "The "A" Team" (#30, both in 1966)
- Quiet Riot — "Cum On Feel the Noize" (#5) and "Metal Health (Bang Your Head)" (#31, both in 1983)
- Ratt — "Round and Round" (#12 in 1984) and "Lay It Down" (#40 in 1985)
- Great White — "Once Bitten, Twice Shy" (#5) and "The Angel Song" (#30, both in 1989)
- The Troggs — "Wild Thing" (#1 in 1966) and "Love Is All Around" (#7 in 1968)
- Kix — "Don't Close Your Eyes" (#11 in 1989) and "Girl Money" (#25 in 1991)
- Slade — "My Oh My" (#37 in 1983) and "Run Runaway" (#20 in 1984)
- Damn Yankees — "High Enough" (#3 in 1990) and "Where You Goin' Now" (#20 in 1992)
- Matthew Wilder — "Break My Stride" (#5) and "The Kid's American" (#33, both in 1984)
- White Lion — "Wait" (#8) and "When the Children Cry" (#3, both in 1988)
- Jefferson Airplane — "Somebody to Love" (#5) and "White Rabbit" (#8, both in 1967)
[Billboard chart positions for Jefferson Airplane singles at All Music Guide] - The Cyrkle — "Red Rubber Ball" (#2 in 1966) and "Turn-Down Day" (#16 in 1966)
- Edgar Winter — "Free Ride" (#14) and "Frankenstein" (#1, both in 1973)
- Alias — "More Than Words Can Say" (#2 in 1990) and "Waiting For Love" (#13 in 1991)
- Mims — "This Is Why I'm Hot" (#1 in 2007) and "Like This" (featuring Rasheeda, #32 in 2007)
- 311 — "Down" (#37, Hot 100 Airplay) and "All Mixed Up" (#36, Hot 100 Airplay, both in 1996)
- The Black Crowes — "Hard to Handle" (#26 in 1990) and "She Talks to Angels" (#30 in 1991)
- Buddy Jewell — "Help Pour Out the Rain (Lacey's Song)" (#29 in 2003) and "Sweet Southern Comfort" (#40 in 2004)
- Extreme — "More Than Words" (#1) and "Hole Hearted" (#4, both in 1991)
- Lita Ford — "Kiss Me Deadly" (#12 in 1988) and "Close My Eyes Forever" (#8 with Ozzy Osbourne in 1989)
- Vixen — "Edge of a Broken Heart" (#26) and "Cryin'" (#22, both in 1988)
- Steve Holy — "Good Morning Beautiful" (#29) and "Brand New Girlfriend" (#40)
- Simple Plan — "Perfect" (#24 in 2003) and "Welcome to My Life" (#40 in 2004)
- Sixpence None the Richer — "Kiss Me" (#2) and "There She Goes" (#32, both in 1999)
- Plain White T's — "Hey There Delilah" (#1 in 2007) and "1, 2, 3, 4" (#34 in 2008)
- Falco — "Rock Me Amadeus" (#1 in 1986) and "Vienna Calling" (#18 in 1986)
NB: The peak positions shown are in the Billboard Hot 100 only and do not hold true in other countries. For example, some of these artists have had more than two hits in other countries:
- Neneh Cherry has had nine distinct solo Top 40 hits in the UK and Sophie B. Hawkins four.
- Marc Anthony has had continued success in Latin American countries, as well as the Latin music market in the US.
- Pink Floyd had eight top 40 hits in their native UK.
- Crowded House had multiple top 40 singles and albums in Australia and New Zealand.
- Falco had massive success in German-speaking countries, with two singles reaching #1 in both his native Austria and Germany, a third hitting #1 in both countries and in Switzerland, and a fourth hitting #1 in Germany only.
By contrast, others have had only one hit in another major market:
- A Taste of Honey charted in the UK with "Boogie Oogie Oogie" only.
- Wang Chung's only Top 40 hit in their native UK was "Dance Hall Days".
Still others have had two but not both the same songs:
- In the UK, Billy Ray Cyrus charted with "Achy Breaky Heart" and "Could've Been Me" in 1992, but did not chart in 2008 at all.
The peak positions also do not hold true for other charts in the US, For example:
- Vertical Horizon has since charted on the Billboard Adult Top 40 several times.
- Billy Ray Cyrus had five top-10 country hits between the two named hits, and several other Top 40 country hits.
- Buddy Jewell has had four Top 40 country hits.
- Steve Holy has had ten top 40 country hits.
Because of the methodology used in compiling this list, spin-off or successor acts are considered as separate from the originals, even though the later acts may be seen by the wider public as connected to the original act. For example, several members of the original Jefferson Airplane formed the spinoff band Jefferson Starship, which had two Top 10 hits under that name, and three #1s plus another Top 10 as Starship.
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