The most fantastic modern dub from West Country reclusive genius Ott, whos album really is over the top in quality, depth and shinning brilliance. Spacey strings, chants, otherworldly noises and pertinent samples collide with his massive rub a dub beats and bass. Otts music is a world to its own, a pure undiluted atmospheric world of swirling stoned sound and colour. Indian to Arabic to African Otts dubs are boundaryless and boundless in their, scope and strength. Otts music is a paradox of dub, not stereotypically slow heavy sounds but at once an upbeat dancey dub full of light, world chants and funky beats, while still maintaining a slow and relaxed ambient groove. Following on from his Hallucinogen In Dub album (TWSCD16) for Twisted Records this solo album is a selection of clean hard grooves and the best dub studio skills, echo, delay, phasing, instruments popping up out of the murk and then submerging again, skills of which Ott is a particular maestro. Ott is no stranger to the studio, he has for the last 20 years been producing arranging and recording some of the most famous artists including Sinead O'Connor, The Orb, and Brian Eno. Working in a wide range of the best studios in the land from SARM East and West, Real World, and Ridge Farm to Foel in Wales. He has been interviewed in the producers/engineers bible Sound on Sound and is currently managed by Strongroom Management UK. He continues to work with many famous artists and along his travels has met up with our own master producer Simon Posford aka Hallucinogen, editing Shpongle. After hearing his studio skills Simon commissioned him to make this modern dub album as an antithesis to his own hurtling trance music. The results are as you shall see are startling, a stunning example of modern dub and one that is massive with all dance music and ambient music fans across the globe.

Following the success of her previous Deutsche Grammophon recordings, Alice Sara Ott embraces two masterworks of piano literature: Beethoven's Sonatas in C major, reflecting different phases of the composer's life.

Both C major sonatas on this album have been in Alice Sara Ott's repertoire since her early teens and she feels that recording them now is testimony to her regard for Beethoven and of her ability to present a personal and artistic statement of these works

Sonata op. 2 no. 3, written when Beethoven was in his mid-twenties, is full of youthful spirit, wit, and force. The "Waldstein" op. 53 was composed in his thirties when Beethoven was struggling with impending deafness

Additionally, Alice Sara Ott selected the fierce Rondo "Rage over a Lost Penny," dating from Sonata op. 2's time, and the beautiful Andante favori, originally written as the "Waldstein"'s slow movement

Already a star in Japan, "piano-wonder" (Hamburger Abendblatt) Alice Sara Ott will conquer the entire world of music with her Deutsche Grammophon recording of Liszt's twelve Etudes.

This collection of immortal piano gems fits Alice Sara Ott's talents like the proverbial glove. Her colorful, vital playing reveals the spectrum of her artistry and musicality

Alice Sara Ott's triumphant recital at Munich's Herkulessaal in January 2007, performing Beethoven and Liszt, occasioned the Sddeutsche Zeitung to rave that "Ott lends a personal, almost overwhelming poetic charm to this splendid music, transporting her listeners into ecstatic delight". Her recent concerts in Germany led to similar raving reviews, spear-headed by Hamburger Abendblatt which called her "a pianist of devilish talent"

Already a star in Japan, piano-wonder (Hamburger Abendblatt) Alice Sara Ott introduces herself to the entire world of music with her International Deutsche Grammophon debut album--the complete Chopin Waltzes. Ott, though barely out of her teens, continually impresses critics and audiences alike with her recitals throughout Europe and Japan. She will make her US orchestral debut in Cincinnati with the Liszt Piano Concerto no. 1. The young pianist is surely a rising star to watch, and this recital of Chopin gems is the perfect introduction to her artistry.

Carey Ott has had the success in a few short months that most artists hope for in their entire careers. Two music placements in the second season of ABC's "Grey's Anatomy", another slot in Fox's new show "Kyle XY", the #1 most downloaded slot at eMusic.com, and an advertising/cross promotion with Sony and Coors. This album serves as the perfect introduction to an artist who continues to draw comparisons to Radiohead, Death Cab For Cutie, Coldplay, and Oasis.