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Don't believe the hype: Bad Boy Records did not invent the remix, the company has just done a good job using it. But the past is the past. Don't come here if you're looking for Puffy's earlier groundbreaking work with the likes of Jodeci and Super Cat. The "hits" here are of a more recent vintage, and if these remixes are any indication, it seems Diddy has reached the bottom of his bag of tricks. Screeching bells, Ghostface Killah, and the return of the MacK (Craig Mack) give G. Dep's "Special Delivery" (from last year's Child of the Ghetto) that hyped Bad Boy flavor of yore, but it's all downhill from there. Lines like "We used to drive the whole city wild" make listening to "I Need a Girl," Puffy's maudlin ode to ex-squeeze J. Lo, a cringe-inducing experience, and the producer-rapper's painfully weak rhyme ruins Mary J. Blige's "No More Drama." Most disturbing is Puffy's crass opportunism: Biggie's "voice from the grave" duet with Ashanti (on "Unfoolish") is downright creepy and ultimately unnecessary. --Rebecca Levine

P. Diddy Goes House on "Let's Get Ill" featuring Kelis. With Remixes by Deep Dish and Darren Emerson, this is One Dirty, Funky House Monster!

No one says it better than Diddy himself--"Press Play is based on all my musical experiences - from the Uptown era, when I was working with Jodeci, Mary J. Blige, and Heavy D...to the Biggie, 112, Mase, Total, and No Way Out era. As time evolved, and I started traveling around the world and going into dance and techno clubs, I began to see music from a global point of view. It all came together on Press Play, all those sounds in my head. I've evolved, studied the game, been a part of it, had success. It all comes down to press play. After you press play, it's gonna make or break you in this game." A year in the making, Press Play finds Diddy joined by a who's who of contemporary artists and producers. Among the guest performers are: Christina Aguilera, Mary J. Blige, Jamie Foxx, Big Boi, Brandi, Keyshia Cole, Nas, Fergie, Avant, and Pharoah Monch. Diddy was joined on the production side by the likes of Kanye West, Just Blaze, Pharrell Williams, Havoc from Mobb Deep, Will.I.Am, Rich Harrison, among others.

Don't believe the hype: Bad Boy Records did not invent the remix, the company has just done a good job using it. But the past is the past. Don't come here if you're looking for Puffy's earlier groundbreaking work with the likes of Jodeci and Super Cat. The "hits" here are of a more recent vintage, and if these remixes are any indication, it seems Diddy has reached the bottom of his bag of tricks. Screeching bells, Ghostface Killah, and the return of the MacK (Craig Mack) give G. Dep's "Special Delivery" (from last year's Child of the Ghetto) that hyped Bad Boy flavor of yore, but it's all downhill from there. Lines like "We used to drive the whole city wild" make listening to "I Need a Girl," Puffy's maudlin ode to ex-squeeze J. Lo, a cringe-inducing experience, and the producer-rapper's painfully weak rhyme ruins Mary J. Blige's "No More Drama." Most disturbing is Puffy's crass opportunism: Biggie's "voice from the grave" duet with Ashanti (on "Unfoolish") is downright creepy and ultimately unnecessary. --Rebecca Levine

2007 UK pressing of this CD single from P.Diddy featuring the exquisite vocals of guest Keyshia Cole. Taken from Diddy's hit album Press Play. Features 'Last Night' (Radio Edit) plus 'Tell Me' featuring Christina Aguilera (DFA Remix Radio Edit). Atlantic.