Nonesuch Records releases What's It All About - a solo acoustic album from guitarist and composer Pat Metheny - on June 14, 2011. After nearly 40 recordings under his name, this marks the first time there is not a single Metheny composition represented. Rather, What's It All About comprises 10 classic songs, some very well known, that hold personal meanings for the guitarist.

Following the Grammy winning 2001 solo acoustic record One Quiet Night, Metheny began regularly playing the specially tuned baritone guitar he used on that album in the breaks between sound check and the show when he was on the road. "Almost every day as I worked through one well-known tune or another, various visitors or local crew people would come up to me and ask which record it was on, and I would have to say that I had never made a record like that," Metheny says. "And over the years, I have had it in the back of my mind that I should do an album of some of those tunes at some point".

As with One Quiet Night, Metheny recorded the songs on What's It All About late at night, in his New York City home over a short period of time. In selecting which ones to put to tape, Metheny says: "I wanted to record some of the music that was on my radar before I ever wrote a note of my own, or in a few cases, even before I played an instrument. I was born in 1954 and all of these songs were in the Top 40 during my childhood and early teen years. It was a period when harmony and melody were still important and viable elements in popular music. Every one of these tunes has something going on that is just hip on a musical level, no matter how you cut it. They have all stuck with me over the years".

Most of the record was made using the acoustic baritone guitar, with three exceptions: Paul Simon's "The Sound of Silence" is played on a 42-string custom made "Pikasso" guitar, Bob Spickard and Brian Carman's "Pipeline" is played on a six-string, and John Lennon and Paul McCartney's "And I Love Her" is played on a nylon string guitar.

Pat Metheny's 1999 duo collaboration with Jim Hall, whom Metheny has called the "father of modern guitar playing," features 17 tracks reissued for the first time on Nonesuch - original tunes from each guitarist, several improvisations captured in the studio, plus six tunes recorded live in concert, including Gershwin's "Summertime." "The excellence of the playing is the heart of the matter," says the Philadelphia Inquirer. "It's a privilege to listen in." The Los Angeles Times calls it
"extraordinary."

No Description Available.
Genre: Jazz Music
Media Format: Compact Disk
Rating:
Release Date: 5-MAY-2009

*Artist: PAT METHENY GROUP *Genre: Jazz Music *Release Date: 7-FEB-2006

Grammy Award-winning composer-guitarist Pat Metheny s Orchestrion may turn out to be his most talked-about, argued-over undertaking. It s already his most adventurous. With Orchestrion, Metheny redefines the concept of the solo album. He is indeed the only live musician on this recording, but it s the opposite of, say, his 2003 One Quiet Night, in which Metheny hunkered down in his home studio to explore all the musical possibilities of one new guitar. Here he works with an extraordinary set-up of acoustic instruments, assembled for him by a visionary team of inventors. What they have created in collaboration with Metheny is a veritable made-to-order solenoid orchestra that includes, among other things, bass, pianos, percussion, marimbas, guitar-bots, and a mellifluous cabinet of carefully tuned bottles. Using one-of-a-kind software programs and solenoid switches, Metheny controls each instrument via his guitar and an array of pedals.

Orchestrion was influenced by the primitive but evocative player-piano technology of yesteryear that has fascinated Metheny since he was a child. The player piano inspired inventors of that age to create the orchestrion, a large mechanical multi-instrument device that imitated the sound of an orchestra. Metheny brings this concept into the 21st century, composing and playing five ambitious pieces with his tailor-made, sophisticated, musically dynamic ensemble. Orchestrionics is what Metheny calls this new method of performing. The resulting album, recorded in midtown Manhattan s MSR studio after months of experimentation at home, is a marvel of the digital era, yet the record sounds beautifully, stirringly, human. In other words, timeless.

To witness Metheny improvising on guitar while surrounded by these instruments, digitally triggered to play the scores that Metheny has painstakingly written for each of them, is indeed a wonder. Eager fans have already made sell-outs of the first dates of Metheny s Orchestrion tour. But hearing is truly believing: there is not a single note on Orchestrion that sounds mechanical, and some tracks, like Expansion, have a thrillingly improvisational feel to them.

Metheny has gone into uncharted territory: every day in the studio with these instruments was a revelation as he began to comprehend what they were capable of musically and, more importantly, what he himself could achieve in their presence. They were not a substitute for the interaction of other players and this does not signal a shift from Metheny s other collaborative ventures. In fact, Metheny most recently proved his love for ensemble playing with his 2008 tour-de-force trio release, Day Trip.

Orchestrion is all about innovation. As Metheny puts it, This experience so far has provided me with a self-imposed challenge that has proven to be enormously difficult and time-consuming, but the early results have been absolutely exhilarating. I am excited to share this project... I am hopeful and confident that if nothing else, this will be something truly unique. It feels like progress to me and has gotten some notes out of me that I didn't know were there. That is always a good thing.

No Description Available
No Track Information Available
Media Type: CD
Artist: METHENY,PAT
Title: BRIGHT SIZE LIFE
Street Release Date: 02/29/2000
Domestic
Genre: JAZZ

No Description Available
No Track Information Available
Media Type: CD
Artist: METHENY,PAT
Title: OFFRAMP
Street Release Date: 11/16/1999
Domestic
Genre: JAZZ

The New York Times called Pat Metheny's 1992 Grammy Award-winning Secret Story the most sweepingly ambitious album that the jazz guitarist has yet recorded...a nearly 80-minute world-music suite with symphonic underpinnings. If the album functioned then, in the words of critic Stephen Holden, as part travelogue and part soundtrack for a nonexistent film, then this expanded and re-mastered edition can best be described as the director's cut. Composer and guitarist Metheny revisited and restored five previously unreleased tracks in the studio over the last year, and he's collected them on a bonus disc. More pastoral in tone than most of the original material on Secret Story and with a decidedly cinematic, orchestral feel these tracks are like the deleted scenes from a deeply evocative yet wordless narrative feature. Back in '92, Metheny declared that Secret Story was unlike anything I've ever done. It's the largest in scope - 80 people were involved in the record - but it's also the most intimate record I've done.