Residing somewhere between Black Flag and Black Sabbath, Red Fang recall a time when rock was more urgent and a little horrifying. Synthesizing a variety of heavy music influences and their own distinct musical identity, the band can easily shift from barn-burning punk to mid-tempo, hyperdistorted bass destruction all while maintaining a cohesive sound. Red Fang create gigantic rock songs that are easy to listen to (not easy listening, mind you) and qualifies the simultaneous usage of both the thinking and the banging head, which are usually mutually exclusive.

2011 album from the kick-ass heavy rock quartet. On Murder The Mountains, Red Fang wave a middle finger at fashion and bet the proverbial house on substance over style. The incredible "Wires", "Number Thirteen", "Hank Is Dead", and "The Undertow" are just a few of an onslaught of highlights on this front-to-back set of great f%$king songs.

2011 album from the kick-ass heavy rock quartet. On Murder The Mountains, Red Fang wave a middle finger at fashion and bet the proverbial house on substance over style. The incredible "Wires", "Number Thirteen", "Hank Is Dead", and "The Undertow" are just a few of an onslaught of highlights on this front-to-back set of great f%$king songs.

Residing somewhere between Black Flag and Black Sabbath, Red Fang recall a time when rock was more urgent and a little horrifying. Synthesizing a variety of heavy music influences and their own distinct musical identity, the band can easily shift from barn-burning punk to mid-tempo, hyperdistorted bass destruction all while maintaining a cohesive sound. Red Fang create gigantic rock songs that are easy to listen to (not easy listening, mind you) and qualifies the simultaneous usage of both the thinking and the banging head, which are usually mutually exclusive.