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Biography
AboutUse mdy dates|date=May 2011Infobox musical artist| name = Talking Heads| image = Talking Heads band1.jpg| caption = Talking Heads performing at the Horseshoe Tavern in Toronto, Canada on May 13, 1978| image_size = 250| landscape = Yes| background = group_or_band| origin = New York City, New York, United States| years_active = 1975–1991, 2002| genre = Post-punk , New Wave music|New Wave , dance-rock , funk music|funk | label = Sire Records|Sire / Warner Bros. Records , EMI | associated_acts = Tom Tom Club | past_members = David Byrne Chris Frantz Tina Weymouth Jerry Harrison Talking Heads was an American New Wave music|New Wave and avant-garde music|avant-garde band formed in 1975 in New York City http://www.rockhall.com/inductee/talking-heads Talking Heads Rock and Roll Hall of Fame , retrieved November 23, 2008 and active until 1991. The band comprised David Byrne , Chris Frantz , Tina Weymouth and Jerry Harrison . Auxiliary musicians also regularly made appearances in concert and on the group's albums.
The New Wave style of Talking Heads combined elements of punk rock|punk , art rock , avant-garde, pop music|pop , funk , world music , and Americana (music)|Americana . Frontman and songwriter David Byrne contributed whimsical, esoteric lyrics to the band's songs, and emphasized their showmanship through various multimedia projects and performances. Critic Stephen Thomas Erlewine describes Talking Heads as being "one of the most critically acclaimed bands of the '80s, while managing to earn several pop hits."Allmusic|class=artist|id=p5594|pure_url=yes Talking Heads biography at allmusic
In 2002, the band was inducted into the Rock and Roll Hall of Fame . Four of the band's albums appeared on Rolling Stone magazine's 2003 list of the 500 Greatest Albums of All Time , and the Channel 4 100 Greatest Albums poll listed one album ( Fear of Music (album)|Fear of Music ) at number 76. In a 2011 update of Rolling Stone s "100 Greatest Artists of All Time", the band was ranked 100.
History
1974–1977: First years
David Byrne, Chris Frantz and Tina Weymouth were alumni of the Rhode Island School of Design in Providence, Rhode Island . There Byrne and Frantz formed a band called "The Artistics" in 1974.Gittins, Ian, Talking Heads: Once in a Lifetime : the Stories Behind Every Song , Hal Leonard Corporation, 2004, p.140 ISBN 0-634-08033-4, 9780634080333 Weymouth was Frantz's girlfriend and often provided the band with transportation. The Artistics dissolved within a year, and the three moved to New York, eventually sharing a communal loft.Simon Reynolds. Rip It up and Start Again: Postpunk 1978–1984 . Penguin books (2005) pp. 159. Unable to find a bass player in New York City, Frantz encouraged Weymouth to learn to play bass by listening to Suzi Quatro albums. http://web.archive.org/web/20081206031839/ http://www.bassplayer.com/article/tina-weymouth/mar-97/5958 Tina Talks Heads, Tom Toms, and How to Succeed at Bass Without Really Trying Gregory Isola, Bass Player (magazine)|Bass Player , retrieved December 6, 2008 They played their first gig as "Talking Heads" opening for the Ramones at CBGB on June 20, 1975.
In a later interview, Weymouth recalled how the group chose the name Talking Heads: "A friend had found the name in the TV Guide , which explained the term used by TV studios to describe a head-and-shoulder shot of a person talking as 'all content, no action.' It fit."Weymouth, Tina (1992). In Sand in the Vaseline (p. 12) CD liner notes. New York: Sire Records Company
Later in 1975, the trio recorded a series of demos for CBS, but the band was not signed to the label. They quickly drew a following and were signed to Sire Records in 1977. The group released their first single, " Love ? Building on Fire " in February of that year. In March 1977, they added Jerry Harrison (guitar, keyboards, Backing vocalist|vocals ), formerly of Jonathan Richman 's band The Modern Lovers .
Their first album, Talking Heads: 77 , which did not contain the earlier single, was released soon thereafter.
1978–1982
It was with their second album, 1978's More Songs About Buildings and Food that the band began its long-term collaboration with producer Brian Eno , who had previously worked with Roxy Music , David Bowie , Iggy Pop and Robert Fripp ; the title of Eno's 1977 song "King's Lead Hat" is an anagram of the band's name. Eno's unusual style meshed well with the group's artistic sensibilities, and they began to explore an increasingly diverse range of musical directions, from post-punk to New Wave to psychedelic funk.Simon Reynolds. Rip It up and Start Again: Postpunk 1978–1984 . Penguin books (2005) p. 163. This recording also established the band's long term recording studio relationship with the famous Compass Point Studios in Nassau, Bahamas . " Psycho Killer ", from the debut album, had been a minor hit. However, with the help of a Saturday Night Live appearance in February 1979, http://snltranscripts.jt.org/78/78k.phtml SNL Transcripts, February 10, 1979 (performances of "Take Me to the River" and "Artists Only"), accessed November 7, 2010. it was More Songs... cover of Al Green 's " Take Me to the River " that broke Talking Heads into general public consciousness, and gave the band their first Billboard Top 30 hit.
The Eno-Talking Heads experimentation continued with 1979's Fear of Music (album)|Fear of Music , which flirted with the darker stylings of post-punk rock, mixed with white funkadelia and subliminal references to the geopolitical instability of the late 1970s. Simon Reynolds. Rip It up and Start Again: Postpunk 1978–1984 . Penguin books (2005) pp. 163. Music journalist Simon Reynolds cited Fear of Music as representing the Eno-Talking Heads collaboration "at its most mutually fruitful and equitable." Simon Reynolds. Rip It up and Start Again: Postpunk 1978–1984 . Penguin books (2005) pp. 163–164. The single " Life During Wartime (song)|Life During Wartime " produced the catchphrase, "This ain't no party, this ain't no disco."citation needed|date=November 2010 The song refers to the Mudd Club and CBGB , two popular New York nightclubs of the time.
1980's Remain in Light , heavily influenced by the afrobeat of Nigeria n bandleader Fela Kuti , to whose music Eno had introduced the band, explored West African polyrhythm s, weaving these together with Arabic music from North Africa, disco funk, and 'found' voices.Simon Reynolds. Rip It up and Start Again: Postpunk 1978–1984 . Penguin books (2005) p. 165. These combinations foreshadowed Byrne's later interest in world music . In order to perform these more complex arrangements the band toured with an expanded group, first at the Heatwave (festival)|Heatwave festival in August, and later in their concert film Stop Making Sense . During this period, Tina Weymouth and Chris Frantz also formed a commercially successful splinter group, the hip-hop influenced Tom Tom Club , and Harrison released The Red and the Black (album)|his first solo record . Likewise, Byrne – in collaboration with Eno – released My Life in the Bush of Ghosts (album)|My Life in the Bush of Ghosts , which incorporated world music, 'found' sounds, and included a number of other prominent international and post-punk musicians. All were released by Sire.
The Remain in Light album's lead single, " Once in a Lifetime (Talking Heads song)|Once in a Lifetime ", became a Top 20 hit in the UK but initially failed to make an impression upon its release in the band's own country. But it grew into a popular standard over the next few years on the strength of its music video. Simon Reynolds. Rip It up and Start Again: Postpunk 1978–1984 . Penguin books (2005) p. 169.
After releasing four albums in barely four years, the group went into hiatus and nearly three years passed before their next release, although Frantz and Weymouth continued to record with the Tom Tom Club. In the meantime, Talking Heads released a live album, The Name of This Band Is Talking Heads , toured the United States and Europe as an eight-piece group, and parted ways with Eno, Simon Reynolds. Rip It up and Start Again: Postpunk 1978–1984 . Penguin books (2005) pp. 169–170. who went on to produce albums with U2 .
1983–1991
1983 saw the release of Speaking in Tongues (Talking Heads album)|Speaking in Tongues , a commercial breakthrough that produced the band's only American Top 10 hit, " Burning Down the House ". Once again, a striking video was inescapable owing to its heavy rotation on MTV. The following tour was documented in Jonathan Demme 's Stop Making Sense , which generated another Stop Making Sense (album)|live album of the same name . The Speaking in Tongues tour was their last.
Three more albums followed: 1985's Little Creatures (album)|Little Creatures (which featured the hit singles " And She Was " and " Road to Nowhere "), 1986's True Stories (Talking Heads album)|True Stories (Talking Heads covering all the soundtrack songs of Byrne's True Stories (film)|musical comedy film , in which the band also appeared), and 1988's Naked (Talking Heads album)|Naked . The sound of Little Creatures and True Stories was much more American pop-rock, while Naked showed heavy African influence with polyrhythmic styles like those seen on Remain in Light . During that time the group was falling increasingly under David Byrne's control, and after Naked the band went on "hiatus".
It took until 1991 for an official announcement to be made that Talking Heads had broken up. A brief reunion occurred, however, later that year for "Sax and Violins," an original single that appeared on the soundtrack to Wim Wenders ' Until the End of the World . Only Byrne and Harrison appear in the song's video, however, lending doubt to Frantz and Weymouth's participation on the track. During this breakup period, Byrne continued his solo career, releasing Rei Momo in 1989 and The Forest (album)| The Forest in 1991. This period also saw a revived flourish from both Tom Tom Club ( Boom Boom Chi Boom Boom and Dark Sneak Love Action ) and Harrison ( Casual Gods and Walk on Water (Jerry Harrison album)|Walk on Water ).
1992–2002: Post break-up and final reunion
Despite David Byrne's lack of interest in another album, Tina Weymouth, Chris Frantz, and Jerry Harrison reunited for a one-off album called No Talking, Just Head under the name The Heads in 1996. The album featured a number of vocalists including Debbie Harry of Blondie (band)|Blondie , Johnette Napolitano of Concrete Blonde , Andy Partridge of XTC , Gordon Gano of Violent Femmes , Michael Hutchence of INXS, Ed Kowalczyk of Live (band)|Live , Shaun Ryder of Happy Mondays , Richard Hell , and Maria McKee . The album was accompanied by a tour which featured Johnette Napolitano as the vocalist. Byrne took legal action against the rest of the band to prevent them using the name "Talking Heads", something he saw as "a pretty obvious attempt to cash in on the Talking Heads name."cite web |url= http://www.davidbyrne.com/music/cds/feelings/feelings_press/feelings_RollingStone_interview.php |title=Byrne-ing Down the House|author=Levine, Robert |date=June 26, 1997|work=Rolling Stone |publisher=DavidByrne.com |accessdate=October 31, 2009 They opted to record and tour as "The Heads".
Byrne has continued his solo career, while Harrison has become a producer of some note& nbsp;– the latter's résumé includes the Violent Femmes ' The Blind Leading the Naked , the Fine Young Cannibals ' The Raw and the Cooked (album)|The Raw and the Cooked , General Public 's Rub It Better , Crash Test Dummies ' God Shuffled His Feet , Live (band)|Live 's Throwing Copper , No Doubt 's song "New" from Return of Saturn , and most recentlywhen|date=May 2011 work by The Black and White Years and Kenny Wayne Shepherd .
Frantz and Weymouth, who were married in 1977, had been recording on the side as Tom Tom Club since 1981. Tom Tom Club's self-titled debut album sold almost as well as Talking Heads themselves, leading to the band appearing in Stop Making Sense . They achieved several pop/rap hits during the dance-club cultural boom era of the early 1980s, particularly in the UK, where they still enjoy a strong fan following today. Their best-known single, " Genius of Love ", has been sampled numerous times, notably on old school hip hop classic "It's Nasty (Genius of Love)" by Grandmaster Flash and on Mariah Carey 's 1995 hit " Fantasy (Mariah Carey song)|Fantasy ". They also have produced several artists, including Happy Mondays and Ziggy Marley . The Tom Tom Club continue to record and tour intermittently, although commercial releases have become sporadic since 1991.
The band played "Life During Wartime", "Psycho Killer" and "Burning Down the House" together on March 18, 2002, at the ceremony of their induction into the Rock and Roll Hall of Fame . However, reuniting for a concert tour is unlikely. David Byrne states: "We did have a lot of bad blood go down. That's one reason, and another is that musically we're just miles apart."cite news |last=Blackman |first=Guy |url= http://www.theage.com.au/news/Music/Byrning-down-the-house/2005/02/04/1107476787488.html |title=Byrning down the house |work=The Age |location=Australia|date=February 6, 2005|accessdate=October 3, 2009 Weymouth has been critical of David Byrne, describing him as "a man incapable of returning friendship" and that he doesn't "love" her, Frantz, and Harrison.cite web|url= http://www.bassplayer.com/article/tina-weymouth/mar-97/5958 |title=BassPlayer article |publisher=BassPlayer |date= |accessdate=2011-09-14
Discography
Main|Talking Heads discography
Talking Heads: 77 (September 16, 1977)
More Songs About Buildings and Food (July 14, 1978)
Fear of Music (album)|Fear of Music (August 3, 1979)
Remain in Light (October 8, 1980)
Speaking in Tongues (Talking Heads album)|Speaking in Tongues (May 31, 1983)
Little Creatures (album)|Little Creatures (July 15, 1985)
Talking Heads have been cited as influences by many artists, including Kate Bush , http://gaffa.org/reaching/iv85_m1.html Kate Bush – Reaching Out – Interviews and articles, Gaffaweb Sarah Blasko ,citation needed|date=March 2011 and Bell X1 (band)|Bell X1 .cite web|author=Matthew Magee|url= http://www.tribune.ie/article/2003/jul/27/clear-as-a-bell-x1/|title=Clear as a Bell X1|date=July 27, 2003|accessdate=March 4, 2011|work= Sunday Tribune The band Radiohead took their name from the Talking Heads song "Radio Head" from the 1986 album True Stories (Talking Heads album)|True Stories . http://www.greenplastic.com/band/ About Radiohead, biography 1992–1995 http://www.ateaseweb.com/2007/11/11/david-byrne-interviews-thom-yorke-for-wired/ David Byrne interviews Thom Yorke for Wired (magazine)|Wired (November 11, 2007)
References
Reflist
Further reading
David Bowman, This Must Be the Place: The Adventures of Talking Heads in the Twentieth Century (New York: HarperCollins, 2001). ISBN 0-380-97846-6.
David Gans (musician)|David Gans , Talking Heads (New York: Avon Books, 1985). ISBN 0-380-89954-X.
Krista Reese, The Name of This Book is Talking Heads (London: Proteus Books, 1982). ISBN 0-86276-057-7.
External links
commons category
official website| http://www.talking-heads.net/
cite web |url= http://music-mix.ew.com/2009/10/13/talking-heads-chris-frantz-on-25-years-of-stop-making-sense-and-the-possibility-of-a-heads-reunion/ |title=Talking Heads' Chris Frantz on 25 Years of 'Stop Making Sense' and the Possibility of a Heads Reunion |author=Clark Collis |date=October 13, 2009 |publisher= Entertainment Weekly|EW.com
Talking Heads Category:Talking Heads| Category:American punk rock groups Category:American New Wave musical groups Category:Musical quartets Category:Musical groups established in 1975 Category:Musical groups disestablished in 1991 Category:Musical groups from New York City Category:Sire Records artists Category:Rock and Roll Hall of Fame inductees
