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Biography
Refimprove|date=September 2010Infobox musical artist| image = Milt Jackson 1970s.jpg| caption = Milt Jackson, Village Jazz Lounge with the Bubba Kolb Trio, late 1970's.| image_size = | name = Modern Jazz Quartet| background = group_or_band| alias = MJQ, Milt Jackson Quartet| genre = Jazz | years_active = 1946–1974, 1981–1993| label = Savoy Records|Savoy , Prestige Records|Prestige (UK Esquire Records|Esquire ), Atlantic Records|Atlantic , Apple Records|Apple , Douglas Records| current_members = Milt Jackson John Lewis (pianist)|John Lewis Percy Heath Connie Kay | past_members = Kenny ClarkeThe Modern Jazz Quartet was an influential music group established in 1952 by Milt Jackson ( vibraphone ), John Lewis (pianist)|John Lewis ( piano , musical director), Percy Heath ( double bass ), and Kenny Clarke ( drum s). Connie Kay replaced Clarke in 1955. The quartet performed in several jazz styles, including bebop , cool jazz , and third stream .
History
Milt Jackson, John Lewis, and Kenny Clarke had originally played together in a quartet while in the Dizzy Gillespie orchestra from 1946 to 1950. Together with Ray Brown (musician)|Ray Brown they played during interludes designed to give the trumpeters time to recover from the challenging upper register trumpet parts. This line-up recorded as the Milt Jackson Quartet in 1951.
Bassist Percy Heath joined the line-up in 1952 and the group became known as The Modern Jazz Quartet after John Lewis took over as Musical Director, a position which Jackson and Lewis had previously shared.Allmusic|class=artist|id=p7150/biography
In their middle years the group often played with classical musicians, but their repertoire consisted mainly of bebop|bop and Swing (genre)|swing era standards. Among the original compositions from the band's book are "Django" by Lewis (a tribute to the Belgian jazz guitar player Django Reinhardt ), "Afternoon In Paris," also by Lewis, and Jackson's " Bags' Groove (composition)|Bags' Groove ", the latter borrowing its composer's nickname.
The group was first signed by Prestige Records|Prestige and later in the fifties with Atlantic Records|Atlantic . In the late 1960s, in between their two periods with Atlantic, they signed with Apple Records|Apple , the Beatles' label (the sole jazz group on the label), and released two albums: Under the Jasmine Tree (1968) and Space (The Modern Jazz Quartet)|Space (1969). Both Apple albums were re-released on one CD at the end of October 2010, with a previously unreleased rendition of the Beatles' " Yesterday (The Beatles song)|Yesterday " (recorded during sessions for Space (The Modern Jazz Quartet)|Space ) added as a bonus track. The MJQ came to Apple through the first head of the label, Ron Kass. Kass was a jazz fan, and Under The Jasmine Tree was recorded in America prior to signing with Apple. The second Apple album Space was recorded at London's Trident Studios under the supervision of Apple A& R man, Peter Asher (of Peter and Gordon ).
Jackson left the group in 1974 partly because he liked a freer flowing style of playing and partly because he was tired of playing for little money (compared to rock and roll stars). As there could be no Modern Jazz Quartet without the two principals Lewis and Jackson, the group disbanded after going out with a rollicking concert in November at Lincoln Center 's Avery Fisher Hall . In 1981 the MJQ reorganized to play festivals and later on a permanent six-months-per-year basis. The MJQ's last recording was issued in 1993. Heath, the last surviving member, died in 2005.
Style
The enigma of the MJQ's music-making was that each individual member could improvise with an exciting vibrancy but in toto the group specialised in genteel baroque counterpoint . Their approach to jazz attracted promoters who sponsored "jazz packet" concerts during the 1950s. One show would consist of several contrasting groups. The MJQ were ideal participants because no other group sounded like them. They provided a visual contrast as well, formally attired in their customary tuxedos.
The group played blues as much as they did fugue s, but the result was tantalising when one considered the hard-swinging potential of each individual player. Their best-selling record, Django (Modern Jazz Quartet album)|Django , typified their neo-classical approach to polyphony .
Discography
1952: The Quartet ( Savoy Records - Nippon Columbia )
1952: M.J.Q. ( Prestige Records )
1955: Concorde (album)|Concorde ( Prestige Records )
1956: Django (The Modern Jazz Quartet album)|Django (Prestige Records), recorded 1953-55
1956: Fontessa (Atlantic Records)
1956: At Music Inn - Guest Artist: Jimmy Giuffre (Atlantic Records)
1958: The Modern Jazz Quartet Plays One Never Knows - Original Film Score for " No Sun in Venice " (Atlantic Records)
1957: Modern Jazz Quartet: 1957 (Atlantic Records)
1958: At Music Inn - Guest Artist: Sonny Rollins (Atlantic Records)
1972: The Legendary Profile (Atlantic Records)cite web|url= http://tralfaz-archives.com/coverart/M/MJQ/mjq_legend.htm |title=Cover Art: The Modern Jazz Quartet - The Legendary Profile |publisher=Tralfaz-archives.com |date= |accessdate=2012-03-31
1973: The Art of The Modern Jazz Quartet/The Atlantic Years , 2-LP Anthology (Atlantic Records)
2005: The Modern Jazz Quartet: 35th Anniversary Tour
2007: 40 Years of MJQ
2008: Django
References
Reflist
External links
http://www.culturekiosque.com/jazz/portrait/MJQ.html 2003 Interview with Percy Heath
http://koti.mbnet.fi/ohuuska/index.html more about MJQ and recordings
Apple Corps DEFAULTSORT:Modern Jazz Quartet, The Category:Jazz fusion ensembles Category:Bebop ensembles Category:Cool jazz ensembles Category:African American musical groups Category:Atlantic Records artists Category:Apple Records artists Category:Prestige Records artists Category:American jazz ensembles
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