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2012 release, a collection of songs spearheaded by Tyler The Creator and featuring music from the entire Odd Future collective. Includes appearances from Tyler The Creator, Hodgy Beats, Frank Ocean, Leftbrain, Domo Genesis, Mike G, Syd The Kyd and The Internet.

There are 3 different covers available for this release. Covers are shipped out randomly

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2000 release from band featuring Russell Crowe, self-described as, 'Aussie folk', the critics describe it as sounding like an evolution from the Aussie pub rock tradition of Paul Kelly, Midnight Oil and Hunters & Collectors. Ten tracks including the radio only single, 'Things Have Got To Change'.

Created for the Element Skateboards film This Is My Element, the T.I.M.E. Soundtrack is the first of its kind: an original, artist-composed score crafted to the beat of polyurethane pounding pavement. Anticon veteran producer and beatsmith Odd Nosdam tailors each song to fit the style and cadence of the Element rider it accompanies. And on its own, quite simply, this album is a banger. From its opening moments, the T.I.M.E. Soundtrack menaces thump-driven destruction. T.I.M.E. sports an ominous SP1200-crunched beat that stomps into the fore like Godzilla into Nagasaki, while Nosdam's trademark pops and quirks flit overhead. The Chad Muska-inspired Trunk Bom aggressively boom-baps its way to rhythmic bliss via chopped breaks and arpeggiated synth, while Fly Mode (co-produced by Jel and fashioned after the fluid stylings of Brent Atchley) is a loping, folksy instrumental that blows through like a summer breeze. Throughout the T.I.M.E. Soundtrack, Nosdam's approach--decidedly upbeat, mobile, and spontaneous--cements the guitar-driven rollick of We Bad Apples to the funky minimalism of Zone Coaste; to the sweet toughness of Ethereal Slap. Elsewhere Nosdam proves his hand at big and grimey (Cop Crush for Bam Margera), melodic and gorgeous (Root Bark for Mike Barker, also co-produced by Jel), and heaving and stoney (One For Dallas for Levi Brown). Top Rank leaks in like steam over lo-bit guitars and a warm dubby bounce designed for child prodigy Nyjah Huston, then morphs into a slow-pulsing, textured epic just as apt for rolling--by board or by car--through any concrete jungle. But the second-to-last track Wig Smasher conceived for Tony Tave, sends the T.I.M.E. Soundtrack soaring to the stratosphere. The slow burn of steady organ builds and builds from a bedrock of record static, ambient fuzz, skittering drums and 808 bass, culminating in a five-alarm blaze of beat-driven sound collage. It's an anthemic near-end to a larger-than-life song cycle.

All products are BRAND NEW and factory sealed. Fast shipping and 100% Satisfaction Guaranteed.

Created for the Element Skateboards film This Is My Element, the T.I.M.E. Soundtrack is the first of its kind: an original, artist-composed score crafted to the beat of polyurethane pounding pavement. Anticon veteran producer and beatsmith Odd Nosdam tailors each song to fit the style and cadence of the Element rider it accompanies. And on its own, quite simply, this album is a banger.

From its opening moments, the T.I.M.E. Soundtrack menaces thump-driven destruction. T.I.M.E. sports an ominous SP1200-crunched beat that stomps into the fore like Godzilla into Nagasaki, while Nosdam's trademark pops and quirks flit overhead. The Chad Muska-inspired Trunk Bom aggressively boom-baps its way to rhythmic bliss via chopped breaks and arpeggiated synth, while Fly Mode (co-produced by Jel and fashioned after the fluid stylings of Brent Atchley) is a loping, folksy instrumental that blows through like a summer breeze.

Throughout the T.I.M.E. Soundtrack, Nosdam's approach--decidedly upbeat, mobile, and spontaneous--cements the guitar-driven rollick of We Bad Apples to the funky minimalism of Zone Coaste; to the sweet toughness of Ethereal Slap. Elsewhere Nosdam proves his hand at big and grimey (Cop Crush for Bam Margera), melodic and gorgeous (Root Bark for Mike Barker, also co-produced by Jel), and heaving and stoney (One For Dallas for Levi Brown). Top Rank leaks in like steam over lo-bit guitars and a warm dubby bounce designed for child prodigy Nyjah Huston, then morphs into a slow-pulsing, textured epic just as apt for rolling--by board or by car--through any concrete jungle. But the second-to-last track Wig Smasher conceived for Tony Tave, sends the T.I.M.E. Soundtrack soaring to the stratosphere. The slow burn of steady organ builds and builds from a bedrock of record static, ambient fuzz, skittering drums and 808 bass, culminating in a five-alarm blaze of beat-driven sound collage. It's an anthemic near-end to a larger-than-life song cycle.