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The Sundays

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Biography

Redirect|Sundays|the day|SundayInfobox musical artist|name = The Sundays|image = The Sundays.gif|caption = Paul Brindley, Harriet Wheeler, Patrick Hannan, and David Gavurin|background = group_or_band|origin = London , England|instrument =|genre = Alternative rock
Dream pop
Indie pop |years_active = 1988& ndash;1997|label = Rough Trade Records|Rough Trade
Geffen Records|Geffen
Parlophone |associated_acts = Jim Jiminee
Departure Lounge (band)|Departure Lounge
Star 69 (band)|Star 69 |past_members = David Gavurin
Harriet Wheeler
Patrick Hannan
Paul Brindley
The Sundays were an England|English alternative rock band. The band formed in the late 1980s and released three album s in the 1990s.

Career


The band's beginnings came with the meeting of Harriet Wheeler and guitarist David Gavurin at university. Wheeler had played concert|gigs with 'Cruel Shoes' an early incarnation of the band Jim Jiminee .Larkin, Colin, ed., Guinness Encyclopedia of Popular Music, vol 3, New England Pub. Associates,
Chester, CT:, 1992, page 2416.
http://www.vh1.com/artists/news/515522/19990625/sundays.jhtml VH1.com : The Sundays : The Sundays' Harriet Wheeler - Rhapsody Music Downloads The duo soon augmented the band with bassist Paul Brindley and drummer Patrick Hannan.

The Sundays secured a recording contract with Rough Trade Records . Their debut single (music)|single was " Can't Be Sure ". Their first album, Reading, Writing, and Arithmetic was released in 1990, along with their next single " Here's Where the Story Ends ". The album was a UK Top 5 hit.

With Rough Trade's financial troubles and the band's decision to manage themselves, The Sundays' next single, "Goodbye" did not emerge until 1992. Their next album, Blind (The Sundays album)|Blind arrived the same year, reaching the UK Top 15. Their cover version|cover of The Rolling Stones ' " Wild Horses (Rolling Stones song)|Wild Horses " appeared on the US release of Blind and on the soundtrack for the popular television show, "Buffy the Vampire Slayer". The band toured in support of these recordings.

In 1997 their third album, Static & Silence was followed by the release of their most successful single to date, "Summertime", which made the UK Top 15. The album itself reached the UK Top 10. However, the band has been on a lengthy hiatus since those releases, with Wheeler and Gavurin focusing on raising their two children.

History



1988: Formation


Vocalist Harriet Wheeler and guitarist David Gavurin met as students at Bristol University in the mid-1980s.cite web | url = http://www.vh1.com/artists/news/515522/19990625/sundays.jhtml | title = The Sundays' Harriet Wheeler | last = Tortorici | first = Frank | publisher = VH1 | date = 1999-06-26 | accessdate = 2011-03-30 Wheeler was from Reading, Berkshire|Reading , the daughter of an architect and a teacher, and studied English literature.cite book | url = http://www.enotes.com/contemporary-musicians/sundays-biography | title = Contemporary Musicians | editorn-last = McConnell | editorn-first = Stacy A. | last = Brennan | first = Carol | volume = 20 | year = 1997 | publisher = Gale (publisher)|Gale Cengage | ISBN = 978-0-7876-1177-4 | accessdate = 2011-03-30 Gavurin was from Wembley and actively pursued a degree in the Romance language s, particularly French and Spanish.cite journal | last = True | first = Everett | title = School's Out& #33; The Sundays | publisher = Melody Maker | pages = 24–25 | date = 1990-01-20 The two fell in love and began living together. Following graduation they wrote music in their free time while collecting unemployment benefits . Except for Wheeler's vocal duties in a band called Jim Jiminee ,cite web | url = Allmusic|class=artist|id=p5561|tab=biography|pure_url=yes | last = Erlewine | first = Stephen Thomas | title = The Sundays biography | publisher = Allmusic | year = 2011 | accessdate = 2011-03-30 the couple had no musical background. Commenting on his desire to compose, Gauverin said "It was something I'd always wanted to do, although I never wanted to be in a band when I was younger, like many kids do. It just dawned on me gradually." Wheeler displayed similar feelings: "There was never a time I wanted to be incredibly famous, or in a pop group," she said. "It just seemed a great thing to do to spend time working on something that's your own."

After the couple completed several songs& ndash;and migrated to London& ndash;they enlisted the support of bassist Paul Brindley and drummer Patrick Hannan, who had also attended Bristol University. The band chose the name "The Sundays" as it was the only one everyone could agree upon. Demo (music)|Demo tapes were sent out to several London clubs after the group felt energized by their efforts; Gavurin stated in a Rolling Stone interview that "...by the end of the year we were thinking, 'Hang on a minute, some of this music is good!'" Responses to the tape were enthusiastic and an employee at Vertigo Club offered the band an opening slot for an upcoming show in August 1988. "By chance there were three reviewers from the top music papers there," said Wheeler. "They were supposed to review the main band, but instead they wrote about us."cite journal | last = Punter | first = Jennie | title = No day of Rest For These Sundays | publisher = The Toronto Star | date = 1993-02-25 | page = E10 The group subsequently became the focus of a record label Bid price|bidding war , which author Peter Buckley described as a "frenzy".cite book | last = Buckley | first = Peter | title = The Rough Guide To Rock | publisher = Rough Guides | year = 2003 | pages = 1033–1034 | ISBN = 1-84353-105-4 They eventually signed with Rough Trade Records and had a distribution deal signed for the United States with DGC Records .

1989& ndash;1990: Reading, Writing and Arithmetic


The Sundays released their first Single (music)|single " Can't Be Sure " in January 1989, which topped British indie charts and received acclaim as one of the best singles of 1989. The group performed three songs in a session with popular disc jockey John Peel . These songs would later turn up on their debut album, Reading, Writing, and Arithmetic . The group worked on their debut for over a year. "A lot of bands who get signed, who have been playing the circuit for years, have 30 songs for the first album," said Gavurin. "But we didn't have enough for our first album, let alone our second. We can't write to deadline. You can't force a whole load of songs out quickly." Responding to whether the band felt pressured when working on the album, Wheeler responded "No, because to start off with, we're far more critical of ourselves than anyone else, and that's more a concern to us than what the press think." Gavurin also commented "The main pressure we felt was with the single, and even then, we thought, well, they're either going to like it or they're not, and there's not much we can do to influence that."

Reading, Writing and Arithmetic was released in April 1990 and became a commercial success, reaching No. four on the UK charts and peaking at No. 39 on the Billboard 200 in the United States.cite web | url = Allmusic|class=artist|id=p5561|tab=charts-awards|pure_url=yes | author = Allmusic staff | title = The Sundays charts and awards | work = Allmusic | publisher = All Media Guide|All Media Guide, LLC | year = 2011 | accessdate = 2011-02-21 It would later go on to sell over a half million copies worldwide. Critical reception was very positive; Rolling Stone writer Ira Robbins referred to it as "an alluring slice of lighter-than-air guitar pop, a collection of uncommonly good songs graced by Harriet Wheeler's wondrous singing."cite web | archiveurl = http://replay.waybackmachine.org/20080619085342/ http://www.rollingstone.com/artists/thesundays/albums/album/227636/review/5940330/reading_writing_and_arithmetic | archivedate = 2008-06-19 | last = Robbins | first = Ira | title = Reading, Writing and Arithmetic review | publisher = Rolling Stone | date = 1990-06-14 | accessdate = 2011-03-30 The single " Here's Where The Story Ends " was particularly successful in the USA due to radio play and MTV rotation. The Sundays devoted nearly a year to an "exhausting" promotional tour, which encompassed America, Europe, and Japan. The tour was considered successful, though it wasn't without some mishaps; a London show had to be rescheduled due to Wheeler losing her voice and the group experienced some bemusement when a Dallas| Dallas, Texas show was advertised with the slogan "See The Sundays on Sunday with ice-cream sundaes".

1991& ndash;1993: Blind


The band experienced some hardships leading up to the recording of their second album. In 1991 Rough Trade Records went bankrupt, which caused the band to sign with Parlophone Records in the UK. Their debut went out of print in the UK and would stay that way until 1996. Constant touring coupled with their decision to manage themselves hampered the group's creative output, which was already slow due to Gavurin and Wheeler, the main songwriters, "being chained by pokiness and perfectionism when it came to writing and recording music." Additionally, the band kept a "low public profile" which fueled rumors that the group had disbanded.cite web | url = http://www.vh1.com/artists/news/1097/19970903/sundays.jhtml | title = A Long Sundays' Journey Into Night | last = Budman | first = Matthew | publisher = VH1 | date = 1997-12-03 | accessdate = 2011-03-30 The Sundays eventually released a new single, "Goodbye", a minor hit, in Autumn 1992. The release came almost three years after their last UK show.

Their next album, entitled Blind (The Sundays album)|Blind was finally released in October 1992. The album experienced commercial success similar to their debut when it peaked at No. 103 on the Billboard 200, and sold nearly a half million copies. Critical reception was also positive, but some critics thought the album lacked the quality songwriting of its predecessor.cite web | url = Allmusic|class=album|id=R58462|pure_url=yes | last = Erlwine| first = Stephen Thomas | title = Blind review | work = Allmusic | publisher = All Media Guide|All Media Guide, LLC | year = 2011b | accessdate = 2011-03-30cite web | url = http://www.trouserpress.com/entry.php? a=sundays | last = Robbins | first = Ira | title = The Sundays biography | publisher = Trouser Press | year = 2011 | accessdate = 2011-03-30cite journal | last = Jenkins | first = Mark | title = Blind Finds The Sundays Off | publisher = The Washington Post | date = 1993-02-19 | page = N12 Despite ''Blind's'' initial appeal with audiences, it drifted off the charts by the summer of 1993. The Sundays toured Britain in winter of 1992. The shows were "rapturously received by fans starved of fresh product or gigs." An American tour was greeted with sold out shows. Gavurin explained that they weren't necessarily attempting to promote the new album: "A lot of people didn't see us the first time we played over here, and they want to hear earlier material. So we're playing half and half." In the end the tour was cut short in light of exhaustion and homesickness.

1994& ndash;1997: Static and Silence


The band vacationed in Thailand and decided to take a break upon returning to England. It would be five years before another album was released. During this time the only appearance of the band was their cover of " Wild Horses (The Rolling Stones song)|Wild Horses " by The Rolling Stones appearing in a 1994 American television commercial. Gavurin and Wheeler expressed a desire to settle down. The couple got married and gave birth to a baby daughter named Billie in February 1995. They also built a recording studio in their home, not only to save on the cost of renting a studio, but to expand their creative freedoms.
Their third, and so far, final album, Static & Silence , was released in the fall of 1997 to mixed reviews. http://www.allmusic.com/album/static--silence-r314633 AllMusic Guide Review Although the band retained much of the same sound that they'd developed on previous albums, they added horns to a number of tracks for Static & Silence . Although the album as a whole was not as successful as Reading, Writing, & Arithmetic , one of the singles from Static & Silence , "Summertime," became their most successful hit to date on the UK charts. However, on the U.S. charts, the single, though it made it to the 10th spot on the U.S. charts, was only The Sundays' third most successful single, lagging significantly behind "Here's Where the Story Ends" (which made it to number 1 on the U.S. charts) and "Love" (which made it to number 2). http://www.bbc.co.uk/music/reviews/vf8c BBC Album Review

Band members


  • Harriet Wheeler – Vocalist – born birth-date and age|26 June 1963.

  • David Gavurin – Guitarist – born birth-date and age|4 April 1963.

  • Paul Brindley – Bassist – born birth-date and age|6 November 1963.

  • Patrick (Patch) Hannan – Drummer – born birth-date and age|4 March 1966, Lymington , Hampshire .


  • Discography



    Albums


    YearDetailsPeak chart positionsCertifications
    ( List of music recording sales certifications
    UK
    cite web
    AUS
    cite web
    NZ
    cite web
    U.S.
    cite web
    1990 Reading, Writing, and Arithmetic
  • Released: 15 January 1990
  • Label: Rough Trade Records|Rough Trade
  • 4 40 39
  • British Phonographic Industry|BPI : Silver
  • RIAA : Gold
  • 1992Blind (The Sundays album)>Blind
  • Released: 19 October 1992
  • Label: Parlophone / Geffen Records|Geffen
  • 15 103
  • RIAA: Gold
  • 1997 Static & Silence
  • Released: 23 September 1997
  • Label: Parlophone/Geffen
  • 10 45 33 33
  • BPI: Silver


  • Singles


    YearSinglePeak Chart PositionsAlbum
    UK
    AUS
    cite web
    CAN
    cite web
    U.S.
    cite web
    U.S. Mod
    1989" Can't Be Sure "4574 Reading, Writing and Arithmetic
    1990" Here's Where the Story Ends "1
    1992"Love"2 Blind
    "Goodbye"2711
    1997"Summertime"15414810 Static and Silence
    "Cry"43
    "When I'm Thinking About You"


    B-sides/unreleased songs


  • "I Kicked a Boy" ( A-side and B-side|b-side of "Can't Be Sure", released on Reading, Writing and Arithmetic )

  • "Don't Tell Your Mother" (b-side of "Can't Be Sure", eventually appearing also on DGC Records|DGC Rarities Vol. 1 )

  • "Noise" (b-side of "Goodbye")

  • "Wild Horses" (b-side of "Goodbye", appearing also on US copies of Blind (The Sundays album)|Blind )

  • "Here's Where The Story Ends" Black Session (b-side of "Wild Horses" - US cassette single)

  • "Turkish" (only performed live, and at almost every concert on the Blind and Static and Silence tours)

  • "Something More" (unreleased)

  • "So Much" (only on the US version of Static and Silence )

  • "Skin & Bones" live (b-side of "Summertime")

  • "Here's Where The Story Ends" live (b-side of "Summertime")

  • "Nothing Sweet" (b-side of "Summertime")

  • "Gone" (b-side of (b-side of "Summertime")

  • "Can't Be Sure" demo (b-side of "Cry")

  • "You're Not The Only One I Know" demo (b-side of "Cry")

  • "Through The Dark" (b-side of "Cry")

  • "Life Goes On" (b-side of "Cry")


  • References


    Reflist
    The Sundays
    DEFAULTSORT:Sundays, The Category:English alternative rock groups
    Category:Dream pop
    Category:Musical groups disestablished in 1997
    Category:Rough Trade Records artists
    Category:Parlophone artists
    Category:Geffen Records artists
    Category:Musical groups established in 1988

    es:The Sundays
    fr:The Sundays
    pl:The Sundays
    pt:The Sundays

    Copyright Citations

    This article is licensed under the GNU License
    Click here for original article: The Sundays





          

     
       
     
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