UK-only five CD box set containing a quintet of albums from this influential singer/songwriter housed in mini-LP sleeves. Includes the albums Tim Buckley (1966), Goodbye And Hello (1967), Blue Afternoon (1969), Happy Sad (1969) and Lorca (1970). Rhino.

Comprehensive retrospective of the legendary singer/songwriter's groundbreaking, genre-defying work!

Often cited as the ultimate Tim Buckley statement, this LP includes Once I Was and Pleasant Street. 180 gram vinyl.

Originally recorded in 1968, this is the classic, critically acclaimed double live album, now on double vinyl. First released in 1990, it was a landmark in the re-discovery of the creative genius of Tim Buckley. Contains performances of ""Morning Glory"" and ""Once I Was."" 17 tracks over two LPs.

2011 two CD collection from the late singer/songwriter. Tim Buckley's work was remarkable for its reach and range, with numerous stylistic shifts, including Folk, sex-funk and a sort of vocal Avant-Garde Jazz, during his eight year recording career, from his December 1966 debut to Look At The Fool, released in November 1974, seven months before his death from an accidental heroin overdose, aged 28. As for his voice it was a dazzlingly flexible instrument, capable of octave leaps and the sort of daring normally expected of the free jazz giants. This best of charts this fearless artist's progress from teen folkie to starsailing voyager at the forefront of the radically unusual. Music Club Deluxe.

Digitally remastered and expanded deluxe two CD edition of the 1966 debut album from the Folk legend featuring a total of 34 bonus tracks including demos, acoustic versions and more.. Features the original songs produced by Elektra founder Jac Holzman and Paul Rothchild (The Doors producer), engineered by Bruce Botnick (The Doors and Love engineer), featuring jangle-fried guitar by Lee Underwood and twinkling, reeling keyboards from Van Dyke Parks, with strings arranged by Jack Nitzsche. Tim was a ferociously compelling live performer, so the collaboration of all of these amazing producers was probably necessary to capture his spirit so well. It's unbelievable this debut has languished out of print for so long, as Buckley was supremely precocious even when concocting richly harmonizing freak-pop confections.

1996 reissue on Warner Brothers of th late singer- songwriter's 1972 live album for the label, recorded in Los Angeles in 1971. Features seven tracks, including 'Move WithMe' and 'Nighthawkin'.

This previously unreleased recording was captured by folk impresario Izzy Young at his famed Folklore Center located at 321 Sixth Avenue, which served as a nexus for up-and-coming singer-songwriters during the folk boom of the late '60s. The entire night's concert, performed in front of about 35 people, is presented in its original running order of 16 songs, six of which are Tim Buckley compositions that have never appeared on any studio or live album. The CD package includes an unpublished interview with Buckley conducted by Izzy Young on March 17th & 18th, 1967, along with new notes from Young. The album was produced for release by Tompkins Square label's Josh Rosenthal in cooperation with Buckley's Estate, and mastered from the original tapes by Grammy-winning engineers Steve Rosenthal, Warren Russell-Smith and Jamie Howarth.

Tim Buckley (1947-1975) was among the most adventurous and influential singer-songwriters of the `60's and `70's, releasing nine studio albums in his career. Buckley's music continues to deeply inspire new fans and artists with each passing year. 'Live at the Folklore Center', the earliest live recording among several others commercially available, showcases Buckley in an intimate, solo acoustic setting, highlighting his magical guitar playing and soaring vocal style.

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Digitally remastered and expanded deluxe two CD edition of the 1966 debut album from the Folk legend featuring a total of 34 bonus tracks including demos, acoustic versions and more.. Features the original songs produced by Elektra founder Jac Holzman and Paul Rothchild (The Doors producer), engineered by Bruce Botnick (The Doors and Love engineer), featuring jangle-fried guitar by Lee Underwood and twinkling, reeling keyboards from Van Dyke Parks, with strings arranged by Jack Nitzsche. Tim was a ferociously compelling live performer, so the collaboration of all of these amazing producers was probably necessary to capture his spirit so well. It's unbelievable this debut has languished out of print for so long, as Buckley was supremely precocious even when concocting richly harmonizing freak-pop confections.