Transporting the sound of shoegazer aesthetics into an electronic context, this is how Ulrich Schnauss once described his artistic goal. Influenced by bands such as My Bloody Valentine, Slowdive, Cocteau Twins and Chapterhouse on the one hand, yet wholly at ease with the electronica of bands like The Orb, Bionaut, Orbital, 808 State and unequivocally appreciative of veterans of the genre, Tangerine Dream or Manuel G"ttsching, for example. A brother in spirit to Robin Guthrie, one might say -- an apposite epithet for Schnauss. His collaborative partner Mark Peters might also be considered his soul brother. Through his band, Engineers, he has similarly found success in following in the footsteps of his musical paragons. Engineers have released wonderful albums of dream-pop, infused with the same spirit as the solo efforts of Schnauss. Peters and Schnauss have been friends for many years and over a year ago, Schnauss joined the ranks of Engineers. For the past couple of years, they have been meeting up sporadically and making music. The fruits of these sessions served as the basis for the ten tracks on this joint album. More used to traditional songwriting, the working process was new to Peters. In the absence of conventional structures, the sole aim of creating an atmosphere was an approach he was somewhat unfamiliar with, but one he found liberating. Working only at night was a decisive factor for Peters, lending the music a somnambulant quality -- an effect that was intentional, striving to create something which cannot be ascribed to a particular musical category or zeitgeist. For Schnauss meanwhile, conjuring up an atmosphere through music is the most normal thing in the world: he creates music for those little escapes. On this latest album, Schnauss brings the piano more into play than usual, which enhances the overall impression splendidly. Underrated Silence is a quiet album, for the most part. Its multi-layered fabric reveals something new every time one listens to it -- a wealth of fresh discoveries, new rhythms emerging from the sound cloud, hitherto unnoticed melodies illuminating the background. Schnauss and Peters have crafted music which is enchanting in the truest sense of the word -- shimmering sounds, floating echoes, rhythmically reverberant chords which wrap themselves around the listener, lifting you into a state of suspension and carrying you gently away.

The domestic version of Schnauss' second album, originally released by Berlin/Manchester's City Centre Offices in May '03. Fuses the ambient electronics of Eno & Boards of Canada with Slowdive & My Bloody Valentine, with an emphasis on melody.

Ulrich's third album marks his first new release in four years. "An altogether lusher, more slouched, musical approach. The results have strong echoes of My Bloody Valentine or a turbo-charged Brian Eno..." - Music Week (May 2007). "A triumph of simplicity over pretension, of melody and harmony over pops and clicks and of the humane over the elusive" - Impose.

A Collection remixes done by electronic arist Ulrich Schnauss. Remixes: Setting Sun (Howling Bells), Ghost in the Graveyard (A Sunny Day in Glasgow), Faithful Friend (Katharina Kranck), Out to Sea (Madrid), Strawberries (Asobi Seksu), Remembrane (Dragons), Halo (Aus), Supervitesse (Mahogany), Lunz, Coastline (Rachel Goswell), Chinese Letter (the High Violets), Story of the Eye (Mark Gardner), Make Sense and Loose (I'm Not a Gun), Bluebird of Happiness (Mojave 3).

The long-awaited domestic release of Ulrich's dreamy 2001 debut. His 2004 set, "Strangely Isolated Place" was a hit with shoegazer and electronic fans alike, and toured with much fanfare in support of M83. Includes a 6-track bonus EP of non-LP material

Schnauss returns after last year's acclaimed third album, "Goodbye", with this "Stars" EP, highlighting the standout track with a new edit, remixes, and a new version of "Look At The Sky". The MAPS remix takes "Stars" to a new level of hyperactive electronic dream pop, while the Mahogany remix is a dense and spacey turn on the track with layers of added textures.

The domestic version of Schnauss' second album, originally released by Berlin/Manchester's City Centre Offices in May '03. Fuses the ambient electronics of Eno & Boards of Canada with Slowdive & My Bloody Valentine, with an emphasis on melody.

Transporting the sound of shoegazer aesthetics into an electronic context, this is how Ulrich Schnauss once described his artistic goal. Influenced by bands such as My Bloody Valentine, Slowdive, Cocteau Twins and Chapterhouse on the one hand, yet wholly at ease with the electronica of bands like The Orb, Bionaut, Orbital, 808 State and unequivocally appreciative of veterans of the genre, Tangerine Dream or Manuel G"ttsching, for example. A brother in spirit to Robin Guthrie, one might say -- an apposite epithet for Schnauss. His collaborative partner Mark Peters might also be considered his soul brother. Through his band, Engineers, he has similarly found success in following in the footsteps of his musical paragons. Engineers have released wonderful albums of dream-pop, infused with the same spirit as the solo efforts of Schnauss. Peters and Schnauss have been friends for many years and over a year ago, Schnauss joined the ranks of Engineers. For the past couple of years, they have been meeting up sporadically and making music. The fruits of these sessions served as the basis for the ten tracks on this joint album. More used to traditional songwriting, the working process was new to Peters. In the absence of conventional structures, the sole aim of creating an atmosphere was an approach he was somewhat unfamiliar with, but one he found liberating. Working only at night was a decisive factor for Peters, lending the music a somnambulant quality -- an effect that was intentional, striving to create something which cannot be ascribed to a particular musical category or zeitgeist. For Schnauss meanwhile, conjuring up an atmosphere through music is the most normal thing in the world: he creates music for those little escapes. On this latest album, Schnauss brings the piano more into play than usual, which enhances the overall impression splendidly. Underrated Silence is a quiet album, for the most part. Its multi-layered fabric reveals something new every time one listens to it -- a wealth of fresh discoveries, new rhythms emerging from the sound cloud, hitherto unnoticed melodies illuminating the background. Schnauss and Peters have crafted music which is enchanting in the truest sense of the word -- shimmering sounds, floating echoes, rhythmically reverberant chords which wrap themselves around the listener, lifting you into a state of suspension and carrying you gently away.

Ulrich's third album marks his first new release in four years. "An altogether lusher, more slouched, musical approach. The results have strong echoes of My Bloody Valentine or a turbo-charged Brian Eno..." - Music Week (May 2007). "A triumph of simplicity over pretension, of melody and harmony over pops and clicks and of the humane over the elusive" - Impose.

Ulrich's third album marks his first new release in four years. "An altogether lusher, more slouched, musical approach. The results have strong echoes of My Bloody Valentine or a turbo-charged Brian Eno..." - Music Week (May 2007). "A triumph of simplicity over pretension, of melody and harmony over pops and clicks and of the humane over the elusive" - Impose.