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Biography
Mergefrom|Bryan Erickson (musician)|date=February 2010Primary sources|article|date=April 2007Infobox musical artist| name = Velvet Acid Christ| image =| background = group_or_band| origin = Westminster, Colorado|Westminster , Colorado , United States|U.S. | genre = Electro-Industrial | years_active = 1990& ndash;present| label = dependent (record label)|dependent , EDT, Metropolis Records|Metropolis , Off-Beat, Pendragon.| website = http://www.velvetacidchrist.com VelvetAcidChrist.com| current_members = Bryan Erickson (musician)|Bryan Erickson | Velvet Acid Christ ( VAC ) is an electro-industrial band (music)|band based in Denver, Colorado . The band was formed in 1990, gaining limited popularity in Europe's Underground music|underground nightclub scene during the mid-1990s before expanding into other markets in the gothic rock|goth and industrial subculture s. The band's discography includes 12 albums.
Bryan Erickson (musician)|Bryan Erickson has been the lead singer|vocalist , musician , and Record producer|producer behind Velvet Acid Christ. The band came out of another band called "Toxic Coma". Toxic Coma has more cds than Velvet Acid Christ and recently released a new LP "Satan Rising" on metropolis records. Toxic Coma is the ID and the more bizarre messed up side of Disease Factory. Black Humor, techno and industrial fused.
Musical style
The majority of the band's work is categorized among the genres of industrial music|industrial , Gothic rock|Gothic , electro-industrial , and Electronic Body Music|EBM . The band's tone ranges between angry, upbeat, sad, and psychedelic . The band's lyrical content offers a varied focus, including such topics as love, hate, Depression (mood)|depression , misanthropy , recreational drug use|drugs , and religion . Erickson is the group's main songwriter.
Much of Velvet Acid Christ's musical composition has been produced with synthesizers and computer software (see Computer music ). Other instruments used by the band include Music sequencer|sequencers such as drum machine s and electric guitar s with effects pedal s.cite news |url= http://web.archive.org/web/20041010222542/www.velvetacidchrist.com/gear.htm |publisher=Velvet Acid Christ Website |title=VAC: Gear |date=2007-11-01 Sampling (music)|Sampling , which is the use of sound clips as part of a new recording, is another technique commonly employed by the band.
Influences
The band cites many musical influences, including among many others Aphex Twin , Rush (band)|Rush , Skinny Puppy , Cocteau Twins , The Cure and Siouxsie and The Banshees
History
Early projects, early changes, and first albums (1990& ndash;1995)
In the early 1990s, Erickson and Grigory Bilham, both residents of Colorado, brought together their shared interest in creating music to record a series of Demo (music)|demos . With the addition of Gary Slaughter and Chris Workman, the group attempted several bands, including Disease Disco Factory, a parody of then-popular Dance music|dance group C+C Music Factory , and Toxic Coma.Citation needed|date=November 2007 Following a turbulent period for Erickson and Slaughter, Workman left the group.Primary section source. http://web.archive.org/web/20041010224540/www.velvetacidchrist.com/timeline.htm VAC: Time Line Velvet Acid Christ Website Accessed 2007-11-01 Slaughter and Erickson experimented with two new side-projects, Cyber Christ and Vortex. Cyber Christ explored a harsh and melancholy sound that was a sharp contrast to the group's other projects. When Erickson discovered that the term "cyber Christ" had been used in the 1992 film The Lawnmower Man (film)|The Lawnmower Man , he renamed the band Velvet Acid Christ "in honor of a bad LSD|acid trip".cite news |url= http://members.shaw.ca/Redscreams/VAC/about.htm |publisher=Velvet Acid Christ Fanlisting |title=Velvet Acid Christ Website // About |date=2007-11-01 The Vortex project was merged into Velvet Acid Christ to form one body of work.
In 1994, Workman returned to assist with the band's self-produced Gothic-styled demo tape, Fate . Given encouraging response from friends, the band followed up with other self-produced albums, 1994's Pestilence , a dance-oriented album, and 1995's Neuralblastoma , a harder-sounding album.
Erickson, along with friends and minor contributors Steve Bird and Dan Olson, started the brief-lived record label Electro Death Trip (EDT) Records to better promote these recordings. In 1995, the three began distributing hand-made CD copies of Fate , Pestilence, and Neuralblastoma for resale in local music shops.
Label interest, touring, and a troubled rise (1996& ndash;2000)
Slaughter and Workman temporarily left the band during the first half of 1996 as Erickson continued the project alone, handing out copies of Velvet Acid Christ's recordings to industry representatives, including musician Bill Leeb of industrial pioneer Front Line Assembly . Leeb passed the music to Thorsten Stroht, a media promoter with European label Off-Beat Records. Off-Beat A& R negotiated a deal with the band.
For their first Off-Beat release, the group submitted 1996's Church of Acid , a compilation of selected tracks from Velvet Acid Christ's first three albums with an additional two new tracks, "Disflux" and "Futile". Church of Acid was well received in Europe, and "Futile" became a regularly played track in many nightclub s across the continent.cite news |url= http://www.lastsigh.com/interviews99/vacjune99.htm |publisher=Last Sigh Magazine |title=Bryan Erickson of Velvet Acid Christ -- An Interview / Fun With Knives |date=2005-08-14 In 1997, United States label Pendragon Records released Church of Acid in America, though the two new tracks were removed due to a lack of trademark clearance for Television programs|television samples used in the songs.cite news |url= http://www.sonic-boom.com/~jester/interview/velvet.acid.christ.interview.html |publisher=Sonic Boom |title=Interview: Velvet Acid Christ - 12/9/97 |date=2006-05-17
The band's next album, Calling Ov the Dead , was rejected by Off-Beat for not sounding edgy enough.,cite news |url= http://web.archive.org/web/20041010223954/www.velvetacidchrist.com/lyrics.htm |publisher=Velvet Acid Christ |title=VAC: Lyrics |date=2006-05-17 prompting Slaughter's permanent departure. With the assistance of Bird and Olson, the band addressed the label's concerns and released Calling Ov the Dead in late 1997, with American distribution following through Pendragon in 1998. In the process, Erickson had accumulated a substantial financial debt .
With a line-up consisting of Erickson, Stroht and German musician Ingo Beitz, the band toured Europe in 1998 with Off-Beat label-mate Suicide Commando , which attracted the attention of Metropolis Records , the largest industrial label in United States. The parent label of Pendragon, Metropolis distributed the album Neuralblastoma , a partnership that would endure.
Velvet Acid Christ spent the majority of 1999 in the studio, first collaborating with Germany's Funker Vogt on a remix Extended play|EP entitled Velvet Acid Christ Vs Funker Vogt: The Remix Assault , then shifting to Velvet Acid Christ's next full-length recording, Fun With Knives . With Workman an occasional contributor, Erickson sought production assistance on Fun With Knives from the bands Luxt and 4th New Army. Fun With Knives , released by Metropolis and new Off-Beat sublabel dependent (record label)|dependent , became the band's best-selling album. Sales were propelled by the Single (music)|singles "Decypher" and "Fun With Drugs", and by the track "Slut", which featured vocals from Luxt's Anna Christine.
In spite of the success of the band, stress had led Erickson into Depression (mood)|depression and increased drug abuse, which channeled into the creation of the band's next album, Twisted Thought Generator . Simultaneously, the band toured Europe with industrial acts Project X and Stromkern and toured the United States and Canada with bands Din_Fiv and Haujobb . The line-up of the band during this period was unstable. Workman, citing a conversion to Christianity, resigned the band with a request that his name be retracted from all previous albums. The first leg of the European tour consisted of Erickson, Bird and Stroht; the second leg, Erickson and Olson. The North American tour was performed by Erickson, Stroht and drummer Paul Lipman. With various contributors, Erickson completed Twisted Thought Generator . Due to lingering disputes, he withdrew the band from Dependent Records and submitted the album to Metropolis.
A change of pace, new early material, and beyond (2001& ndash;)
Erickson placed Velvet Acid Christ on a short hiatus in 2001, as he abandoned his dependence on drugs in favor of exercise and a Veganism|vegan raw foodist diet. Newly clean, Erickson created the 2003 album Hex Angel|Hex Angel: Utopia/Dystopia . Though critical response was mixed, Hex Angel: Utopia/Dystopia ranked #1 on Germany's Deutsche Alternative Charts (DAC) for four weeks after its release, and the album's single, "Pretty Toy", reached #18 on the Billboard magazine|Billboard Alternative Chart during the same year.Citation needed|date=November 2007 The album also marked the band's short-lived return to Dependent Records.
Erickson spent 2004 releasing and reissuing some of Velvet Acid Christ's earliest material. With the four-volume compilation series Between the Eyes , the band published a collection of its singles and B-side s, then followed with subsequent re-releases of Fate ( Vol. 2 ), Pestilence ( Vol. 3 ), and Neuralblastoma ( Vol. 4 ). The band also offered free MP3 downloads of Twisted Thought Generator|Dimension 8 and Oblivion Interface on its website until early 2005. Dimension 8 , which had been available as a hidden bonus on Twisted Thought Generator , and Oblivion Interface (informally known as Between the Eyes, Vol. 5 ) provided fans with previously unheard work from the Cyber Christ-Vortex era of 1991& ndash;1994.
In 2005, Erickson collaborated with guitarist Todd Loomis on a new album, Lust for Blood (album)|Lust for Blood , which was released on 26 September 2006. With Lust for Blood , the crew labored intensively to create a new overall sound while maintaining the band's original characteristics. Following its release, Lust for Blood ranked at the top of Germany's DAC for four weeks; the album's single release, Wound (song)|"Wound" , ranked on the DAC's singles chart for eight weeks http://www.adream.de/files/charts_39.pdf Deutsche Alternative Charts 29.09.2006, 2006-09-28, retrieved 2009-11-25 and held the #1 position for four weeks.Citation needed|date=November 2007 http://www.velvetacidchrist.com/2009/09/13/new-velvet-acid-christ-song-black-rainbows/ Velvet Acid Christ blog Velvet Acid Christ Website. Accessed September 15, 2009.
In October 2009 Velvet Acid Christ, Erickson wrote most of the lp, Loomis did a little work on it and was busy working on his project "The Twilight Garden", released The Art of Breaking Apart This lp was a tribute to bands like Current 93 and Death In June and brought vac many new fans while making the rivetheads angry.
2010-2011 Bryan Erickson teamed up with William Anderson of Louisiana, William did a ton of sampling, Bryan Made a bunch of VAC b-sides and turned them into Toxic Coma tracks. The project is very old with a revolving door of members again Bryan being the main constant. This lp fuses the Techno sound of fun with knives and the brutal black humor of Toxic Coma and gives you a ride into SATAN DISCO LAND. Check out This VAC Side Project now. Toxic Coma "SATAN RISING" IS out on metropolis Records.
2011-2012 Velvet Acid Christ is now solely Bryan Erickson, aka Disease Factory(musician name) aka Hexfix93(producer name). The new LP's working title is "MALDIRE" It is a throw back to the Calling of the dead era of vac and even earlier. Lots of arpeggio synth lines inspired by the legendary pink dots. Industrial beats inspired by old Wumpscut. A toy box of evil. Very dance friendly, incorporates new styles like Witchhouse, and synthwave. Still being true to its industrial musical roots. The new Velvet Acid Christ is now being produced in the renoise tracker. Same way the last Toxic Coma LP "SATAN RISING" was made. Very loud mixes, aggressive and in your face. Maldire will bring VAC back with a vengeance in 2012. Be on the look out. He is covering Edward Kaspel's "EVEN NOW" track, said to be trippy dance sci fi industrial.
Audio samples
multi-listen startmulti-listen item || filename = Velvet_acid_christ_fwd.ogg | title = "Fun With Drugs" , from Fun With Knives (0:27, 232KB) | description = Trance-influenced track which employs clips from the 1998 film Fear and Loathing in Las Vegas . |multi-listen item || filename = Velvet_acid_christ_hand.ogg | title = "The Hand (Violent Trance Mix)" , from Calling Ov the Dead (0:29, 237KB) | description = Dark, percussive single inspired by the 1996 video game Harvester (video game)|Harvester .
cite news |url= http://web.archive.org/web/20041029051717/www.velvetacidchrist.com/zthehandviolent.htm |publisher=Velvet Acid Christ |title=VAC: The Hand |date=2005-12-09
|multi-listen item || filename = Velvet_acid_christ_pretty.ogg | title = "Pretty Toy" , from Hex Angel: Utopia/Dystopia (0:29, 232KB) | description = In Erickson's words, "i call this my gothic love song. The big drums and the pretty guitars and stings just make this one of my favorite vac songs of all time."
|multi-listen item || filename = Velvet_acid_christ_slut.ogg | title = "Slut" , from Fun With Knives (0:29, 228KB) | description = A haunting, piano-laced track featuring vocals by Luxt's Anna Christine. |multi-listen item || filename = Velvet_acid_christ_whtswhtk.ogg | title = "We Have To See We Have To Know" , from Church Of Acid (0:29, 244KB) | description = An expansive instrumental composed in the project's earlier days. |multi-listen end
Neuralblastoma (CDr Album, Ltd. Edition) 1995 Electric Depth Trip Records (CD Album, Ltd. Edition 2500 copies) 1998 Metropolis (US) (CD Album, Ltd. Edition 2500 copies) 1998 Off Beat (EU) (CD Album, Repress) 2004 Synthetic Symphony (EU)
Church of Acid (CD) 1996 Off Beat (EU) (CD) 1997 Pendragon Records (US)
Calling Ov the Dead (CD Album) 1998 Pendragon Records (US), Off Beat (EU) (CD Album, Reissue) 2002 Synthetic Symphony (CD Album, Reissue) 2006 Synthetic Symphony
Fun with Knives (CD Album) 1999 Metropolis (US) (CD Album) 1999 Dependent Records (EU)
Fun with Razors (CD Album + Mini CD, Ltd. Edition Box) 1999 Dependent Records
Velvet Acid Christ Vs Funker Vogt: The Remix Assault|The Remix Wars: Strike 4 Velvet Acid Christ vs. Funker Vogt (CD) 1999 Metropolis (US), Off Beat (EU) (CD) 2002 Synthetic Symphony
Twisted Thought Generator (CD Album, Enhanced) 2000 Metropolis
Dimension 8 (MP3 Files) 2000, no label (on "Twisted Thought Generator" CD as a data track, also released online for free, temporarily)
Hex Angel|Hex Angel: (Utopia - Dystopia) (CD Album) 2003 Dependent Records (EU), Metropolis (US) (CD Album, Ltd. Edition Box) 2003 Dependent Records (EU), Metropolis (US)
Oblivion Interface (MP3 Files) 2004, no label (released online for free, temporarily)
Between the Eyes Vol. 1 (CD) 2004 Metropolis (singles compilation)
Between the Eyes Vol. 2 (CD) 2004 Metropolis (re-release of "Fate")
Between the Eyes Vol. 3 (CD) 2004 Metropolis (re-release of "Pestilence")
Between the Eyes Vol. 4 (CD) 2004 Metropolis (re-release of "Neuroblastoma beta")
Lust for Blood (album)|Lust for Blood (CD Album) 2006 Metropolis
The Art of Breaking Apart (album)|The Art of Breaking Apart (CD Album) 2009
New Album - (CD Album) 2012
EPs
Decypher (CD Maxi) 1999 Metropolis
Fun with Drugs (CD Maxi) 1999 Dependent Records
Dial 8 (CD Maxi) 2001 Metropolis
Pretty Toy (CD Maxi) 2003 Dependent Records (EU), Metropolis (US)
Wound (CD Maxi) 2006 Metropolis
Compilation appearances
The Tyranny Off the Beat Vol. III (CD) 1996, Track #3 "Futile (LSD-Mix)" Off Beat
The Gothic Compilation Part VI (CD) 1997, Track #9 "The Dead Part I" Gothic Records (Germany)
The O-Files Vol. 2 (CD) 1997, Track #8 "The Hand (Aggro Trash Mix)", Track #9 "The Hand (Cut Throat Psycho Rave Mix)" and Track #10 "Killing Me" Off Beat
The Tyranny Off the Beat Vol. IV (2xCD) 1996, Disc #2, Track #8 "Malfunction" Off Beat
Apocalypse Now Vol. 2 (2xCD) 1998, Disc #2, Track #2 "The Hopeless" Sub Terranean
Binary Application Extension 05 (CD) 1998, "Amphetamine OD (Fuck Off Sage for Not Putting Futile on this Disc Mix)" Genocide Project
Elektro Discharge (CD) 1998, Track #3 "Save Me From Love" DSBP
Moonraker Vol. IV (2xCD) 1998, Disc #2, Track #10 "The Hand (Violent Trance Mix)" Sub Terranean
Quadrophobia V.1 (CD) 1998, Track #12 "The Hand (Aggro Trash Mix)", Track #13 "The Hand (Cut Throat Psycho Rave Mix)" and Track #14 "Killing Me" Pendragon Records
The Tyranny Off the Beat Vol. V (2xCD) 1998, Disc #1, Track #11 "Melting (Unreleased Track)" Off Beat
We Came to Dance Indie Dancefloor Vol. 11 (2xCD) 1998, Disc #2, Track #3 "Timeless Visions" Sub Terranean
Der Seelen Tiefengrund 3: Music for Candlelight & Redwine (2xCD) 2001, Disc #2, Track #10 "Repulsive (Necropolis Mix)" Zoomshot Media Entertainment
Electro Club Attack The Classix I (2xCD) 2001, Disc #2, Track #12 "Disflux (Feed Back Mix)" XXC