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Biography
No footnotes|date=September 2008 Tomaso Giovanni Albinoni (8 June 1671 & ndash; 17 January 1751) was an Italian Baroque music|Baroque composer . While famous in his day as an opera composer, he is mainly remembered today for his instrumental music, such as the concertos, some of which are regularly recorded.
Biography
Born in Venice , Republic of Venice , to Antonio Albinoni, a wealthy paper merchant in Venice, he studied violin and singing . Relatively little is known about his life, especially considering his contemporary stature as a composer, and the comparatively well-documented period in which he lived. In 1694 he dedicated his Opus 1 to the fellow-Venetian, Cardinal Pietro Ottoboni (grand-nephew of Pope Alexander VIII ); Ottoboni was an important patron in Rome of other composers, such as Arcangelo Corelli . Albinoni was possibly employed in 1700 as a violinist to Charles IV, Duke of Mantua , to whom he dedicated his Opus 2 collection of instrumental pieces. In 1701 he wrote his hugely popular suites Opus 3, and dedicated that collection to Cosimo III de' Medici, Grand Duke of Tuscany .
In 1705, he was married; Antonino Biffi, the maestro di cappella of San Marco di Venezia|San Marco was a witness, and evidently was a friend of Albinoni's. Albinoni seems to have no other connection with that primary musical establishment in Venice, however, and achieved his early fame as an opera composer at many cities in Italy, including Venice, Genoa , Bologna , Mantua, Udine , Piacenza , and Naples . During this time he was also composing instrumental music in abundance: prior to 1705, he mostly wrote trio sonata s and violin concerto s, but between then and 1719 he wrote solo sonata (music)|sonatas and concertos for oboe .
Unlike most composers of his time, he appears never to have sought a post at either a Church (building)|church or noble court , but then he was a man of independent means and had the option to compose music independently. In 1722, Maximilian II Emanuel, Elector of Bavaria , to whom Albinoni had dedicated a set of twelve concerto s, invited him to direct two of his operas in Munich .
Around 1740, a collection of Albinoni's violin sonatas was published in France as a posthumous work, and scholars long presumed that meant that Albinoni had died by that time. However it appears he lived on in Venice in obscurity; a record from the parish of San Barnaba indicates Tomaso Albinoni died in Venice in 1751, of diabetes.
Music and influence
see|List of compositions by Tomaso AlbinoniHe wrote at least fifty operas of which twenty-eight were produced in Venice between 1723 and 1740. Albinoni himself claimed 81 operas (naming his second-to-last opera, in the libretto, as his 80th)..Michael Talbot, "Tomaso Albinoni", Grove Music Online. Oxford Music Online, http://www.oxfordmusiconline.com/subscriber/article/grove/music/00461 (accessed 30 December, 2011). http://www.baroquemusic.org/bqxalb.html In spite of his enormous output of operas, today he is most noted for his instrumental music, especially his oboe concertos. He is the first Italian known to employ the oboe as a solo instrument in concerti (c. 1715, in his masterful 12 concerti a cinque, op. 7) and publish such works,George J. Buelow, http://books.google.gr/books? id=aw1TTtpp4FwC& pg=PA467& lpg=PA467& dq=Albinoni+first+oboe+concert& source=bl& ots=ls0MIHkvul& sig=NFEKmQ3yDDPIUtXIS2Jjo1iyaIY& hl=el& ei=umcFTfGwEImaOqmkoKYB& sa=X& oi=book_result& ct=result& resnum=8& ved=0CFkQ6AEwBzgK#v=onepage& q=Albinoni%20first%20oboe%20concert& f=false A history of baroque music , Indiana University Press, 2004, p. 467. although earlier concerti featuring solo oboe were probably written by German composers such as Telemann or Handel|Händel . In Italy, Alessandro Marcello published his well known oboe concerto in D minor a little later, in 1717. Albinoni also employed the instrument often in his chamber works.
His instrumental music greatly attracted the attention of Johann Sebastian Bach , who wrote at least two fugue s on Albinoni's themes (Fugue on a Theme by Albinoni in A, BWV 950, Fugue on a Theme by Albinoni in B minor, BWV951) and constantly used his Bass (sound)|basses for harmony exercises for his pupils. Part of Albinoni's work was lost in World War II with the destruction of the Saxon State Library|Dresden State Library . As a result, little is known of his life and music after the mid-1720s. The famous Albinoni Adagio in G minor for violin, strings and organ, the subject of many modern recordings, was originally published by Remo Giazotto , who later claimed the work to be his own.
Notes
Reflist
References
Eleanor Selfridge-Field, Venetian Instrumental Music, from Gabrieli to Vivaldi. New York, Dover Publications, 1994. ISBN 0-486-28151-5
Michael Talbot: "Tomaso Albinoni", Grove Music Online ed. L. Macy (Accessed June 25, 2005), http://www.grovemusic.com (subscription access)
Franco Rossi: Catalogo Tematico delle composizioni di Tomaso Albinoni Tomo I - Le 12 opere strumentali a stampa - edition " I Solisti Veneti ", Padova 2002
Franco Rossi: Catalogo Tematico delle composizioni di Tomaso Albinoni Tomo II - Le opere strumentali manoscritte - Le opere vocali - I libretti - edition " I Solisti Veneti ", Padova 2003
Persondata | NAME = Albinoni, Tomaso | ALTERNATIVE NAMES = | SHORT DESCRIPTION = | DATE OF BIRTH = 8 June 1671 | PLACE OF BIRTH = | DATE OF DEATH = 17 January 1751 | PLACE OF DEATH = DEFAULTSORT:Albinoni, Tomaso Category:1671 births Category:1751 deaths Category:Italian classical violinists Category:Italian composers Category:Baroque composers Category:Opera composers Category:People from Venice (city)
